Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

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4Play: Gomez, Marianne Faithfull, Bon Iver, Jill Scott

Kristi Kates - July 4th, 2011
Gomez - Whatever’s on Your Mind - ATO/Red
With members that live in the UK and the U.S., Gomez convened in - where else? (huh?) - a recording studio in Virginia to work on their seventh studio set, which they produced with producer Sam Farrar (Maroon 5, Phantom Planet.) Written in large part by internet correspondence, the songs here carry through with Gomez’ trademark sound, whether it’s the acoustically-based resignation anthem “Options”; the piano-festooned title song; the uber-catchy “Place and the People”; or what is perhaps the most alt-rock track on the set, “Equalize.” It’s nothing unusual, but that’s not bad - it’s simply another set of solid new Gomez tunes.



Marianne Faithfull - Horses and High Heels - Naïve
Faithfull’s 19th album finds the singer in her mid-60s and in the same quirky form of voice that her vocals have always resided in since her early days. This album is pretty equally divided between new songs for Faithfull and a half-dozen ‘60s cover song versions; both approaches work well for the singer, most effectively on the title track, which she co-wrote about places she’s been, and the Dusty Springfield number “Goin’ Back,” which she rearranges a little and gives her own vocal twist. Other highlights include “Love Song,” “No reasons, “Past Present and Future,” and the poppiest track here, her light take on “Gee Baby.”




Bon Iver - Bon Iver - Jagjaguwar
A direct contrast to Bon Iver’s previous effort, this set finds singer-songwriter Justin Vernon with a host of musical guest collaborators, and an approach that pushes his songs out of their folky comfort zone and on to musical experimentation, especially in the percussion and “world instruments” divisions. “Perth” opens the set with marching drums fighting for space with the vocals, while “Hinnom TX” introduces ‘80s-style synthesizer runs; “Towers” and “Holocene” are perhaps the two songs that keep more of Bon Iver’s original sound while still infusing them with some new and interesting elements that actually work well.


Jill Scott - The Light of the Sun - BB Records
Scott’s latest is less produced and more “jam-like” than her other albums, as produced by Scott herself along with Faith Evans collaborator J.R. Hutson. “Blessings” opens the collective on an upbeat note, as Scott sings and speaks her way through a grocery list of the things she’s thankful for on “Blessings.” Most of the up-tempo songs are on the album’s first half, from the Donna Summer-like “So In Love” to the horn-synths of “All Cried Out Redux” and the funky “Shame”; the rest of the set, including ballads “Missing You,” “When I Wake Up,” and the jazz-inflected “Rolling Hills” lower the beats to a more mellow approach.
 
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