Letters

Letters 02-08-2016

Less Ageism, Please The January 4 issue of this publication proved to me that there are some sensible voices of reason in our community regarding all things “inter-generational.” I offer a word of thanks to Elizabeth Myers. I too have worked hard for what I’ve earned throughout my years in the various positions I’ve held. While I too cannot speak for each millennial, brash generalizations about a lack of work ethic don’t sit well with me...Joe Connolly, Traverse City

Now That’s an Escalation I just read the letter from Greg and his defense of the AR15. The letter started with great information but then out of nowhere his opinion went off the rails. “The government wants total gun control and then confiscation; then the elimination of all Constitutional rights.” Wait... what?! To quote the great Ron Burgundy, “Well, that escalated quickly!”

Healthy Eating and Exercise for Children Healthy foods and exercise are important for children of all ages. It is important for children because it empowers them to do their best at school and be able to do their homework and study...

Mascots and Harsh Native American Truths The letter from the Choctaw lady deserves an answer. I have had a gutful of the whining about the fate of the American Indian. The American Indians were the losers in an imperial expansion; as such, they have, overall, fared much better than a lot of such losers throughout history. Everything the lady complains about in the way of what was done by the nasty, evil Whites was being done by Indians to other Indians long before Europeans arrived...

Snyder Must Go I believe it’s time. It’s time for Governor Snyder to go. The FBI, U.S. Postal Inspection Service and the EPA Criminal Investigation Division are now investigating the Flint water crisis that poisoned thousands of people. Governor Snyder signed the legislation that established the Emergency Manager law. Since its inception it has proven to be a dismal failure...

Erosion of Public Trust Let’s look at how we’ve been experiencing global warming. Between 1979 and 2013, increases in temperature and wind speeds along with more rain-free days have combined to stretch fire seasons worldwide by 20 percent. In the U.S., the fire seasons are 78 days longer than in the 1970s...

Home · Articles · News · Art · Inner Vision: Mike Sincic
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Inner Vision: Mike Sincic

Tim Madison - May 3rd, 2007
Mike Sincic’s paintings are remarkably realistic for a blind man’s. He paints...shockingly well. The paintings are idyllic: beaches, sunsets and other nature scenes. After seeing his work, it seems impossible at first that a man who gets around with a cane and the help of a friend’s elbow could have created these works of art. As I watch him -- sweeping his cane in a wide swath at the crosswalk outside the coffee shop where I am meeting him for an interview -- I can’t help but doubt. Are there many naysayers?
Mike laughs knowingly when I ask. “Yeah... my friend always says, ‘He’s fakin’ the blind guy thing!’”
Mike, however, likes to be seen as a painter, not as a blind painter. When the Willamsburg-based artist approaches galleries over the phone or by mail about showing his work, he makes no reference to his blindness. “I’m not saying people are judging, but you know, I don’t want them to be interested in selling my
work because I’m a blind painter. I want them to sell my artwork because it’s good,” he says.
CARTOON DAYS
Sincic lost his sight at the age of 13 due to an operation that removed a tumor. Before he lost his sight he drew cartoons. Afterward, he began painting watercolors.
“I guess I wanted to continue doing art,” he says. “I tried painting my cartoon characters that I’d done before my surgery, and obviously that was tough to do – trying to paint inside the lines of something I had already drawn. The paintings I do now are more from, I guess you’d say, scratch.”
Sincic paints using a variety of techniques to overcome his blindness. He uses rulers, rubber bands and pipe cleaners to mark off areas on the paper. Sometimes he uses Maskoid, a substance similar to rubber cement, to mask an area off.
Once a layer of paint has dried Sincic is able to feel the difference in texture between blank areas and areas already painted.
He organizes his colors in order from left to right on his palette. He relies on input from family and friends on the finished product. He paints scenes he remembers from when he had his sight, scenes described to him by friends. Sometimes he paints from touch.
How is he able to mix colors?
“I can see some colors – it just depends on the angle. Sometimes I have to turn the paper or my head on an angle to get the glimpse of the color coming through.”

WEEKLY SPECIAL
He is tireless in the promotion of his work and is rarely seen without a bag of neatly wrapped 5x7 prints. “I’m doing a special this week: a package of 12 prints for $12,” he says as he empties a bag of prints onto the table.
Images of a lighthouse, trees and a sunset pour out, wrapped with other prints, complete with envelopes. During the summer he was a regular fixture at the coffee shop where we now sit for the interview,
usually sitting at a table next to a stack of envelopes postmarked to different art galleries. His work is now represented in 30 galleries in the United States and one
in Canada.
Does he ever get discouraged?
“At first it was a little tough,” he says, “because sometimes people were real blunt, but you gotta’ keep movin’ in the right direction, and if someone says ‘no,’ cross them off the list and go on to the next.”
After the interview, as we walk into DeYoung’s, an art store that sells
Mike’s work, one of the ladies who works there holds up a check. Mike’s made
another sale.
Little by little, his determination and persistence are paying off.

Readers who’d like to purchase Mike Sincic’s work can reach him on his cell phone at (231) 313-1591.
 
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