Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

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4Play: Duncan Sheik, Various Artists, Kate Bush, Various Artists

Kristi Kates - July 11th, 2011
Duncan Sheik - Covers ’80s - Red General
Part karaoke extravaganza, part (one would think) stroll down an
experimental version of an ’80s memory lane for singer Sheik, this
collection veers between true-to-the-original covers and (more
intriguingly) Sheik’s own interpretations of these eighties classics.
Fortunately for the listener, Sheik chose some of the smarter ’80s tunes,
as opposed to the throwaways (of which there were many); standouts include
his takes on The Thompson Twins’ floaty “Hold Me Now,” Howard Jones’
previously synth-dark “What Is Love?”, and Tears for Fears’ Hughes-worthy
classic “Shout” heard through Sheik’s unique arrangement lens.


Various Artists - Rave on Buddy Holly - Hear Music
Buddy Holly is paid tribute in this new covers collection that’s pretty
evenly divided between versions that are solidly loyal to the original
tracks and versions that take more than a few modern-day liberties.
Several of today’s quirkiest buzz bands are included here, from Modest
Mouse’s bouncy take on “That’ll Be the Day” and Florence and the Machine’s
version of “Not Fade Away,” and Cee-Lo Green’s fitting, if slightly wacky,
“(You’re So Square) Baby I Don’t Care.” Elsewhere on the set, Fiona Apple
makes a return via her Jon Brion-produced version of “Every Day,” and the
Karen Elson/Jack White collaboration “Crying, Waiting, Hoping.”


Kate Bush - Director’s Cut - Fish People
Not quite a ‘new’ album from the influential British singer-songwriter,
Director’s Cut nonetheless finds Kate approaching her picks of songs from
two of her album’s with - as the title suggests - a director’s or
producer’s sensibilities, as she added new drum performances to each
track, re-recorded all of the lead vocals, and changed up some of the
other elements on each song, including adding guest performers (Danny
Thompson and Mica Paris among them.) “Top of the City” adds in
traffic-jam-worthy percussion, “Rubberband Girl” adds in some interesting
synth textures, and “This Woman’s Work” gets an even more thoughtful
revamp.


Various Artists - A Nod to Bob 2 -
Red House
This Bob Dylan tribute set brings back several of the artists who
participated in the first Nod to Bob, which was originally released to
commemorate Dylan’s 60th birthday. Heavy (appropriately) on the
folk/Americana artists - or at least, folky/Americana approaches to the
songs - the arrangements and covers are, for the most part, quite
original, from Lucy Kaplansky’s “Every Grain of Sand” to The Pines’ “What
Good Am I?” and Storyhill’s perfectly-harmonized take on “Lay Down Your
Weary Tune” - it’s especially cool to hear that a good portion of the
songs included here are some of Dylan’s less-known numbers.
 
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