Letters

Letters 10-27-2014

Paging Doctor Dan: The doctor’s promise to repeal Obamacare reminds me of the frantic restaurant owner hurrying to install an exhaust fan after the kitchen burns down. He voted 51 times to replace the ACA law; a colossal waste of money and time. It’s here to stay and he has nothing to replace it.

Evolution Is Real Science: Breathtaking inanity. That was the term used by Judge John Jones III in his elegant evisceration of creationist arguments attempting to equate it to evolutionary theory in his landmark Kitzmiller vs. Dover Board of Education decision in 2005.

U.S. No Global Police: Steven Tuttle in the October 13 issue is correct: our military, under the leadership of the President (not the Congress) is charged with protecting the country, its citizens, and its borders. It is not charged with  performing military missions in other places in the world just because they have something we want (oil), or we don’t like their form of government, or we want to force them to live by the UN or our rules.

Graffiti: Art Or Vandalism?: I walk the [Grand Traverse] Commons frequently and sometimes I include the loop up to the cistern just to go and see how the art on the cistern has evolved. Granted there is the occasional gross image or word but generally there is a flurry of color.

NMEAC Snubbed: Northern Michigan Environmental Action Council (NMEAC) is the Grand Traverse region’s oldest grassroots environmental advocacy organization. Preserving the environment through citizen action and education is our mission.

Vote, Everyone: Election Day on November 4 is fast approaching, and now is the time to make a commitment to vote. You may be getting sick of the political ads on TV, but instead, be grateful that you live in a free country with open elections. Take the time to learn about the candidates by contacting your county parties and doing research.

Do Fluoride Research: Hydrofluorosilicic acid, H2SiF6, is a byproduct from the production of fertilizer. This liquid, not environmentally safe, is scrubbed from the chimney of the fertilizer plant, put into containers, and shipped. Now it is a ‘product’ added to the public drinking water.

Meet The Homeless: As someone who volunteers for a Traverse City organization that works with homeless people, I am appalled at what is happening at the meetings regarding the homeless shelter. The people fighting this shelter need to get to know some homeless families. They have the wrong idea about who the homeless are.

Home · Articles · News · Music · 4Play
. . . .

4Play

Ross Boissoneau - April 13th, 2006
Robert Berry – Prime Cuts (Magna Carta)
Singer and multi-instrumentalist Robert Berry is a prime mover on Magna Carta’s series of tribute albums, and here you can hear his versions of Yes’s “Roundabout,” “Karn Evil 9” by ELP, Pink Floyd’s “Brain Damage,” even Ambrosia’s “Life Beyond LA.” Problem is, despite his brilliant mimicry of these and other famous prog artists, you don’t really hear enough of Berry. He plays everything, from drums to bass to guitar and keyboards, he sings, and produces. He even made a fun Christmas album where he used his one-man band approach to update holiday fare in the styles of King Crimson, Kansas, and others. He’s got the tools, as his previous solo discs and stints in the Three alongside Emerson and Palmer and in post-David Pack Ambrosia demonstrate, but “Prime Cuts” is just an excuse to hear him sound like his inspirations. Great fun though . . .

Bela Fleck and the Flecktones – The Hidden Land (Columbia)
Jazz’s preeminent banjoist – okay, pretty much jazz’s only banjoist – returns more than three years after his group’s last album, and “The Hidden Land” is one of its strongest efforts. The Flecktones rearrange and reimagine Bach’s Fugue, while “P’lod in the House” is fairly straightahead jazz. Jeff Coffin gets most of the lead lines here, alternating among sax, flute, even clarinet, so much so that you start to long for Fleck to essay a foggy mountain breakdown. That doesn’t happen till “Weed Whacker,” and then Fleck follows his solo with some comping on wah-wah banjo. “Labyrinth” has a bluesy, call-and-response feel as Fleck and Coffin trade the melody, before Victor Wooten steps out for a typically audacious bass solo, while his brother, Future Man, serves as drummer for the band through a variety of percussive sounds. It’s obvious there is no one else out there who sounds like the Flecktones.

Duke Robillard – Guitar Groove-A-Rama (Stony Plain Records)
Guitarist Duke Robillard formed the acclaimed Roomful of Blues at the tender age of 17 and later replaced Jimmie Vaughan in the Fabulous Thunderbirds. His solo career has encapsulated numerous blues styles, and as the title suggests, he romps through many of them here. The titles often tell the tale: “Do the Memphis Grind,” “Gambler Blues,” “I’ll Do Anything But Work” show Robillard as a canny, soulful guitarist (and occasionally a singer of distinction as well). “Sunday Morning” has quotes from “I’m In The Money,” along with soulful lines from Doug James on bari sax. Robillard  plays it straight on “Danny Boy” before doubling the pace halfway through, allowing him to bend a few notes. The 16-minute “Blues-A-Rama” allows Robillard to stretch out as he emulates the styles of several of his influences and favorite players, from Johnny Guitar Watson to Lowell Fulsom and Freddie, B.B. and Albert King, among others. All told, this is one groovy disc.

Incognito – Eleven (Narada Jazz)
Jean-Paul “Bluey” Maunick’s latest brings together his sense of funky melody, his ultra-tight band, and great vocals from Maysa Leak, Tony Momrelle and others. Incognito has always brought together 70s funk and soul, colorful vocals, and snazzy horns, with an acid-jazz beat, and “Eleven” is no exception. “Come Away With Me” melds an urgent melody with percussion, keyboard breaks and a shouting horn section, the beat driving the song ahead while Maysa’s effortless vocals keep pace. “When Tomorrow Brings You Down” is a tale of heartbreak so soulful you almost can’t wait for it to happen. The second half of the album starts to drag, however, as “Show Me Love” gets repetitive, and “I’ll Get By” suffers from a desultory melody line. The concluding cuts get Bluey and band back on track, though, making “Eleven” enjoyable if not among the band’s best.
 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close