Letters 10-24-2016

It’s Obama’s 1984 Several editions ago I concluded a short letter to the editor with an ominous rhetorical flourish: “Welcome to George Orwell’s 1984 and the grand opening of the Federal Department of Truth!” At the time I am sure most of the readers laughed off my comments as right-wing hyperbole. Shame on you for doubting me...

Gun Bans Don’t Work It is said that mass violence only happens in the USA. A lone gunman in a rubber boat, drifted ashore at a popular resort in Tunisia and randomly shot and killed 38 mostly British and Irish tourists. Tunisian gun laws, which are among the most restrictive in the world, didn’t stop this mass slaughter. And in January 2015, two armed men killed 11 and wounded 11 others in an attack on the French satirical magazine Charlie Hebdo. French gun laws didn’t stop these assassins...

Scripps’ Good Deed No good deed shall go unpunished! When Dan Scripps was the 101st District State Representative, he introduced legislation to prevent corporations from contaminating (e.g. fracking) or depleting (e.g. Nestle) Michigan’s water table for corporate profit. There are no property lines in the water table, and many of us depend on private wells for abundant, safe, clean water. In the subsequent election, Dan’s opponents ran a negative campaign almost solely on the misrepresentation that Dan’s good deed was a government takeover of your private water well...

Political Definitions As the time to vote draws near it’s a good time to check into what you stand for. According to Dictionary.com the meanings for liberal and conservative are as follows:

Liberal: Favorable to progress or reform as in political or religious affairs.

Conservative: Disposed to preserve existing conditions, institutions, etc., or to restore traditions and limit change...

Voting Takes A Month? Hurricane Matthew hit the Florida coast Oct. 6, over three weeks before Election Day. Bob Ross (Oct. 17th issue) posits that perhaps evacuation orders from Governor Scott may have had political motivations to diminish turnout and seems to praise Hillary Clinton’s call for Gov. Scott to extend Florida’s voter registration deadline due to evacuations...

Clinton Foundation Facts Does the Clinton Foundation really spend a mere 10 percent (per Mike Pence) or 20 percent (per Reince Priebus) of its money on charity? Not true. Charity Watch gives it an A rating (the same as it gives the NRA Foundation) and says it spends 88 percent on charitable causes, and 12 percent on overhead. Here is the source of the misunderstanding: The Foundation does give only a small percentage of its money to charitable organizations, but it spends far more money directly running a number of programs...

America Needs Change Trump supports our constitution, will appoint judges that will keep our freedoms safe. He supports the partial-birth ban; Hillary voted against it. Regardless of how you feel about Trump, critical issues are at stake. Trump will increase national security, monitor refugee admissions, endorse our vital military forces while fighting ISIS. Vice-presidential candidate Mike Pence will be an intelligent asset for the country. Hillary wants open borders, increased government regulation, and more demilitarization at a time when we need strong military defenses...

My Process For No I will be voting “no” on Prop 3 because I am supportive of the process that is in place to review and approve developments. I was on the Traverse City Planning Commission in the 1990s and gained an appreciation for all of the work that goes into a review. The staff reviews the project and makes a recommendation. The developer then makes a presentation, and fellow commissioners and the public can ask questions and make comments. By the end of the process, I knew how to vote for a project, up or down. This process then repeats itself at the City Commission...

Regarding Your Postcard If you received a “Vote No” postcard from StandUp TC, don’t believe their lies. Prop 3 is not illegal. It won’t cost city taxpayers thousands of dollars in legal bills or special elections. Prop 3 is about protecting our downtown -- not Munson, NMC or the Commons -- from a future of ugly skyscrapers that will diminish the very character of our downtown...

Vote Yes It has been suggested that a recall or re-election of current city staff and Traverse City Commission would work better than Prop 3. I disagree. A recall campaign is the most divisive, costly type of election possible. Prop 3, when passed, will allow all city residents an opportunity to vote on any proposed development over 60 feet tall at no cost to the taxpayer...

Yes Vote Explained A “yes” vote on Prop 3 will give Traverse City the right to vote on developments over 60 feet high. It doesn’t require votes on every future building, as incorrectly stated by a previous letter writer. If referendums are held during general elections, taxpayers pay nothing...

Beware Trump When the country you love have have served for 33 years is threatened, you have an obligation and a duty to speak out. Now is the time for all Americans to speak out against a possible Donald Trump presidency. During the past year Trump has been exposed as a pathological liar, a demagogue and a person who is totally unfit to assume the presidency of our already great country...

Picture Worth 1,000 Words Nobody disagrees with the need for affordable housing or that a certain level of density is dollar smart for TC. The issue is the proposed solution. If you haven’t already seen the architect’s rendition for the site, please Google “Pine Street Development Traverse City”...

Living Wage, Not Tall Buildings Our community deserves better than the StandUp TC “vote no” arguments. They are not truthful. Their yard signs say: “More Housing. Less Red Tape. Vote like you want your kids to live here.” The truth: More housing, but for whom? At what price..

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None - August 19th, 2011  

Steve Ballance uses scanners, instant film & digital technology to transform photography

Steve Ballance says his interest in photographic processes is comparable to the ancient practice of alchemy where the wizard attempted to turn base metals into gold.

For decades, he’s been intrigued by how one’s perception is changed by the processes that translate subject matter to the viewer.

“There’s a lot of conceptualization in my work,” says Ballance, whose impressive portfolio is dominated by still life cornerstones of flowers and female nudes who are often adorned in elaborate paper-mache masks. Much of it is based on classical myths of the Greeks and Romans.

“I just want them (viewers) to look at it and decide if they find it interesting. I use the masks to get people to not personalize the image.”

Much of Ballance’s works involve a process known as Polaroid Transfer, in which the image is photographed on Polaroid film. It is then peeled apart before it can completely develop and the part containing the dyes is pressed onto dampened watercolor paper. Ballance then scans them into a computer and has them printed on an inkjet printer.

“There’s something that happens in the transfer process,” he explains. “I can’t predict what happens, but I like the way it comes out.”


His work can be seen at the Artist Design Network in Traverse City and online at the Gallery 50 website www.galleryfifty.com .

“I’m not that interested in marketing my art, I’m much more interested in making it,” he says. “Frankly, it’s much more fun to make it than sell it. My audience is a small audience.”

Ballance’s parents moved the family to Traverse City when he was a three-year-old. He attended TC schools before heading to Michigan State University where he majored in psychology.

“I didn’t study art, but my girlfriend was an artist, so I was always around art,” he recalls. “When I graduated, I took my graduation money and bought a camera. A co-worker taught me some camera techniques and then I went to Chicago where I learned how to use a darkroom.”

After suffering a back injury in 1973, Ballance returned to Traverse City and began hanging out at NMC’s burgeoning art department. “The most interesting people were in the art department,” he laughs. “So I taught a photo class there and have been there ever since.”

That relationship continues to this day.

Ballance is the program’s Professor Emeritus, though he officially retired from NMC 11 years ago. As a professor, Balance mainly taught classes in design and digital photography.


When asked about other artists whose work he admires, he quickly rattles off the names of NMC colleagues, including printmaker Doug Domine, potter Mike Torre and photographer Sheila Stafford.

While a handful of artists like Ballance continue to create images with Polaroid, or Instant film, it has been supplanted for general use by digital photography. Consequently, in 2008 Polaroid halted production of its instant film.

Now only two companies continue to manufacture instant film – Fuji and The Impossible Project, a group of people who took control of the old Polaroid manufacturing equipment to continue making Polaroidcompatible film after falling in love with the works of artist Stephanie Schneider.

“I bought up a bunch of Polaroid film and I still have 15 or 20 boxes in my refrigerator,” says Ballance, who has also been tinkering with developing images without the use of a camera, directly scanning objects on a flatbed scanner.

Several of his floral works featuring vibrant tulips display brilliant colors and richness achieved by directly scanning them on the flatbed surface. “I’ve always been interested in the tools that are used to create images and art,” explains Ballance. “Whether they are cameras, scanners or computers.”

In his ongoing search for new artistic endeavors, Ballance recently attended a workshop on photopolymer gravure, a process for producing etchings from digital images. Some feel that these etchings rival the quality of traditional copper plate photogravure, while others find that the lack of differential depth in the polymer coating compromises quality.

Currently he’s focusing on building a studio to house his projects. But Ballance continues to push the boundaries of image making by examining creative ways to link-up a digital camera and a scanner together to make innovative images that challenge viewer’s perceptions and ask “What exactly is photography?”

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