Letters

Letters 09-15-2014

Stop The Games On Campus

Four head coaches – two at U of M and two at MSU – get a total of $13 million of your taxpayer dollars each year. Their staffs get another $11 million...

The Truth About Fatbikes

While we appreciate the fatbike trail coverage, the quote from the article below is exactly what we demonstrated not to be true in most cases last season...

Man Has Environmental Responsibility

I tend to agree with Thomas Kachadurian (“Playing God,” Sept. 8) that we should not interfere with the power of nature by deciding what is “native” and what is not. Man usually does what is better for man (or so we believe), hence the survival and population growth of our species...

The Bush & Obama Facts

Don Turner’s letter to the editor on 8/25/14 stated that there has never been a more corrupt, dishonest, etc. set of politicians in the White House. He states no facts, but here are a few...

Ban Pesticides

I grew up downstate in a neighborhood without pesticides. I was always very healthy. Living here, I have become ill. So I did my research and found out a lot about these poison agents called pesticides (herbicides, fungicides, insecticides, chemical fertilizers, etc) that are being spread throughout this community, accumulating in our air, water and soil...

Respect for Presidents?

Recently we read the Letter to the Editor that encouraged us to stop characterizing President Obama as anything other than an upstanding, moral, inspiring “first Black President”. The author would have us think that the rancor in the press, media and public is misguided. And, believe it or not, this rancor is a “glaring exception to … unwritten patriotic rule” of historically supporting all previous presidents...


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4Play

Ross Boissoneau - May 3rd, 2007
Various Artists – A Tribute to Joni Mitchell - Nonesuch
With Joni Mitchell in semi-retirement, this star-studded tribute reminds us of what an interesting songwriter Mitchell was (and presumably still is). When artists as diverse as Bjork, Prince, Brad Meldau, Annie Lennox and James Taylor can find something in common with the music, you know you’re onto something. Sarah McLaghlan’s take on “Blue” is mesmerizing, and no less is Lennox’s reworking of “Ladies of the Canyon.” Those two tracks are followed jarringly by Emmylou Harris’s twangy “The Magdalene Laundries.” If it all sounds a bit bizarre, you’re beginning to get the idea. So what works, and what doesn’t? Elvis Costello’s “Edith and the Kingpin” features bass clarinet leading the horns alongside vibes in an altogether brilliant arrangement, while Lennox is her always original self. But best of all is k.d. lang’s version of what may be Mitchell’s most familiar tune - “Help Me.” Arresting, engaging, and occasionally uneven, this tribute is every bit as arresting as Mitchell herself.


the bird and the bee – the bird and the bee - Metroblue
The bird and the bee – all lowercase please – is the duo of instrumentalist Greg Kurstin and singer Inara George, daughter of the late Little Feat vocalist Lowell George. George’s almost-little girl voice is never overwhelmed by the instrumental backing, and much of it works very well. Occasionally it brings to mind other duo efforts, such as Yaz or Dave Stewart and Barbara Gaskin. But George is no bluesy belter, a la Yaz’s Alison Moyet. No, she’s all soft and breathy - more like a Suzanne Vega, to whom she bears an uncanny resemblance at times. This contrasts with the deliberately artificial-sounding synths and programmed percussion, giving the project an off-kilter vibe; the robotic backing vying with the very human sound of George’s voice. Points off for the unnecessary profanity that mars the overall success of the album. Just because you can do something doesn’t mean you should do it.


Ryan Shaw – This Is Ryan Shaw - Red Ink
Remember soul music? Ryan Shaw certainly does, and if there is any justice in this world, this disc will help bring it back to the fore. The disc harkens back to artists as diverse as James Brown, Otis Redding and Was (Not Was), with a little Jackie Wilson thrown in for good measure. But while young – Shaw is just 26 – he sings like he’s been around a while. The backing instrumentation varies from track to track. “Working On A Building Of Love” is a great singalong, with guitars and drums pushing things along. On “I’ll Be Satisfied”, it’s a greasy organ and bari sax assisting Shaw. The concluding “Over & Done” features a backing vocal group and handclaps that concludes it nicely. Riding atop it all for all he’s worth is Shaw, one minute moaning, the next crooning, then putting it all together as he testifies. Shaw pulls out all the tricks and all the stops, and it works.


Ricky Skaggs & Bruce Hornsby – Ricky Skaggs & Bruce Hornsby - Sony Legacy
Those looking for some kind of balance between Skaggs’s rootsy sound and Hornsby’s jazzy pop are in for a shock. This is full-throttle bluegrass, including a hilarious take on Rick James’s “Superfreak.” Funky it’s not. But “Superfreak,” which closes the album, and Hornsby’s opening, “The Dreaded Spoon,” an ode to dessert, are alone worth the price of admission. In between, Skaggs and his band Kentucky Thunder are matched stride for stride by Hornsby, who channels the countrymost leanings of his jam-band days with the Grateful Dead. Once you get past the initial shock – if you do – the highlights are many. “Across the Rocky Mountain,” “Come On Out,” even Hornsby’s “Mandolin Rain” all feature the sound of friends furiously getting down with mandolins, fiddles, and piano, vying with vocals for airspace.
 
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