Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · Rock Fusion The Max Allen Band
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Rock Fusion The Max Allen Band

Kristi Kates - June 27th, 2011
Rock Fusion The Max Allen Band
By Kristi Kates

Most of today’s up and coming bands - with good reason - don’t like to be pigeonholed, nor do they like to be limited. Indianapolis band Max Allen Band, who will be performing in Traverse City the first week of July, are no exception.
“This band has been influenced by way too many genres and artists to list,” Max Allen explains. “We like to call what we do ‘rock fusion’ - there’s some rock, rap, Latin, funk, blues, bluegrass, baroque, R&B, electronica - if it sounds good and it moves us, we’ll play it.”
See for yourself when the band plays the Loading Dock in TC this Friday, July 1.

SHAAN’S BEATS
Hailing from Indianapolis (“born and raised,” Allen says), Max Allen’s band formed in stages (no pun intended.)
“I met my drummer, Shaan France, through another friend,” Allen says. “My current drummer at the time couldn’t make the gig, so Shaan filled in for him. Later down the road, I needed another drummer to fill in, so I called Shaan again. A couple of months after that, the old guy called it quits, so I simply asked Shaan if he wanted the spot.”
Five years later, and France is still quite solidly the Max Allen Band’s man behind the drums.
“I don’t know if he’s good at putting up with antics (in general), or if he’s just become accustomed to putting up with mine,” Allen laughs, “but he’s one of the best drummers I know.”

DACE’S BASS
Bass player Dace Robie’s road to the Max Allen Band was a slightly different one.
“I will stand by what I have always said,” Allen states, “he was sent to me.”
Allen explains how he actually met Robie’s father, first, when the elder Robie was a stagehand at one of Allen’s earlier gigs.
“He told me he had a son who was a great bass player,” Allen remembers, “my thought was sort of like the bouncer’s response to the guy at the door of the club who runs the line, ‘my girlfriend is in there’ - I thought, ‘yeah, a lot of peoples’ sons are great bass players.’”
But a couple of months later, Allen’s bass player dropped out of the picture. “And I was left to find a new low-end frequency friend,” Allen jokes.
Allen tried out a couple of other musicians, but none of them “stuck.”
“Then, the same guy who introduced me to Shaan made a few calls, and came up with Dace’s name,” Allen says, “I gave him a call, he started filling in, and we just went with it - he’s been with us for about two and a half years now. So Dace’s old man was right - his son was, in fact, a great bass player.”

MAX’S MATURITY
Now that the trio’s firmly established - as is their own studio in Reelsville, Indiana (Big Walnut Records), Allen has recorded five albums, his latest with the Max Allen Band (France and Robie included) being their current set, Ending Sun.
“We’ve had great reviews on the album,” Allen enthuses, “I’ve had a lot of people say that they can see how I matured as a musician and a writer - although I still act like a child,” he laughs.
“I feel every album has to be better than the last - you gotta step it up, even if it takes recording it twice,” he continues.
The Max Allen Band - who actually like to sell their CDs in ‘bundles’ (“so you can get the history of the music we’re playing,” Allen explains) - are back at Big Walnut, and are also working at Indianapolis’ Static Shack, working on their next album, Everyone Thinks You’re Weird, to be released this summer.
“It’s our finest work yet,” Allen says, “we have string arrangements, organ, synth, guitar synth, and marimba, and we’ve been working with a great producer/engineer, Gary Mielke - his knowledge of music and recording is vastly greater than any of us in the band.”
That aforementioned guitar synth will reportedly be making an appearance at the Max Allen Band’s Traverse City show, too (“I know it sorta sounds cheesy, but it’s very cool,” Allen says) - but most importantly will be the focus on the songs, and the people who work together to craft them. Allen thinks the fans will see - and hear - the improvements in their next album, too.
“I’ve worked my whole life to surround myself with the best people I can,” Allen says, “and I think it will show with this next album.”

More info on the Max Allen Band can be found at www.maxallenband.com and www.maxallenmusic.com; the band will be performing at The Loading Dock in TC on July 1.


 
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