Letters

Letters 09-15-2014

Stop The Games On Campus

Four head coaches – two at U of M and two at MSU – get a total of $13 million of your taxpayer dollars each year. Their staffs get another $11 million...

The Truth About Fatbikes

While we appreciate the fatbike trail coverage, the quote from the article below is exactly what we demonstrated not to be true in most cases last season...

Man Has Environmental Responsibility

I tend to agree with Thomas Kachadurian (“Playing God,” Sept. 8) that we should not interfere with the power of nature by deciding what is “native” and what is not. Man usually does what is better for man (or so we believe), hence the survival and population growth of our species...

The Bush & Obama Facts

Don Turner’s letter to the editor on 8/25/14 stated that there has never been a more corrupt, dishonest, etc. set of politicians in the White House. He states no facts, but here are a few...

Ban Pesticides

I grew up downstate in a neighborhood without pesticides. I was always very healthy. Living here, I have become ill. So I did my research and found out a lot about these poison agents called pesticides (herbicides, fungicides, insecticides, chemical fertilizers, etc) that are being spread throughout this community, accumulating in our air, water and soil...

Respect for Presidents?

Recently we read the Letter to the Editor that encouraged us to stop characterizing President Obama as anything other than an upstanding, moral, inspiring “first Black President”. The author would have us think that the rancor in the press, media and public is misguided. And, believe it or not, this rancor is a “glaring exception to … unwritten patriotic rule” of historically supporting all previous presidents...


Home · Articles · News · Art · Art‘s New Frontier... Evans...
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Art‘s New Frontier... Evans Forney Fine Art seeks to elevate Northern Michigan‘s status as an art destination

Susan Spear - June 9th, 2005
“Mosey on in” to the Evans Forney Fine Art gallery in downtown Traverse City to enjoy an open range of subject matter… from landscape to figurative paintings and photographs, sculptural furniture to pastoral carvings and traditional fine art. 
The fabulous newly-renovated space at 154 E. Front Street is filled with tooled leather paintings, pedestals of Native American style carved pottery and huge breathtaking photographs of pueblo doorways and red rock canyons, all of which speak of the gallery’s owners, John Evans’ and Lance Forney’s, love and respect of the West. 
  But no spurs and chaps  are necessary! This former Southwestern duo has roped in some regional and local artists.

WHO’S WHO
An experienced art show producer, Evans organized popular art festivals in California and Arizona.  At Sedona’s Southwest Red Rock Fine Art And Wine Festival, he coupled world-renowned a  rtists with the Phoenix Symphony for more than a decade.  Gregarious and multi-talented, Evans also writes poetry and creates handmade paper sculptures.
Lance Forney, the Pied Piper of the duo, enchants guests with his talents as a photographer, musician and host. Inbetween greeting patrons at receptions, Forney has been known to take time out to converse with local musicians and can’t resist picking up a guitar.  
A natural beguiling spirit, Forney switched to full-time photography after a number of lucrative careers.  His large Southwestern landscapes are intense and caring exercises in sensibility. Fusing documentary, anticipation and expression, his photographs succeed as art in a time-space continuum.  
 Forney expresses space (both natural or architectural) with a focused concentration, creating photographs beyond prettiness or trends -- studiously celebrating form.

SOUTHWEST CONNECTION
In addition to their respective talents, the Evans Forney Gallery owners have sought out artists from all over the country. 
Midwest audiences may not be accustomed to paintings and sculptures of horses, lariats, cowhands and Indians as having wide acclaim. 
Yet after living and working in the Southwest, the EF partners have chosen to showcase a number of Western artists. They know that collectors value the heritage of the frontier and that for decades, names like Frederic Remington and Charles M. Russell have been briskly purchased for millions.  
Followed by phenomenal talents like Georgia O’Keefe and Hudson River School painters who journeyed west, the value of Western artists was raised to the level of their East Coast peers in the last century. Today, major museum shows continue to bring attention and academic interest to the work of Western artists. Buyers of Western art are geographically diverse and a consistent number of people purchase “a piece of American history” each year to display in their homes.

REGIONAL ART FOCUS
Only New York City outsells Santa Fe and Taos, New Mexico for the dollar value of American art sold.  John Evans and Lance Forney would like to see northwestern Michigan become a famous spot for collectors and tourists to find and purchase American art, from every region of the country.  The concept behind their gallery is to bring people together in a warm, friendly atmosphere and offer a wide variety of media, styles and prices.
  
• New to Evans Forney Gallery is Eric Strauss, a nationally established stainless steel sculptor, who creates for the viewer’s desire to touch. Working from his mountaintop studio in north Georgia, the mini-metal man constructs subjects that he has dreamed, imagined or experienced. His linear equine pieces are a result of his childhood experiences growing up on a farm. His mixed metal pieces are studies in textural contrast merging environmental/outer/nature with highly polished abstract shapes.  His one-of-a-kind furniture pieces are futuristic sculptures without rules and boundaries. 
• Award-winning local artist Chick Powers creates carved wood metaphors, some representing real items (such as coats or hats), a unique skull series and exemplary figurative work concerning the underlying struggle of human endeavor.  There is a reminiscent beauty and reverence to Georgia O’Keefe in his skull series.   His meticulous craftsmanship of wood is apparent in his mimic/object forms. And the addition of metal to his dynamic figures accentuates the grace and sometimes pain of human struggles. His wood sculptures require a double-take.
• Shirley McWorter-Moss, a former math and aeronautical engineering teacher, retired a decade ago to follow her artistic dream of becoming a sculptress. The Anaheim, California artist has recently showcased her work at the Loveland Sculpture Invitational in Colorado. The majority of her work is figurative, with an emphasis on the “virtuoso.” Her piece entitled “Oracles” has that spellbinding quality. 
The former Cleveland native tries to “breathe life into her subjects.”  Much of her work has a monumental quality of a conventionally trained sculptor, but with delightful underpinnings of depth, balance, and rhythm.  

Each gallery in the area has its own ambiance and reputation, but the sculptural work is particularly strong in the latest gallery to enhance Front Street. If you are looking for art that competes national galleries, you may be delightfully surprised by this gallery and by the growing selection of new galleries in the Grand Traverse Bay region. And don’t mind that compulsive adventurer that greets you at the Evans Forney Fine Arts gallery door: Lance just wants to be your unofficial ambassador to some exceptional local, regional and American art.  




 
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