Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · Mary Chapin Carpenter
. . . .

Mary Chapin Carpenter

Kristi Kates - July 11th, 2011
Carpenter’s Composure: A Musical Balancing Act
By Kristi Kates
 Mary Chapin Carpenter was in San Jose, California at the time of this
interview. And yes, she’s on tour. But that doesn’t mean Ms. Carpenter
isn’t up for a little fun in between all of those rehearsals, gigs, and,
well, interviews like these.
“We have a day off today,” she says by phone, “and I went to the movies
this afternoon with some bandmates to see Super 8 - it was a really great
summer film,” Carpenter enthuses.
It’s all about balance for the singer-songwriter, who cut her musical
teeth in the Washington DC area before signing a deal with Columbia
Records in the late ’80s. She didn’t truly ‘hit the road,’ in the touring
sense of the word, until later; but she says that she’s been fortunate to
have tuned-in supportive audiences for much of her journey to date.
That journey will include a performance this Friday, July 15 in Traverse
City’s Opera House.

CLIMBING ON THE BUS
“Well, in the late ’80s, I was still a local DC songwriter,” she explains,
“I really began touring in the ’90s. That being said, it is such a
privilege to be able to still maintain a touring life, to make records, to
play out - I find out audiences to be sophisticated and generous in their
responses, and, ultimately, it is the connection I feel with them every
night that keeps us wanting to still climb on the bus and spend so much
time away from home.”
With such a positive attitude, one might think that Carpenter would’ve hit
the ground running after being signed. But marketing uncertainties at
Columbia left things moving slowly at first; Carpenter’s first album,
Hometown Girl, got airplay, but - against Carpenter’s wishes - more
interest in her music was generated once the label began promoting her as
a country music performer.

MORE THAN COUNTRY
Subsequent albums proved she was more than ‘just’ that, though. Carpenter
has musically experimented with everything from guitar effects to sitars,
and has included sound elements from folk and country right on through to
rock, although Carpenter herself has stayed away from the visual trappings
that accompany the genres, keeping her look simple and personal and
avoiding any country-music cliches (think big boots and big hair.)
Throughout the ’90s and the ’00s, she collaborated with the likes of Cyndi
Lauper, Dolly Parton, and Shawn Colvin, while her own songs were recorded
by such peers as Trisha Yearwood and Wynonna Judd; her own cover of John
Lennon’s “Grow Old With Me” would see success as a chart hit, adding to
Carpenter’s roster of successes and awards that would grow to include five
Grammy Awards.

MIRACLES OF MUSIC
Today, she’s promoting her latest album, The Age of Miracles, which was
released in April of this year; her studio work is another facet of her
life in which she works to keep the teeter-totter level and the
accomplishments steady.
“Working in the studio is always a combination of intense focus and
intermittent hilarity,” she chuckles, “you work feverishly to fulfill your
visions for the songs, and hopefully it always balances out.”
The challenge, Carpenter says, is to “serve the songs” themselves - “to
get what you want from them in a recording,” she explains.
“If we walk out of there feeling good,” Carpenter continues, “then we have
met the challenge.”
Her Traverse City audience will likely be challenged a bit by her setlist
for her upcoming show at the TC Opera House, as Carpenter says she plans
to draw from albums both old and new to comprise what fans will hear
during her performance.
“I play a healthy mix,” she says, “and some new, new songs for my next
recording. We are really looking forward to coming to Traverse City,” she
continues, “it is so beautiful up there, and I know the venue to be
intimate and charming. A week into this tour, the response has already
been tremendously gratifying.”

Mary Chapin Carpenter will be performing at the City Opera House in
Traverse City on Friday, July 15 at
8:00 p.m. Tickets and more info via
www.cityoperahouse.org.

 
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