Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · Ian Anderson Unplugged
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Ian Anderson Unplugged

Ross Boissoneau - July 13th, 2006
A rock band joining forces with an orchestra isn’t so far-fetched. Groups like Emerson, Lake and Palmer, the Moody Blues and Yes have paired their brand of symphonic rock with orchestras over the years.
But Jethro Tull frontman Ian Anderson has gone them one better. He’s ditched Tull for the moment in favor of a “more flexible” rock band that works within a symphony orchestra, performing a set of Tull and Anderson solo favorites, along with a smattering of classical tunes. Anderson hasn’t quit Tull by any means, but relishes the chance to do something different.
“It’s part of the luxury I can afford,” said Anderson of this tour, which finds
him and his hand-picked group perform-ing alongside the Traverse Symphony Orchestra at Interlochen on Wednesday July 19. “I can dabble at this, dabble
at that.”

SOMETHING NEW
Whether you call it dabbling or not, there’s no doubt that it’s not exactly what fans who grew up on “Aqualung,” “Locomotive Breath” or “Thick As A Brick” would expect. Anderson’s flute playing was always a focal point of the Tull concerts, but here it takes center stage. Yes, he’ll still sing a song or two, and strum his acoustic guitar, but the show is billed as rock’s foremost flute player performing with a symphony orchestra.
Anderson said for him the performance feels quite natural.
“My background is as an acoustic musician,” Anderson says. “I was never deeply infatuated with loud electric guitar. Acoustic blues, jazz, classical – that’s what I really preferred. Flute and rock are very unseemly bedmates.
“The orchestra is a bunch of unplugged guys like me. We try to find a common musical denominator with the band. It (the band) is not the Tull guys but other musicians, guys from jazz or classical background who maybe have a different approach.”
That “different approach” allows Anderson the freedom to re-arrange tunes like “Bouree’,” “Thick As A Brick,” “Songs From The Wood,” and yes, even “Aqualung.” The set list changes slightly from performance to performance, as Anderson and his band rehearse with a different orchestra for most every show. “It’s like doing two or three shows,” says Anderson of the four to six hour rehearsals prior to the concerts. “We hope to squeeze everything into the rehearsal,” he says.
 Anderson says such rehearsals are necessary for orchestral players who generally aren’t used to playing rock music, as well as for him and his band to adapt to the styles and abilities of the various symphonies. “I’m asking them to make such a big crossover step. It’s hard.”
On the other hand, Anderson owns up to the fact that while he appreciates it, he doesn’t – can’t – play classical music the way it’s written. “For me, it’s impossible. I couldn’t do a Mozart flute concerto. I don’t read music. I wish I could be anywhere half as good as them.
“It’s a mutual respect. There’s mutual support and mutual cynicism,” he said with a laugh.

BEVY OF STYLES
In the nearly 40 years since Jethro Tull came on the musical scene, the band has incorporated a bevy of styles into its performance. Originally an offshoot of the John Evan Big Band, it mixed jazz with blues and folk on its 1968 debut, “This Was.” By the time of the band’s breakout “Aqualung” in 1968, Anderson had seized control. With the help of guitarist Martin Barre and keyboardist Evan, Tull became one of the biggest bands of the ‘70s, with sold-out tours, hit songs like “Living in the Past” and “Bungle in the Jungle” and concept albums like “Thick as a Brick” and “A Passion Play” wowing critics and crowds alike.
As art rock fell from favor in the ‘80s, Tull sharpened its licks, even earning a Grammy for Best Heavy Metal Performance for “Crest of a Knave” in 1987. Meanwhile Anderson was also working on his solo career, first with “A” in 1980, which became a Tull album, then for real with “Walk Into Light” in 1983. He also dabbled (there’s that word again) at fish-farming in Scotland, but decided music was his true calling.
Tickets for the show are available by calling the Interlochen Box Office at
276-7800.
 
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