Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Books · Hollywood Tell-Alls - Again
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Hollywood Tell-Alls - Again

Nancy Sundstrom - February 12th, 2004
Curling up with a hot tell-all about Hollywood isn‘t a bad way to pass a cold winter‘s night, and there are a few new ones out there that fit the bill quite nicely.

“Hollywood Animal: A Memoir“ by Joe Eszterhas
Hands down, this is the most entertaining of the bunch, and certainly the most outrageous. If his name doesn‘t ring a bell, then some of his credits should. Eszterhas has a reputation as a highly overpaid and moderately talented scribe who has made an indelible contribution to world culture with screenplays like “Basic Instinct,“ “Jade,“ “Jagged Edge,“ “Flashdance“ and, most notably, “Showgirls.“ As a result, he‘s become both the most famous - and infamous - scribe in Hollywood.
To get to that point, all of which is brought to quite a climax in this “raw, spine-chilling celebration of the human spirit,“ Eszterhas lays out his early years, which began in post-WWII refugee camps in Europe before coming to the United States in search of the American dream. Once here, he wasted no time before learning to steal cars and roll drunks. His saga has every cliche in the book, and as he battles his way to the “top“ to become the first screenwriter to be chosen as one of the movie industry‘s 100 Most Powerful People, he is seen as everything from a modern-day Shakespeare to the devil incarnate.
The truth probably lies somewhere in the middle, and Eszterhas, as presented by Eszerthas is a “complex and paradoxical figure“ - a devout churchgoer who purveyed new lows for gratuitous sex and violence in films. Along with the late producer Don Simpson and former bad boy Charlie Sheen, Eszterhas became a symbol of Hollywood excess and depravity. Redemption is always possible, though, and the end of this often jaw-dropping memoir finds the writer moving his family to Ohio, where they can all happily immerse themselves in the Midwestern lifestyle and values he says are at the core of his being.
Sometimes hilarious and sometimes excruciating (especially for some of the subjects in the book like Sharon Stone, who rewarded Eszterhas with a night of passion as a thank you for his crafting her the role of a lifetime), there are also a number of chapters that prove insightful and revealing on the inner workings of the movie industry. All in all, not a bad way to pass the time, but a real must for filmophiles who thought they‘d pretty much heard it all.

“Hollywood, Interrupted“ by Andrew Breitbart and Mark Ebner
Bretitbart and Ebner‘s book is due out at the end of the month, but insiders have been buzzing about it for some time now, and given some of the world‘s recent, incessant, obsessive preoccupation with celebs and scandals that range from Bennifer and Michael Jackson to Paris Hilton and Janet Jackson, the timing seems right for a book dedicated to the often bizarre behavior on the part of celebrities and why the rest of us are so fascinated by it.
Until it is published on February 24, we‘ll just have to wait in anticipation, but in the meantime, here is what the authors are promising us, courtesy of the book description on its back jacket:
“‘Hollywood, Interrupted‘ is a sometimes frightening, occasionally sad, and frequently hysterical odyssey into the darkest realms of showbiz pathology, the endless stream of meltdowns and flameouts, and the inexplicable behavior on the part of show business personalities.
Charting celebrities from rehab to retox, to jails, cults, institutions, near-death experiences and the Democratic Party, ‘Hollywood, Interrupted‘ takes readers on a surreal field trip into the amoral belly of the entertainment industry. Each chapter -- covering topics including warped Hollywood child-rearing, bad medicine, hypocritical political maneuvering and the complicit media -- delivers a meticulously researched, interview-infused, attitude heavy dispatch which analyzes and deconstructs the myths created by the celebrities themselves.
Celebrities somehow believe that it‘s their god-given right to inflict their pathology on the rest of us. ‘Hollywood, Interrupted‘ illustrates how these dysfunctional dilettantes are mad as hell... And we‘re not going to take it any more.“

“Natalie Wood: A Life“ by Gavin Lambert
With at least two other respectable biographies in the form of “Natasha“ by Suzanne Finstad, and Lana Wood‘s “Natalie: A Memoir by Her Sister“ having already been written, more than a few raised eyebrows about yet another take being offered up on Wood‘s short, turbulent life. In his defense, though, Lambert, a screenwriter with a number of other Hollywood biographies to his credit, seems to have real affection and sensitivity for his subject, and does offer some new perspectives on her, particularly in regards to some of her career choices.
While not one of her immediate circle, Lambert did know Wood well after she starred in the 1965 film of his novel “Inside Daisy Clover,“ and their friendship lasted 25 years. The story he tells is one of a genuinely talented actress who never knew a life beyond Hollywood, and because of that, had vulnerabilities, insecurities, demons and addictions that all ultimately played a role in her untimely death by drowning in 1981.
Perhaps because more time has passed since the other books were written, those contributing to Lambert‘s book seem to speak very freely and provide new information here, which gives this work its depth. Even notoriously reticent interviewees like actor Warren Beatty, director Paul Mazursky and actress Leslie Caron lend some valuable contributions here, making it a well-crafted, respectful tale of a star who knew the depths of despair as well as she did the height of success.

“Pictures“ by Jeff Bridges
While not a tell-all, this impressive collection of photographs, compiled by one of the Hollywood‘s most respected and talented actors, provides a unique and compelling look at the industry from an insider‘s perspective. Bridges has been taking on-set photos since the 1980s with a Widelux camera, an oddity because it has no shutter or viewfinder, but allows for panoramic images (about the same aspect as a widescreen film) and even for quick-moving subjects to appear twice on the same negative. The wide field, for example, can show an actor and director foreground while the crew is featured in another part of the print, all of which makes for photos that are rich in composition.
Fans of Bridges and his array of fine films, such as “The Last Picture Show,“ “Starman,“ “The Big Lebowski,“ “The Contender“ and “Seabiscuit,“ to name a few, are in for a real treat. Priceless and personal moments from those films are documented here, along with a host of Hollywood‘s finest actors and directors, and in defining his own style as a photographer, Bridges has captured images that show how he perceives the business he works in and those he admires who work alongside him. He also provides a hand-written commentary and captions throughout. There is yet one more reason to feel good about buying the book - proceeds from its sales are being donated to The Motion Picture & Television Fun, a non-profit organization that offers charitable care and support to film-industry workers. Isn‘t that about what we‘ve come to expect from Jeff Bridges?


 
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