Letters

Letters 10-20-2014

Doctor Dan? After several email conversations with Rep. Benishek, he has confirmed that he doesn’t have a clue of what he does. Here’s why...

In Favor Of Our Parks [Traverse] City Proposal 1 is a creative way to improve our city parks without using our tax dollars. By using a small portion of our oil and gas royalties from the Brown Bridge Trust Fund, our parks can be improved for our children and grandchildren.

From January 1970 Popular Mechanics: “Drastic climate changes will occur within the next 50 years if the use of fossil fuels keeps rising at current rates.” That warning comes from Eugene K. Peterson of the Department of the Interior’s Bureau of Land Management.

Newcomers Might Leave: Recently we had guests from India who came over as students with the plan to stay in America. He has a master’s degree in engineering and she is doing her residency in Chicago and plans to specialize in oncology. They talked very candidly about American politics and said that after observing...

Someone Is You: On Sept 21, I joined the 400,000 who took to the streets of New York in the People’s Climate March, followed by a UN Climate Summit and many speeches. On October 13, the Pentagon issued a report calling climate change a significant threat to national security requiring immediate action. How do we move from marches, speeches and reports to meaningful work on this problem? In NYC I read a sign with a simple answer...

Necessary To Pay: Last fall, Grand Traverse voters authorized a new tax to fix roads. It is good, it is necessary.

The Real Reasons for Wolf Hunt: I have really been surprised that no one has been commenting on the true reason for the wolf hunt. All this effort has not been expended so 23 wolves can be killed each year. Instead this manufactured controversy about the wolf hunt has been very carefully crafted to get Proposal 14-2 passed.

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4Play

Ross Boissoneau - April 28th, 2005
Turtle Island String Quartet with Ying Quartet – 4 + Four – Telarc
Traverse City favorites TISQ have long been esteemed as the world’s top – all right, pretty much only – jazz-based string quartet. Here the group teams up with the Ying Quartet, a nearly-as-famous set of classical string players. The results are engaging at times, but generally rooted more in the classical tradition than the jazzy territory TISQ is known for. Turtle Island leader David Balakrishnan’s “Mara’s Garden of False Delights” is precise and amelodic enough that it could be by that other vanguard of string quartet originality, Kronos. “Variations on an Unoriginal Theme” is a jaunty treat that veers back and forth from Appalachian-style fiddling to European classicism. Uneven though it is, “4+Four” will grow on the listener, but it’s at odds with the best of Turtle Island.

Keren Ann – Nolita – Metro Blue
Keren Ann Zeidel’s unique alt-pop melds folksy guitars and French cabarets. Her breathy vocal style will probably turn some people off, but her singing with herself on such tracks as “Roses and Hips” complements her odd guitar harmonies and the harmonica of Jean-Jacques Milteau. Elsewhere celebrated jazz bassist Avishai Cohen plays trumpet on the title track, and Karen Brunon’s multi-tracked violins approximate a outré quartet sound. The story narration on “Song of Alice” is a bit much, but again, that criticism could apply to pretty much any song on “Nolita” and yet, it’s still full of charms. Keren Ann combines her voice with her guitar and keyboards to craft an album that is pretentious, over-the-top dramatic, and ultimately enjoyable.

Bela Fleck – Drive – Mobile Fidelity
Before there were the Flecktones, banjoist Bela Fleck was a bluegrass original. With an all-star cast of Sam Bush (mandolin), Jerry Douglas (dobro), Mark O’Connor (fiddle) and Tony Rice (guitar), among others, Fleck set out to make the ultimate acoustic bluegrass project. One listen to this amazing disc tells you how well he and his hand-picked group succeeded. Like Dixieland music, bluegrass always seems like great fun for the musicians to play, but that doesn’t always translate to the audience, especially an audience not particularly enamored of that style. “Drive” is one of those rare exceptions. No matter your musical predilections, it’s almost impossible to listen to this music without loving it. The moving melodic lines, uncanny interplay among the musicians involved, the pristine sound quality, and the quality of the music itself (all Fleck originals but one) make this a nonpareil album.

Steve Hackett – Metamorpheus – Inside Out America

Hackett certainly took his time with the follow-up to “A Midsummer Night’s Dream.” That recording was a Top 10 album on the classical charts eight years ago. Hackett proved with that album that his orchestral writing was every bit as accomplished as his guitar playing, but while “Metamorpheus” lacks that element of surprise, it’s a grand, ambitious work that tells the musical story of Orpheus’s music and his love for Eurydice. The orchestral writing is superb once again, with even more drama. The featured orchestral soloists are uniformly excellent, and Hackett has seldom sounded so good. Perhaps one criticism is that Hackett elected not to pair the orchestra with his electric guitar, but that’s a minor criticism. When a recording works as well as “Metamorpheus” does, there’s really little to quibble about.






 
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