Letters

Letters 07-28-14

Worry About Legals

I can’t figure out what perplexes me more, the misinformation everywhere in the media or those who believe it to be true. Take the Hobby Lobby case; as a company that is primarily owned by a religious family, they felt their First Amendment rights were infringed upon by the “Affordable” Care Act...

Stop Labeling and Enjoy

I have been struggling to find a simple way of understanding for myself the concepts of conservative, liberal, and moderation as it relates to our social interactions with each other...

Proposal One & The Public Good

Are you kidding me? Another corporate giveaway with loopholes for large corporations who rule us? Hasn’t our corrupt and worthless governor done enough to raise taxes, provide corporate welfare, unjustly tax pensions, and shut down elected officials with his emergency manager racket...

The Truth About Road Workers

Apparently Mr. Kachadurian did not catch on to the fact that the MDOT Employee Memorial in Clare is a tribute to highway workers who lost their lives building our transportation systems. It was paid for by current and former MDOT employees who likely knew some of these people personally...

Idiotic and Misguided

As a seasonal resident, I always look forward to reading your paper, if only because of the idiotic letters to the editor and off the wall columns...


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4Play

Ross Boissoneau - March 24th, 2005
Nils Landgren Funk Unit – Funky ABBA (Justin Time Records)

And they said it couldn’t be done. Actually, ABBA’s popularity peaked right about at the height of the disco craze. But funked-up versions of “Thank You For The Music” and “Dancing Queen” just don’t seem right somehow. That is, until you listen to trombonist Landgren and his cohorts, including horns, a rapper, even ABBA’s own Benny Andersson on the concluding “When All Is Said and Done.” The trip-hopped versions of familiar ABBA tunes show a side of the sugary-sweet pop group that lends itself to a driving beat and bass-heavy treatments. Highlights include a soulful “Voulez-Vous” and a rocking “Summer Night City,” but every cut reinvents the Swedish superstars, often slowing down the beat and separating out the unison vocals.

Bill Wyman’s Rhythm Kings – Just For A Thrill (Fuel 2000)

One of the only surviving ex-Rolling Stones, Wyman has been out of the spotlight since leaving the legendary band in 1993. His Rhythm Kings is a collective of old pals and new friends who enjoy the old-time blues and R that first brought his former band together. This is the group’s fourth disc, and like the others it’s an enjoyable program as long as you’re not taking things too seriously. Loose and amiable describes the atmosphere. Among the pals on hand for these sessions are Martin Taylor, Andy Fairweather-Low and Mark Knopfler. The vocalists – Albert Lee, Bevery Skeete, Fame, and Wyman, among others – are properly laid-back and greasy. It’s no “Satisfaction,” but fans of Jools Holland, Louis Jordan, or early rock and roll will enjoy the proceedings.

John Pizzarelli – Knowing You (Telarc)

Guitarist and singer Pizzarelli takes on such varied American songwriting masters as Johnny Mandel, David Frishberg, Sammy Cahn, and Brian Wilson. “Coffee, Black” from the Broadway musical “Big” is a caffeine-fueled romp that drops quotes from the old Maxwell House commercials into the mix. Other highlights include “Ain’t That A Kick In The Head?” which sounds like a set-closer as the patrons have one more for the road. “The Shadow Of Your Smile” has a similar late-night vibe, though this time more like it’s being played to a nearly-empty lounge. Pizzarelli follows that formula throughout the album, mixing up-tempo and more laid-back numbers. Pizzarelli’s playing and his vocal phrasing are so clear and casual that it’s easy to overlook their brilliance.

Thievery Corporation – The Cosmic Game (ESL Music)

This is not your father’s electronic music. Unlike, say, Klaus Schulze’s excursions on the space machine, Thievery Corporation explores a lot of territory in its trippy blend of beats, acoustic guitars, and various world musics. This is closer to easy listening than to the sonic excursions of Tangerine Dream. Lounge music morphs into world music so effortlessly you hardly notice. The Washington D.C. DJ duo of Rob Garza and Eric Hilton continues to produce music that is at once interesting and unknowable. Winding its way from the dance clubs to the blissed-out listening rooms across the country, “The Cosmic Game” includes such exotic instruments as sitar, berimbau and tabla alongside real and synthetic horns and sound effects in its 16 tracks.



 
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