Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

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Partners in the arts; Julie Kradel & Steve Kostyshyn

Rick Coates - July 11th, 2011
Partners in the Arts: Creative Julie Kradel and Steve Kostyshyn of Blue Crow Farm
By Al Parker
Combine two different artists with two distinctive styles and the result
is one dynamic farm-based studio that’s producing eye-grabbing artwork in
Leelanau County.
Julie Kradel and Steve Kostyshyn share the airy, well-lit studio at Blue
Crow Farm, their 20-acre home on a quiet road near Cedar. While they each
have their own individual methods and techniques, the result is artworks
that are gaining a legion of collectors.
“For over two decades, my work has been exploring the relationships
between animals, their human admirers and each other,” says Kradel, whose
works are generally sculptures and tiles featuring horses, turtles, foxes,
rabbits and other animals. “The clay, being a very natural and Earth-based
medium, has allowed me a framework in which to capture these unique
interactions.
Observing the creatures that inhabit Blue Crow Farm allow Kradel to
breathe realism and life into her work. They’re a constant inspiration and
reminder “to keep her work true.”
“The creative process in which my clay art is produced, in concert with an
adherence to correct bone, musculature and form, allows me to express the
joy and beauty nature’s beasts possess using a unique blend of whimsy and
precise structure,” says the native upstate New Yorker who lived in
Davisburg, south of Flint, before moving north in 2007.

DRAWING INSPIRATION
Many of Kradel’s works focus on horses and their relationship with other
animals. She’s a longtime horse owner and draws inspiration from her
steed, John Henry. Her pieces are captivating, yet clever in their
simplicity and emotion. “All my life I’ve done artwork,” she says. “And
I’ve always loved horses.”
Kostyshyn has been making award-winning pottery, in one form or another,
for more than 30 years. He’s been featured in exhibitions in
Massachusetts, California, Wisconsin and Michigan.
The New Jersey native graduated from Adrian College in 1976 and worked as
a studio potter for 15 years. He apprenticed with Brumm’s Studios and Todd
Warner Studios in Charlevoix. “Todd really showed me the ropes of the art
business,” says Kostyshyn. “I learned a lot from him.”
From 1981 to 1993 Kostyshyn worked in porcelain, then crafted stoneware
with a Majolica influence from 1993 to 1997.
His focus then shifted to create mixed media baskets and vessels that
combine clay, fiber and wood. His popular, collectible works explore
texture, color, form and size that is impossible with pieces created only
of clay.
“My baskets are made with a combination of three materials – clay, reed
and wood,” he explains. “The clay is a high-fired stoneware with dipped,
brushed and poured glazes. The challenge here is to have a clear vision of
the completed basket before starting the piece.”
Using traditional wheel-throwing and hand-building techniques, Kostyshyn
finishes the clay parts first. Once he’s completed them, he’ll shape and
bend the green oak ribs for a larger basket. On other pieces, he positions
and glues reed or dowel spokes in place. This stabilizes the form for the
weaving.
The final process is the weaving of the entire spoked area. He uses
natural and dyed reeds and weaves plaited and twilled patterns. He often
chooses palm, vine rattan, red osler, willow or birch bark as accents.
They lend a natural feel and texture to his works.
“I have been continually inspired to work with the vessel as form,” says
the outgoing Kostyshyn. “Breaking from the ‘clay-only’ vessel and
exploring possibilities afforded by basketry as an aft form, has allowed
me to explore shapes and textures that were unattainable to me in the
past.”

THE SHOW CIRCUIT
Not only do Kostyshyn and Kradel differ in their artistic styles, they
also have divergent ideas about marketing their works. Kostyshyn’s been
doing art shows for three decades and prefers the hustle and bustle of the
show circuit.
In a typical year, he sets up at 11 different shows, from Northern
Michigan to Florida. In coming weeks he’ll be at shows in Glen Arbor on
July 20, Suttons Bay on Aug. 6-7 and Charlevoix on Aug. 13. His works are
also at the Bier Art Gallery in Charlevoix and the Michigan Artists
Gallery in Suttons Bay.
“I love the travel and meeting people from all walks of life,” he says.
“One nice thing about shows is you get direct, immediate feedback (about
your work). Sometimes you get ideas from people. But I miss my farm and
it’s always good to get back.”
At one recent show, the affable Kostyshyn sold one of his works to a
couple who had a unique way to pay for his pottery.
“They had been to the same show a year earlier and decided to save their
pocket change for an entire year and buy something at this year’s show,”
he recalls. “So they put away their dimes and quarters for a year and
walked all through the show to pick something they really liked to spend
their savings on. I was honored when they picked my basket for their
special purchase.”
Kradel prefers displaying her items in galleries, including Viola’s
Gallery in Elk Rapids, Bier Art Gallery in Charlevoix and Cog’s Creek
Gallery in Traverse City. But she’s not averse to doing an occasional art
show and will be setting up in Glen Arbor on July 20.
“My life is so great,” she says with a smile. “I’m doing the thing I
always wanted to do in my life with a man I enjoy being with so much.”
Blue Crow Farm is also the home of horses Abe and John Henry, a few dogs
and recently, several Katahdin sheep. Katahdin are hardy, adaptable, low
maintenance sheep that produce superior lamb crops and lean, meaty
carcasses.  They do not produce a fleece and therefore do not require
shearing. 
“We have an open studio,” says Kradel. “And people are always welcome to
come out.”

 
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