Letters

Letters 08-25-14

Save America

I read your paper because it’s free and I enjoy the ads. But I struggle through the left wing tripe that fills every page, from political cartoons to the vitriolic pen of Mr. Tuttle. What a shame this beautiful area of the state has such an abundance of Socialist/democrats. Or perhaps the silent majority chooses to stay silent...

Doom, Yet a Cup Half Full

In the news we are told of the civil unrest at Ferguson, Mo; ISIS war radicals in Iraq and Syria; the great corporate tax heist at home. You name it. Trouble, trouble, everywhere. It seems to me the U.S. Congress is partially to blame...

Uncomfortable Questions

defending the positions of the Israelis vs Hamas are far too narrow. Even Mr. Tuttle seems to have failed in looking deeply into the divide. American media is not biased against Israel, nor or are they pro Palestine or Hamas...

The Evolution of Man Revisited

As the expectations of manhood evolve, so too do the rules of love. In Mr. Holmes’s statement [from “Our Therapist Will See Us Now” in last week’s issue] he narrows the key to a successful relationship to the basic need to have your wants and needs understood, and it is on this point I expand...

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4Play

Ross Boissoneau - March 24th, 2005
Nils Landgren Funk Unit – Funky ABBA (Justin Time Records)

And they said it couldn’t be done. Actually, ABBA’s popularity peaked right about at the height of the disco craze. But funked-up versions of “Thank You For The Music” and “Dancing Queen” just don’t seem right somehow. That is, until you listen to trombonist Landgren and his cohorts, including horns, a rapper, even ABBA’s own Benny Andersson on the concluding “When All Is Said and Done.” The trip-hopped versions of familiar ABBA tunes show a side of the sugary-sweet pop group that lends itself to a driving beat and bass-heavy treatments. Highlights include a soulful “Voulez-Vous” and a rocking “Summer Night City,” but every cut reinvents the Swedish superstars, often slowing down the beat and separating out the unison vocals.

Bill Wyman’s Rhythm Kings – Just For A Thrill (Fuel 2000)

One of the only surviving ex-Rolling Stones, Wyman has been out of the spotlight since leaving the legendary band in 1993. His Rhythm Kings is a collective of old pals and new friends who enjoy the old-time blues and R that first brought his former band together. This is the group’s fourth disc, and like the others it’s an enjoyable program as long as you’re not taking things too seriously. Loose and amiable describes the atmosphere. Among the pals on hand for these sessions are Martin Taylor, Andy Fairweather-Low and Mark Knopfler. The vocalists – Albert Lee, Bevery Skeete, Fame, and Wyman, among others – are properly laid-back and greasy. It’s no “Satisfaction,” but fans of Jools Holland, Louis Jordan, or early rock and roll will enjoy the proceedings.

John Pizzarelli – Knowing You (Telarc)

Guitarist and singer Pizzarelli takes on such varied American songwriting masters as Johnny Mandel, David Frishberg, Sammy Cahn, and Brian Wilson. “Coffee, Black” from the Broadway musical “Big” is a caffeine-fueled romp that drops quotes from the old Maxwell House commercials into the mix. Other highlights include “Ain’t That A Kick In The Head?” which sounds like a set-closer as the patrons have one more for the road. “The Shadow Of Your Smile” has a similar late-night vibe, though this time more like it’s being played to a nearly-empty lounge. Pizzarelli follows that formula throughout the album, mixing up-tempo and more laid-back numbers. Pizzarelli’s playing and his vocal phrasing are so clear and casual that it’s easy to overlook their brilliance.

Thievery Corporation – The Cosmic Game (ESL Music)

This is not your father’s electronic music. Unlike, say, Klaus Schulze’s excursions on the space machine, Thievery Corporation explores a lot of territory in its trippy blend of beats, acoustic guitars, and various world musics. This is closer to easy listening than to the sonic excursions of Tangerine Dream. Lounge music morphs into world music so effortlessly you hardly notice. The Washington D.C. DJ duo of Rob Garza and Eric Hilton continues to produce music that is at once interesting and unknowable. Winding its way from the dance clubs to the blissed-out listening rooms across the country, “The Cosmic Game” includes such exotic instruments as sitar, berimbau and tabla alongside real and synthetic horns and sound effects in its 16 tracks.



 
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