Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

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4Play

Kristi Kates - July 28th, 2005
The Foos’ went from their original idea of an acoustic album to this, a double-disc that exercises both the Foos’ heavy-punk ambitions and their quieter abilities. Yet another foomination - er, rumination - mostly on relationships, Foo leader Dave Grohl still stays behind his wall, only peeking his head around lyrically to give a few scant glimpses into how he really thinks about things.  There are some solid songs here, but they’re mostly on the acoustic disc - the headbangin’ disc gives the impression that the band was a little too concerned about giving off the impression of rockin’ hard to actually cut loose and do so.  This latest Foo effort offers up a few solid tracks - but the Foos might’ve been better off if they’d concentrated on one collection of quality songs, instead of spreading themselves too thin. 


 
Bryan Adams - Room Service - Mercury

Canadian pop-rocker Bryan Adams used to be a big deal in the early ‘90s.  Heck, he’s still a big deal in Europe, much like David Hasselhoff.  But although this album’s concept is pretty cool - Adams reportedly recorded the 11 tracks of Room Service in various hotel rooms while on tour in Europe, hence the title - it doesn’t live up to its own hype.  His raspy, urgent voice still sounds pretty decent, given the genre, but the songs themselves are awfully generic, suggesting that Adams might end up playing fairground bills instead of arena rock shows. There are a couple of songs that you might want to snag as singles, if you’re a fan of that back-to-basics heartland rock formula (namely “This Side of Paradise” and “East Side Story”), but overall, it’s quite lukewarm - average, even - in both its songs and presentation.


Screaming Trees - Ocean of Confusion - Songs of Screaming Trees 1990-1996 - Sony Music

Screaming Trees, although they did have one radio hit with the uber-hooky “Nearly Lost You” (which also appeared on the soundtrack for the slice-of-Seattle-life flick Singles), never quite hit the stride that fellow Seattle-ites like Soundgarden and Alice in Chains did.  And that’s really a shame - which is something you’ll discover when you take a listen to some of their back catalog as revealed on this disc.  More experimental and psychedelic ‘60s than the bulk of the grunge bands that came out of their hometown, it rocks hard but still manages to showcase some gothic-meets-grunge lyricism and the gutteral, expressive vocals of bandleader Mark Lanegan.  Old-school Screaming Trees will find this a must have, while grunge fans in general will want to add this to their collection, even if they’re new to this Seattle band who are still rocking under the radar.


Backstreet Boys - Never Gone - Jive Records

The first BSB album in over five years from the Orlando, Florida boy band, now more men than boys, the group seems a little lost on this effort, and with good reason, since boy bands are finally out of vogue for the most part.  It’s somewhat admirable that they’re attempting to stage a comeback - well, maybe gutsy is a better word - but they didn’t strike out far enough from their original sound to make any kind of real impact.  They’re still not writing much of their own music, which probably contributes to their somewhat superficial sound - the harmonies are there, granted, but there isn’t much of a foundation to support the Boys’ vocals.  It’s not completely horrible - they do have a good production team behind them, and again, they’re trying and all - it’s just that the results aren’t really much of anything.




 
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