Letters

Letters 09-15-2014

Stop The Games On Campus

Four head coaches – two at U of M and two at MSU – get a total of $13 million of your taxpayer dollars each year. Their staffs get another $11 million...

The Truth About Fatbikes

While we appreciate the fatbike trail coverage, the quote from the article below is exactly what we demonstrated not to be true in most cases last season...

Man Has Environmental Responsibility

I tend to agree with Thomas Kachadurian (“Playing God,” Sept. 8) that we should not interfere with the power of nature by deciding what is “native” and what is not. Man usually does what is better for man (or so we believe), hence the survival and population growth of our species...

The Bush & Obama Facts

Don Turner’s letter to the editor on 8/25/14 stated that there has never been a more corrupt, dishonest, etc. set of politicians in the White House. He states no facts, but here are a few...

Ban Pesticides

I grew up downstate in a neighborhood without pesticides. I was always very healthy. Living here, I have become ill. So I did my research and found out a lot about these poison agents called pesticides (herbicides, fungicides, insecticides, chemical fertilizers, etc) that are being spread throughout this community, accumulating in our air, water and soil...

Respect for Presidents?

Recently we read the Letter to the Editor that encouraged us to stop characterizing President Obama as anything other than an upstanding, moral, inspiring “first Black President”. The author would have us think that the rancor in the press, media and public is misguided. And, believe it or not, this rancor is a “glaring exception to … unwritten patriotic rule” of historically supporting all previous presidents...


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4Play

Ross Boissoneau - September 29th, 2005
Soulive – Break Out - Concord

Missing that spicy soul music? Into the jam band scene? Like your licks hot and heavy one minute, sweet and sassy the next? Soulive is your answer. One minute the band is channeling Sly Stone, the next Jimi Hendrix, then modern flamenco, and with contributions from Ivan Neville and Chaka Khan among others, there’s some superlative singing as well. But that’s just icing on the cake that is Soulive, a guitar/organ/drums trio that draws its inspiration almost equally from the rock, soul, jam, and jazz camps. They don’t just lock into a groove, they grab it and don’t let go, no matter how ferociously they rock around it. But Soulive offers precision as well, as on the title track, where the two-man horn section complements Eric Krasno’s guitars.

Richard Thompson – Front Parlour Ballads - Cooking Vinyl

Richard Thompson has been hailed as a guitar hero, the voice of folk, and a songwriter extraordinaire. He is, of course, all three. The opening “Let It Blow” is one of those instant singalongs, its lyrics witty and wry. The poignant “For Whose Sake” follows, and the rollicking “Miss Patsy” could come from Planxty or any of the Irish folk-rock groups. But coming as it does from Thompson, you should expect the unexpected, as when he sings, “So I got me a nose job, a shave and a haircut, to drive all them ladies berserk.” All the while he’s finger-picking a beautiful and decidedly difficult guitar line. This collection recorded mostly by himself in his home studio stands comfortably alongside the more than 30 albums he’s crafted with Fairport Convention, with his ex-wife Linda and a host of other collaborators.

Maria Muldaur – Sweet Lovin’ Ol’ Soul - Stony Plain

Midnight at the Oasis? More like quarter to three in some juke joint on the highway, where the line between hillbilly music and the blues is blurred to the point of being ignored. The onetime pop siren has been performing roots music the last several years, trading her vibrato-laden, high-pitched sound for one lower and more, well, lowdown. The honky-tonk piano, fiddle, mandolin, and banjo – and jug! – actually take Muldaur back to her musical roots when she performed with the Even Dozen Jug Band and the Jim Kweskin Jug Band. Traditional bluesman Taj Mahal guests, and the two seem perfectly at home with each other and the material, much of it by Memphis Minnie. Still, it’s an acquired taste at best.


Praful – Pyramid In Your Backyard - Rendezvous/Therapy/N-Coded

In the ‘60s Praful’s music would have been labeled psychedelic. In the ‘70s it would have been somewhere in the progressive camp alongside the likes of Henry Cow or the Art Bears. Today it gets play on the smooth jazz stations. Go figure. But this heady concoction of sampled beats, washes of electronic sound, Praful’s snaking saxophone and occasional vocalizing can be mesmerizing one minute, and get you on the dance floor the next. Sometimes the lines coalesce into a regular beat, as on the almost bossa nova-ish “Acredite.” No matter that it’s not sung in English. “Eternity” and “Naked” both are in English, and the former is particularly engaging, the light feathery-soft voice of Sudha floating atop a bed of synthesizers and percussion.

 
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