Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · Lee & Lucinda
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Lee & Lucinda

Kristi Kates - July 11th, 2011
Lee and Lucinda bring American roots to Interlochen
By Kristi Kates
Country Weekly called Amos Lee and Lucinda Williams’ “Clear Blue Eyes” duet single ‘a heartbreaking piece of classic country.’
Williams has also joined Lee onstage at his solo shows.
And Lee’s latest album, Mission Bell, released in January of this year, features Williams on that same song, as well as other guest appearances from Calexico and Iron and Wine’s Sam Beam.
Williams’ new set, Blessed, hit stores this past March, and blends her Americana mix of rock, blues and country into another landmark album for the performer; recently married, she’s entering another chapter in her life both musically and personally, as well.
Both of these musicians, now on the road for a July tour, will be appearing - together - at Interlochen this month for a show that’s sure to be a standout.

AMOS LEE
Singer-songwriter and guitarist Lee is now on his fourth album on Blue Note Records, and this tour with Williams isn’t his first trip around the block.
The dusky-voiced, blazer-wearing, mysteriously-named musician (no one’s quite sure exactly where his “Amos Lee” moniker came from) and former elementary-school teacher has also shared the stage with such performers as Norah Jones, Paul Simon, Dave Matthews Band, Bob Dylan, and Adele, bringing along his own drummer, Fred Berman, and his bassist Jaron Olevsky.
Blending folk with jazz and soul, Lee’s Philly influences can be heard throughout his songs, from his debut self-produced EP, which initially caught the attention of Jones, through Mission Bell’s “acoustic soul” effort. He’s another artist whose songs have proved to be evocative enough to serve as score for a wide variety of media, from his songs’ appearances in Studio 60, Army Wives, Grey’s Anatomy, and ER to movies like Just Like Heaven and even an AT&T commercial that proved to be a fan favorite.

LUCINDA WILLIAMS
Meanwhile, Williams - she of the Chrissie Hynde eyeliner, truck-stop waitress hair, and distinctive vocal stylings - has a few years on Lee, having recorded her first album back in 1978.
Although a sophomore album followed in 1980, she first really gained attention as a songwriter when Mary Chapin Carpenter recorded a cover of Williams’ song “Passionate Kisses.” The result? Williams was awarded a songwriter Grammy for Best Country Song, which helped boost her success.
A critic’s favorite, Williams has also been noted as a favorite duet partner and even song topic, first for Steve Earle (she sang with him on his song “You’re Still Standin’ There) and then for Vic Chestnutt, who had a song titled “Lucinda Williams” on one of his albums.
1998 was finally a breaking point for Williams’ own songs, as her album Car Wheels on a Gravel Road snagged her a Grammy for Best Contemporary Folk Album (bolstered by the inclusion of one of her songs in the Robert Redford movie The Horse Whisperer.) She’d go on to collaborate with the likes of Ryan Adams, Flogging Molly, Elvis Costello, and, of course Amos Lee.
Now settled in Nashville, she still keeps out of the loop to some degree, but keeps crafting music on a regular basis, both as a collaborator and as a solo artist; Blessed features a personal range of complex emotions and tales.

AMOS, MEET LUCINDA
Elusiveness is one thing these two performers have in common, but another more important element is their shared penchant for earnest, earthy music that showcases the best elements of their individual approaches to songs that tell emotional stories and keep both performers and fans grounded.
Lee’s headlining spring tour, which included a stop at Bonnaroo and one at the New Orleans Jazz and Heritage Festival, will segue right into his dates with Williams, who guested on Lee’s new album. It’s anyone’s guess whether she’ll also step out on stage for that critically-acclaimed duet, but one thing fans can be sure of is another great Interlochen show from these two seasoned performers.

Lucinda Williams and Amos Lee will be performing in concert at Interlochen on July 13 at 8:00 p.m.; tix available online via http://tickets.interlochen.org.

 
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