Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Music · 4Play: Duncan Sheik, Various...
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4Play: Duncan Sheik, Various Artists, Kate Bush, Various Artists

Kristi Kates - July 11th, 2011
Duncan Sheik - Covers ’80s - Red General
Part karaoke extravaganza, part (one would think) stroll down an
experimental version of an ’80s memory lane for singer Sheik, this
collection veers between true-to-the-original covers and (more
intriguingly) Sheik’s own interpretations of these eighties classics.
Fortunately for the listener, Sheik chose some of the smarter ’80s tunes,
as opposed to the throwaways (of which there were many); standouts include
his takes on The Thompson Twins’ floaty “Hold Me Now,” Howard Jones’
previously synth-dark “What Is Love?”, and Tears for Fears’ Hughes-worthy
classic “Shout” heard through Sheik’s unique arrangement lens.


Various Artists - Rave on Buddy Holly - Hear Music
Buddy Holly is paid tribute in this new covers collection that’s pretty
evenly divided between versions that are solidly loyal to the original
tracks and versions that take more than a few modern-day liberties.
Several of today’s quirkiest buzz bands are included here, from Modest
Mouse’s bouncy take on “That’ll Be the Day” and Florence and the Machine’s
version of “Not Fade Away,” and Cee-Lo Green’s fitting, if slightly wacky,
“(You’re So Square) Baby I Don’t Care.” Elsewhere on the set, Fiona Apple
makes a return via her Jon Brion-produced version of “Every Day,” and the
Karen Elson/Jack White collaboration “Crying, Waiting, Hoping.”


Kate Bush - Director’s Cut - Fish People
Not quite a ‘new’ album from the influential British singer-songwriter,
Director’s Cut nonetheless finds Kate approaching her picks of songs from
two of her album’s with - as the title suggests - a director’s or
producer’s sensibilities, as she added new drum performances to each
track, re-recorded all of the lead vocals, and changed up some of the
other elements on each song, including adding guest performers (Danny
Thompson and Mica Paris among them.) “Top of the City” adds in
traffic-jam-worthy percussion, “Rubberband Girl” adds in some interesting
synth textures, and “This Woman’s Work” gets an even more thoughtful
revamp.


Various Artists - A Nod to Bob 2 -
Red House
This Bob Dylan tribute set brings back several of the artists who
participated in the first Nod to Bob, which was originally released to
commemorate Dylan’s 60th birthday. Heavy (appropriately) on the
folk/Americana artists - or at least, folky/Americana approaches to the
songs - the arrangements and covers are, for the most part, quite
original, from Lucy Kaplansky’s “Every Grain of Sand” to The Pines’ “What
Good Am I?” and Storyhill’s perfectly-harmonized take on “Lay Down Your
Weary Tune” - it’s especially cool to hear that a good portion of the
songs included here are some of Dylan’s less-known numbers.
 
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