Letters

Letters 08-25-14

Save America

I read your paper because it’s free and I enjoy the ads. But I struggle through the left wing tripe that fills every page, from political cartoons to the vitriolic pen of Mr. Tuttle. What a shame this beautiful area of the state has such an abundance of Socialist/democrats. Or perhaps the silent majority chooses to stay silent...

Doom, Yet a Cup Half Full

In the news we are told of the civil unrest at Ferguson, Mo; ISIS war radicals in Iraq and Syria; the great corporate tax heist at home. You name it. Trouble, trouble, everywhere. It seems to me the U.S. Congress is partially to blame...

Uncomfortable Questions

defending the positions of the Israelis vs Hamas are far too narrow. Even Mr. Tuttle seems to have failed in looking deeply into the divide. American media is not biased against Israel, nor or are they pro Palestine or Hamas...

The Evolution of Man Revisited

As the expectations of manhood evolve, so too do the rules of love. In Mr. Holmes’s statement [from “Our Therapist Will See Us Now” in last week’s issue] he narrows the key to a successful relationship to the basic need to have your wants and needs understood, and it is on this point I expand...

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4Play

Ross Boissoneau - August 25th, 2005
Carole King - The Living Room Tour - Rodkingale/Concord/Hear
It’s too late? Apparently not. How else to explain the continuing appeal of the woman who personified the singer/songwriter with “I Feel The Earth Move,” “Tapestry,” “You’ve Got A Friend” and so many other songs in the 60s and 70s? On this live 2-CD set, King revisits a number of her hits, supported by her piano, occasional guitar and bass, and on “Where You Lead I Will Follow” by daughter Louise Goffin. Sometimes her voice gets a bit ragged, as on “Jazzman,” and sometimes you miss a full band, as on “Smackwater Jack.” But then, the premise of the album is as the title suggests, an intimate acoustic performance for friends. And in that it’s inordinately successful.

Jim Brickman - Grace - Windham Hill
Popular pianist Brickman enlists a couple ringers, er, singers, in this set of sacred music. Ginny Owens and Brickman breathe some new life into “Amazing Grace,” while the string section Brickman uses makes “Crown Him With Many Crowns” a joy. “Ave Maria” is typically overwrought, while Brickman gives “How Great Thou Art” a grace it hardly deserves, and “Joyful” is an expressive take on “Ode to Joy.” However, it’s probably the concluding “Hear Me (Tears Into Wine)” that will make fans stand up and take notice, what with Michael Bolton proving yet again that, love him or hate him, when it comes to soaring MOR ballads, he’s the king of the hill. With its high points and clinkers, instrumentals and vocals, “Grace” is pretty much all over the place.

Fripp & Eno - The Equatorial Stars - Opal
Here it is 30 years later and we’ve finally got the follow-up to “No Pussyfooting” and “Evening Star,” the groundbreaking electronic ambient explorations by King Crimson guitarist Robert Fripp and ex-Roxy Music keyboardist Brian Eno. They’ve obviously had plenty of time to perfect their tape looping and frippertronics, and it’s all on display in these seven soundscapes. The program falls somewhere between those two earlier recordings, with much
of the beauty of “Evening Star” intact, yet with some of the edge of “No Pussyfooting.” The latter is most apparent on “Lupus” where scratchy drones give way to slow-moving washes and gentle glissandos. The sounds range from nearly-recognizable guitars to bells and violins, all produced by the two sonic pioneers.

Various Artists - Visions of An Inner Mounting Apocalypse - Tone Center
This tribute to the Mahavishnu Orchestra brings together a who’s who of fusion guitarists paying homage to John McGlaughlin and one of the seminal bands of the genre. Steve Lukather of Toto opens with a blazing “Birds of Fire,” the title track from Mahavishnu’s second album, and things only get hotter from there with Mike Stern, Steve Morse, Frank Gambale, Greg Howe, and others. They’re supported by an ultra-tight band of Vinnie Colaiuta on drums, Kai Eckhardt on bass, Mitchell Forman on keyboards, project coordinator Jeff Richman on guitar, even original Mahavishnu violinist Jerry Goodman on a few tracks. Anyone who was into the fusion scene of the ‘70s and ‘80s will enjoy this bracing set. This is just one of four such projects from Tone Center, the others featuring the music of Miles Davis, John Coltrane, and Weather Report.
 
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