Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Features · On the Shoulders of Giants at...
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On the Shoulders of Giants at OTP: Shaw, Chekhov, and Moliere and why They Matter

Nancy Sundstrom - March 3rd, 2005
Shaw, Chekhov, and Moliere are three of the most influential, acclaimed, and groundbreaking masters of theatre. So why is it that most people would have trouble naming one play that each had written, let alone identify when they last - if ever - saw one performed?
Old Town Playhouse (OTP) in Traverse City is hoping to change that, at least for local audiences, when they begin their two-week run of 3 Classic One Acts: Shaw, Chekhov and Moliere on Friday, March 11 at 8 pm in the Studio Theatre. Overruled by George Bernard Shaw (1856-1950), The Brute by Anton Chekhov (1860-1904), and Jean-Baptiste Moliere’s (1622-1673) The Pretentious Young Ladies are the trio of chosen comedic works by the classic playwrights, and will play Friday-Saturday opening weekend, and Thursday-Saturday March 17-19.
Veteran actor and director Jan Dalton, whose extensive theatre credits are testament to a passion for and trained background in the classics, has played a major role in bringing this project to life, in addition to helming The Pretentious Young Ladies. He admits to being a man with a mission, which is to help pieces such as these feel more “accessible to audiences by way of comedy.” If the response to this evening of one-acts is a positive one, then he hopes it might pave the way to OTP tackling a full-length piece by Shaw, Chekhov, or Moliere on the upstairs main stage.
“Audiences are usually afraid they will be bored by classic theatre, but these shows are comedies, and they are extremely funny,” explained Dalton, who earned his degree in Dramatic Arts from UC Berkeley, spent a year performing in Vienna, Austria with the International Theatre, and was last seen on-stage at OTP in last spring’s production of Art. “With Moliere, in particular, once you see it, you will love it. I hope audiences will leave knowing how fun, entertaining, and accessible these authors are.”
Dalton firmly believes that each of the three one-acts, let alone any of the works in the oeuvres of the featured playwrights, continue to be important piece to perform, and that in a more perfect world, it wouldn’t take much to convince audiences to attend.
“Quite simply, each one represents great theatre, they are in the public domain, and are very entertaining,” he said. “I can’t believe how few people have even heard of Moliere, including advanced French students. Next to Shakespeare, he is one of the greatest playwrights ever. If you are not familiar with them, all three of these pieces are a good introduction to these authors.”
Shaw was an Irish playwright and critic whose many plays are frequently revived. A determinedly controversial figure who could be relied upon to be provocative and witty in almost any situation, his works often addressed social and moral hypocrisies, and he earned a Nobel Prize for literature in 1925.
Among his best-known plays are Mrs. Warren’s Profession, Caesar and Cleopatra, Major Barbara, Pygmalion, and Androcles and the Lion. Overruled, which will be directed by Wayne Erreca, is a biting, farcical comedy about sexual morals and the hypocrisy of marriage as two couples argue the merits of taking on a lover, theories of sin, and notions of propriety.
A Russian dramatist and short-story writer, Chekhov first began writing humorous sketches and articles as a medical student at Moscow University, and went on to make his name in theatre with a series of successful one-acts and then full-length plays such as The Seagull, Uncle Vanya, The Wood Demon, Three Sisters and The Cherry Orchard.
It was about ten years after his death, though, that his plays became commercial hits, and his four late masterpieces have been recognized as having a profound influence on 20th-century Western drama. The Brute, directed by Stephanie Leach, follows what transpires between a widow and a creditor who comes to collect a debt left by the woman’s dead husband, and is marked by hilarious moments, dramatic heights, and an unexpected ending.
The Pretentious Young Ladies was the first major success for Moliere, a French playwright and actor-manager, and served to earn him the favor of Louis XIV’s court. In it, two rather shallow young women set out to conquer Parisian society, only to be put into their places by two clever servants to put them in their places. The piece has broad caricatures and overtones of commedia dell’arte, and signaled the coming of Tartuffe, Don Juan, The Miser, and other plays that would provide generation after generation of performers with some of their finest acting roles.
On that note, Dalton says that finding 15 talented actors for a Studio Theatre production of classics in the middle of a very busy OTP season was challenging, and that each director also appears in their respective shows. Still, he says, the directors were all gratified to put together casts who were up to the dramatic heavy-lifting required in each piece, and reflect some of OTP’s best-known and most experienced names.

Cast members include Shanna Scheele (Mrs. Tamara Popov), Nick Randall (Grigory Smirnov), Ann Norris (Luka), Sarna Salzman (Mrs. Lunn), Wayne Erreca (Mr. Lunn), Sandra McClain (Mrs. Juno), Rick Korndorfer (Mr. Juno), Tom Czarny (La Grange), Jan Dalton (Du Croisy), Hedges Macdonald (Gorgibus), Elizabeth Stewart (Marotte), Jamie Moyers (Magdalon), Esme Bloomquist (Cathos), Michael Nunn (Mascarille), and Daniel Jablonski (Jodelet).

For ticket information and reservations, call OTP at (231) 947-2443, or visit www.oldtownplayhouse.com.
 
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