Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

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4Play

Ross Boissoneau - February 17th, 2005
The Manhattan Transfer - Vibrate - Telarc

From the opening of the relaxed but jaunty “Walkin’ In New York,” the Transfer seems intent on delivering its most listenable set in some time. Trumpet great Lew Soloff delivers some screamers, but the focus is on the quartet of nonpareil singers, as it should be. The exotic strings of “Greek Song” stand in contrast to lyrics extolling Barnes & Noble, while the title track similarly juxtaposes lyrical references to cell phones, karaoke and Britney Spears with instrumental backing that brings to mind a Parisienne coffeehouse, complete with accordion. Elsewhere there’s some vocalese, classic material by Gershwin and Jobim, and the joy of hearing four of the finest singers in the world enjoying themselves as they harmonize.

Jesse Cook - Montreal - Narada

If there’s a more exciting guitarist on the planet, let him or her stand up. No volunteers? That’s not surprising, as Canadian flamenco/world/jazz guitarist Cook has been wowing audiences for the past several years. “Montreal” is his first live album, following a quintet of studio efforts. Cook doesn’t even play on the opening “Beloved,” instead relying on the 11-percussionist samba squad to set the mood, before he roars through “Rattle and Burn.” Cook can play it slow as well, as he aptly demonstrates on tracks such as “Cascada,” which also features violinist Colin Barrett. But it’s at his uptempo best that he succeeds in whipping the crowd into a frenzy, as on “Breezes from Saintes Maries,” “Jumpstart” and especially “Mario Takes A Walk.”

Andy Summers - The X Tracks - Fuel 2000

Former Police guitarist has left the reggae/power pop sound of his former band far behind since the group’s demise. He’s dealt in heavy electric rock with Robert Fripp, new age, even contemporary takes on classic jazz by Thelonius Monk and Charles Mingus. “X Tracks” is a collection of hits and misses from his solo work over the past couple decades, complete with a cadre of guest stars. “Big Thing” originally featured Herbie Hancock, then slamming drummer Bernie Dressel in this power trio version which includes licks from “Sunshine of Your Love.” Mingus’s “Goodbye Pork Pie Hat” is given a loving treatment by Summers and crew, including rapper Q-Tip from A Tribe Called Quest. “Round Midnight” features old mate Sting, while “Weird Nightmare” is sung by Debbie Harry. Not pop, not jazz, not rock, Summers is blazing his own trail.

Michael Whalen - My Secret Heart - Narada

Pianist Michael Whalen’s new album is subtitled “Romantic Meditations for Ambient Piano.” That’s a pretty fair encapsulation of this instrumental outing that often brings to mind Eno’s definition of the genre (music that must be as ignorable as it is listenable) while at other times is almost lushly romantic. That’s “almost,” because most of the time the piano lines are fairly spare, with wispy synthesizer backing that’s so soft it’s nearly unnoticeable. Not the type of recording you’re likely to put on at a party, but for mood music, or music to simply hold back the noise of the day, it’s hard to top. And among its brethren, it’s both more engaging and more enjoyable.

 
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