Letters 10-24-2016

It’s Obama’s 1984 Several editions ago I concluded a short letter to the editor with an ominous rhetorical flourish: “Welcome to George Orwell’s 1984 and the grand opening of the Federal Department of Truth!” At the time I am sure most of the readers laughed off my comments as right-wing hyperbole. Shame on you for doubting me...

Gun Bans Don’t Work It is said that mass violence only happens in the USA. A lone gunman in a rubber boat, drifted ashore at a popular resort in Tunisia and randomly shot and killed 38 mostly British and Irish tourists. Tunisian gun laws, which are among the most restrictive in the world, didn’t stop this mass slaughter. And in January 2015, two armed men killed 11 and wounded 11 others in an attack on the French satirical magazine Charlie Hebdo. French gun laws didn’t stop these assassins...

Scripps’ Good Deed No good deed shall go unpunished! When Dan Scripps was the 101st District State Representative, he introduced legislation to prevent corporations from contaminating (e.g. fracking) or depleting (e.g. Nestle) Michigan’s water table for corporate profit. There are no property lines in the water table, and many of us depend on private wells for abundant, safe, clean water. In the subsequent election, Dan’s opponents ran a negative campaign almost solely on the misrepresentation that Dan’s good deed was a government takeover of your private water well...

Political Definitions As the time to vote draws near it’s a good time to check into what you stand for. According to Dictionary.com the meanings for liberal and conservative are as follows:

Liberal: Favorable to progress or reform as in political or religious affairs.

Conservative: Disposed to preserve existing conditions, institutions, etc., or to restore traditions and limit change...

Voting Takes A Month? Hurricane Matthew hit the Florida coast Oct. 6, over three weeks before Election Day. Bob Ross (Oct. 17th issue) posits that perhaps evacuation orders from Governor Scott may have had political motivations to diminish turnout and seems to praise Hillary Clinton’s call for Gov. Scott to extend Florida’s voter registration deadline due to evacuations...

Clinton Foundation Facts Does the Clinton Foundation really spend a mere 10 percent (per Mike Pence) or 20 percent (per Reince Priebus) of its money on charity? Not true. Charity Watch gives it an A rating (the same as it gives the NRA Foundation) and says it spends 88 percent on charitable causes, and 12 percent on overhead. Here is the source of the misunderstanding: The Foundation does give only a small percentage of its money to charitable organizations, but it spends far more money directly running a number of programs...

America Needs Change Trump supports our constitution, will appoint judges that will keep our freedoms safe. He supports the partial-birth ban; Hillary voted against it. Regardless of how you feel about Trump, critical issues are at stake. Trump will increase national security, monitor refugee admissions, endorse our vital military forces while fighting ISIS. Vice-presidential candidate Mike Pence will be an intelligent asset for the country. Hillary wants open borders, increased government regulation, and more demilitarization at a time when we need strong military defenses...

My Process For No I will be voting “no” on Prop 3 because I am supportive of the process that is in place to review and approve developments. I was on the Traverse City Planning Commission in the 1990s and gained an appreciation for all of the work that goes into a review. The staff reviews the project and makes a recommendation. The developer then makes a presentation, and fellow commissioners and the public can ask questions and make comments. By the end of the process, I knew how to vote for a project, up or down. This process then repeats itself at the City Commission...

Regarding Your Postcard If you received a “Vote No” postcard from StandUp TC, don’t believe their lies. Prop 3 is not illegal. It won’t cost city taxpayers thousands of dollars in legal bills or special elections. Prop 3 is about protecting our downtown -- not Munson, NMC or the Commons -- from a future of ugly skyscrapers that will diminish the very character of our downtown...

Vote Yes It has been suggested that a recall or re-election of current city staff and Traverse City Commission would work better than Prop 3. I disagree. A recall campaign is the most divisive, costly type of election possible. Prop 3, when passed, will allow all city residents an opportunity to vote on any proposed development over 60 feet tall at no cost to the taxpayer...

Yes Vote Explained A “yes” vote on Prop 3 will give Traverse City the right to vote on developments over 60 feet high. It doesn’t require votes on every future building, as incorrectly stated by a previous letter writer. If referendums are held during general elections, taxpayers pay nothing...

Beware Trump When the country you love have have served for 33 years is threatened, you have an obligation and a duty to speak out. Now is the time for all Americans to speak out against a possible Donald Trump presidency. During the past year Trump has been exposed as a pathological liar, a demagogue and a person who is totally unfit to assume the presidency of our already great country...

Picture Worth 1,000 Words Nobody disagrees with the need for affordable housing or that a certain level of density is dollar smart for TC. The issue is the proposed solution. If you haven’t already seen the architect’s rendition for the site, please Google “Pine Street Development Traverse City”...

Living Wage, Not Tall Buildings Our community deserves better than the StandUp TC “vote no” arguments. They are not truthful. Their yard signs say: “More Housing. Less Red Tape. Vote like you want your kids to live here.” The truth: More housing, but for whom? At what price..

Home · Articles · News · Art · Artistic Freedom...lIgor Zaytsev...
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Artistic Freedom...lIgor Zaytsev pushes the limits of local art

Kristi Kates - July 28th, 2005
Perhaps the first thing that will strike you when you walk into Igor Zaytsev’s art gallery in Petoskey is the sheer uniqueness of it all. It’s a little overwhelming at first. In a Northern Michigan community well-known for impressionistic landscapes, “safe” tones of cornflower blue and khaki, and more interpretations of the lake than you can shake a stick at, Zaytsev’s work takes you off guard - you won’t know what to look at first, yet you’ll feel compelled to somehow look at all of it at once.
His work harkens back to an older school of classical art, but he also fuses his paintings and drawings with a futurism that is refreshing, fluid, and filled with emotion. Although he doesn’t limit himself in subject matter, all of the work on display is obviously and gloriously his - identifiable by a style that he has made his own.
“I am inspired very much by Renaissance art, the figurative works,” Zaytsev enthuses. “I do many oil paintings on canvas, I love to draw with pencil and red chalk and charcoal, and I prefer to work on big, abstract canvases. But even in my abstract and symbolistic or contemporary works, people can still feel influence of Renaissance art. Is very important.”

Zaytsev’s journey to becoming an artist began with a solid education in the fundamentals, perhaps indicative of why his works including human and animal forms are especially strong.
Born in Lviv, Ukraine in 1958, he entered the Ukrainian equivalent of college at age 15, and was then one of only nine students who were selected through a yearly competition of over 100 to gain entry to the prestigious National Academy of Art in Kiev.
“This academy was extensive art study,” he explains. “Six days a week of drawing and painting, drawing and painting, every day, with live models, with everything. We had a master (professor) who was one of the biggest artists in Ukraine.”
Zaytsev spent six years at the National Academy of Art, graduating in 1983 and then going on to serve his country’s required year and a half in the army. “Only year and a half,” he chuckles, “because of higher education. Going to Academy makes you officially artist. The rest of people have to do two years.”
Following his stint in the army, he began participating in juried and regional shows, which solidified his career as a “real” artist.
“In system of my art in my country, the professional career of each artist started from first national show,” he explains, “so from first national show, I may be called professional artist.”
Was there ever any question of another career for him?
“In my country, if you managed to get into the Academy of Art, there is no other way. You are there because that is what you want. I could teach art if I would choose, at any level, colleges and universities, or I could choose what I did - to be full-time creative artist.”
He continued to exhibit in juried and regional events, and took part in his first national show in his 20s. But with Perestroika -- the restructuring of the Soviet economy that was introduced in 1987 by Soviet leader Mikhail Gorbachev -- came many changes for the Soviet art community, as well.

“Before Perestroika, the government showed support for artists, and was buying art,” Zaytsev remembers. “Private person could not afford art, except for maybe very, very small pieces. So all art was bought by government, and put in museums, public buildings, offices.
“With Perestroika, the support of art in Soviet countries was almost broken, destroyed by the free market. Capitalism came and the government no longer supported art in this way. So I thought maybe I should work with mostly foreigners, to try and have international show.”
It wasn’t long before his next goal came to fruition. The first international show he participated in was in Moscow, which was a high honor. Shortly thereafter, friends that Zaytsev had made who worked at the American Embassy to Kiev showed up at his studio and announced that they wanted to host a special open house and exhibit for Zaytsev.
“I think all employees of embassy came that night,” he marvels, “I have dinner with the ambassador himself. And they just cleaned the show (bought his art), they cleaned all 40 works that were on display.” From there, things began to roll steadily uphill for the talented artist.
He began working with American visitors to the Ukraine to get his artwork to a larger audience. Then, there was a solo show in the Ukrainian office of the Peace Corps. His first visit to America came shortly thereafter, where his works were displayed at the United Nations General Assembly and at Lincoln Center.
“First place I go in USA is New York,” he reminisces. “I visited San Francisco and didn’t like as much there. But I found market for art in New York City and in Washington, DC.”
On his second visit to the U.S., he decided to visit friends from Kiev who had immigrated to Bloomfield Hills, Michigan, and had established a business of their own. Little did he know he would end up staying in the Great Lakes state for much longer than just a visit.
“Things just turned that way,” he explains, “I painted a lot and ended up renting studio in Ann Arbor. I lived there for over a year, still working for galleries in New York, and found another market in West Bloomfield. I was very busy at that time.” And the story doesn’t end there.

“Then, I met lady,” he smiles, “I find my love, in the U.S., and we decided to get married. I had to return to Ukraine, so we arranged to meet in Germany, and got married there.”
Zaytsev then returned to the U.S. a mere 12 hours before the events of September 11, 2001, landing at the airport in Detroit with few belongings and few of his own works.
It was a humbling return to the States.
“I came with not many paintings. I sold almost everything at home, sold it cheap to pay rent in America. I came to U.S. almost empty, and it was hard for me to start like an artist. I still decide to open a gallery in Ann Arbor. But it did not work. The art market was bad, economy was slow, for the next couple of years.”
So Zaytsev resorted to doing a variety of jobs to make ends meet, doing architectural illustrations and even doing house painting, a far cry from the artwork he loved to create.
A little help from friends was soon to pave the way yet again for the Zaytsevs in the winter of 2003.
“People in Jackson, Michigan, were making a studio, organizing art center, and they appeared at my studio and reviewed a couple of my works. They invite me to Jackson and support me, with studio, with art supplies, with even monthly check.”
Zaytsev seems amazed at this stroke of good fortune. “I ask, ‘What is it for, all this?’, and they say, ‘Just to be here - for you to be here.’ I spent whole year painting, free of having to do other things.”
That studio no longer exists, having closed its doors in spring of 2004, but Zaytsev was grateful for the chance he was given. But then there was a question of what to do next.

“All of these years I have been in U.S., in America, since 2001, all of the people told me that I should go to the Up North area of Michigan to show my works. And one day I finally decided to get here,” he says, “I came here and I totally fell in love with the nature of the area, the lakes, the northern beauty,” he continues with a rapt tone, “the very blue sky, the deep blue sky and the bright boats on the lake, and the kind of European style of those cities like Harbor Springs. Yes, reminds me of Europe a little bit. Charlevoix, even Petoskey, reminds me of Switzerland.”
It’s clear that Northern Michigan’s natural beauty agreed with Zaytsev’s artistic sensibilities.
“After I showed my works at CTAC
(Crooked Tree Arts Council) in Petoskey, and I see the reaction of the people - there were five paintings in my car -- all I had -- and they took every one to exhibit and offer me a solo show ahead of the line (CTAC was booked until ’06, but made an exception for Zaytsev and his works) - I decide to open own gallery here. They must see the uniqueness of my work to do that,” he smiles mischieviously.
One of Zaytsev’s works was then included in CTAC’s recent fundraising event, D’Art for Art, and ended up being purchased by Paxson Offield, great-grandson of chewing gum magnate William Wrigley, Jr. Three of his works were also selected for ongoing exhibition at both Museums of Contemporary Russian Art, of which one is located in Moscow and one in New Jersey.
“After all of that, success, like flashing success, happens in Petoskey,” Zaytsev enthuses.
His Mitchell Street gallery opened this year, on April 25. Mrs. Zaytsev, sadly, passed away some time ago, but Zaytsev himself is pressing on with a full supporting cast of friends and fans of his work, including long time friend Pat Stone as gallery director.
“The reception that Igor’s works received was just remarkable,” Stone explains, “and the people of Petoskey definitely wanted his works here, so I moved here from Jackson to direct the gallery. He’s received such a positive response.”
Zaytsev’s gallery is stark, calm, and carefully lit, displaying his large-scale artwork to its best advantage. The 40” x 100” “The Night Battle” depicts the outer walls of a city under siege, with horses and soldiers almost bursting out of the foreground. The surrealistic “The Vision,” with its tricky play of shadows and Dali-esque colors, resides next to the energetic “Apocalypse,” which depicts two gorgeously-rendered horses whose fiery manes blend into the reddened clouds above. And the 40” x 30” “Old Man With The Horse” showcases beams of light so real you can almost feel the warmth, as does one of the Zaytsev’s most popular works to date, “The Ray.”
Zaytsev is currently working on several new pieces, another light-centered work on a large canvas, and a symbolistic piece that he’s titled “The Loneliness of the Queen” - both are expected to be on display soon. Zaytsev seems to be a man who rarely runs out of creative ideas. He’s even dabbling in stone design, crafting impressively intricate compositions similar to his paintings out of various colors of marble, and has already had several stone works installed in various locales.
“I work mostly by inspiration,” Zaytsev explains, snapping his fingers quickly. “Whoa! Like that, and I have vision in my head. I have to create it, pour it onto canvas right away. I lose dream, I cannot eat, I cannot sleep, before I work on it. I have to complete my idea. Which sometimes, it bothers me,” he laughs. “There is a famous Russian poet, Pushkin, who says, ‘All artists work by inspiration, but if you don’t have inspiration, you have to take the big club and chase after it until you catch it!’ I cannot restrict myself in the direction of art. Whatever it is - abstract, symbolistic - does not matter. I have to complete that vision without any restrictions. That is what makes artist free.”

Igor Zaytsev’s works may be viewed at the Zaytsev Fine Art and Stone Design Gallery, 443 East Mitchell, in downtown Petoskey’s new “uptown art district,” telephone 231-439-0951. He also does selected commissions and portraits, and his art may be found online at www.zfasd.com.
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