Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Music · 4Play
. . . .

4Play

Ross Boissoneau - March 2nd, 2006
Livingston Taylor – There You Are Again – Whistling Dog

James’s little brother has never been as prolific or as acclaimed as JT. That’s too bad, and those who haven’t been paying attention have missed some fine work, which continues on “There You Are Again.” The poignant “Best of Friends” kicks off the disc, a duet with his former sister-in-law, Carly Simon. The family connections continue with “There I’ll Be” with James and James’s (and Carly’s) daughter Kate, and throughout the album it sounds as if Livingston has invited over a bunch of friends to play. The music and mood are thoroughly relaxed, easily crafted, but that belies the quality of the songs. The same criticism of James has also been applied to Livingston, only more so: that the music is so relaxed and well-crafted that it is all just too casual. That’s just plain wrong. The arrangements here are enchanting, and the performances are as well. Find this disc and put it in your favorites pile.


Jesse Harris – Mineral – Secret Sun

Norah Jones’s guitarist and songwriter, Jesse Harris first came to public notice with “Come Away With Me,” Jones’s Grammy-winning debut. He has also worked with The Ferdinados, and his own solo albums are minimalist, folky and gently alluring. His voice has almost the same kind of relaxed breathiness as that of Jones, but he sings in tune more. And while this music can’t be categorized as jazz, really, is that of Jones? Chances are, those who have made Jones a superstar will be nearly as enthralled with Harris’s own music. There are a couple missteps on “Mineral,” such as “Corrina Corrina,” and the following “The Speed of Sound,” both of which are just a little too precious, though the latter’s vibes and kalimba by jazz keyboard great Larry Goldings are fine fun.


Michael Bublé – With Love – Hallmark

It’s all about the love on singer Michael Bublé’s new album, available exclusively at Hallmark stores through the end of February. With only two new songs, it’s hardly a new album, and its thematic unity gives it a sameness that doesn’t serve it well. That said, each cut individually is engaging and romantic, with Bublé singing with his heart on his sleeve. Every song is heartfelt and receives the full Bublé treatment. Here that means he uses his stunning voice on tracks that are so well-worn as to be mundane, and all but “Can’t Help Falling In Love” make the grade. The best cuts are probably “My Funny Valentine” and “These Foolish Things (Remind Me Of You).” Bublé  is finally getting the press he deserves, and “With Love,” with its focus on the Valentine’s season and the unique distribution deal with Hallmark may help to expand his audience.


Tempest – The Double Cross – Magna Carta

Multi-national folk/prog outfit Tempest blends music from across the world. Norwegian leader Lief Sorbye on mandolins, guitars, and lead vocals works with an American violinist, a Cuban drummer, an Irish guitarist, and Austrian female bassist. The music is musically rich, with nods to sea chanteys, ripping prog/new age instrumentals, even a backhanded swipe at Led Zepellin, with the cut “Hangman” resembling Zep’s “Gallows Pole” both lyrically and musically. Sorbye is a bit of an acquired taste as a vocalist, resembling Jethro Tull’s Ian Anderson at times. The band can also sound a bit Tullish, or maybe British folk contemporaries Steeleye Span (as on “Whoever You Are”). Ultimately the band sounds like no one so much as itself, the mandolins and fiddles churning against the solid rhythms and guest/producer Robert Berry’s keyboards.  
  

 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close