Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Music · Guster
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Guster

Eric Pokoyoway - July 20th, 2006
Few bands can stay together for more than a decade and still keep creating something different and new.
One of them, however, is Guster. They will be performing at the Interlochen Music Festival, on Tuesday, July 25 along with Ray LaMontagne.
“I just love how our band feels unpredictable right now,” said percussionist Brian Rosenworcel.
Guster has been together for 13 years and released its fifth album June 20, called “Ganging Up On the Sun.” “Ganging Up On the Sun” debuted at number 25 on the Billboard Top 200 charts.
“We have had some very good responses with the new album,” said Joe Pisapia, multi-instrumentalist. “We were in Milwaukee for a show and the crowd was already singing along with the new stuff.”
Pisapia plays several insturments on the new album, including banjo, dulcimer, trumpet and lap steel guitar. He also served has a producer for half of the songs on the album.
Guster is an alternative band that was originally formed by Ryan Miller, (guitar and vocals), Adam Gardner (guitar and vocals) and Rosenworcel. Pisapia joined the band six years ago after he and his brother toured with Guster for a few months.
“Joe is by far the best musician in the band,” Miller said. “He can play every instrument and has taken our level of musicianship up about seven notches.”
The three original band members met in 1991 at college orientation while attending Tuft University in Massachusetts. They debuted their first album, “Parachute,” in 1994.
“Parachute,” and their second album “Goldfly” featured percussionist Rosenworcel nicknamed by Guster fans as the “Thunder God” for playing many of his shows with his bare hands and showing off his expertise with bongos, cymbals and other percussion instrument.
“We have been moving away from the bongos for the past couple of years now. Some die-hard Guster fans might not like it, it’s kind of a catch-22, but it gives us a wider range to work with and can be even more creative,” Pisapia, said.
Guster has always been a band willing to try new things without losing its fan base; however, they have been criticized in the rock media as becoming radio friendly.
“We try to be a little of both [radio friendly and independent], but I think that we go very deep with this album,” Pisapia said. “It’s like going from painting with eight colors, to using 16 and being able to modify those a little.”
Guster has found success by creating melodies and harmonies that are unlike mainstream music.
“I think when we switched from just ‘the guitars and percussion’ shtick to using whatever was in front of us, we ended up sounding more like the bands we were listening to.” “Rosenworcel said.
“We have a song ‘Ruby Falls,’ that is seven minutes long, channeling our Pink Floyd spirit,” Pisapia said.
Some other influences that can be heard on this album are the Rolling Stones, Fleetwood Mac, the Beatles and Tom Petty.
“The word ‘classic’ was used a lot throughout recording as a goal for the sound of this album,” Gardner said.
In the last 13 years, Guster has been able to create a huge following, especially along the East coast and among the college crowd. Pisapia said that it’s important for any band to stay new and original.
“Making music is like playing with Legos -- you’re creating stuff and constently progessing,” Pisapia said. “That’s why I like creating music because you’re always trying to perfect it.”
 
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