Letters

Letters 09-15-2014

Stop The Games On Campus

Four head coaches – two at U of M and two at MSU – get a total of $13 million of your taxpayer dollars each year. Their staffs get another $11 million...

The Truth About Fatbikes

While we appreciate the fatbike trail coverage, the quote from the article below is exactly what we demonstrated not to be true in most cases last season...

Man Has Environmental Responsibility

I tend to agree with Thomas Kachadurian (“Playing God,” Sept. 8) that we should not interfere with the power of nature by deciding what is “native” and what is not. Man usually does what is better for man (or so we believe), hence the survival and population growth of our species...

The Bush & Obama Facts

Don Turner’s letter to the editor on 8/25/14 stated that there has never been a more corrupt, dishonest, etc. set of politicians in the White House. He states no facts, but here are a few...

Ban Pesticides

I grew up downstate in a neighborhood without pesticides. I was always very healthy. Living here, I have become ill. So I did my research and found out a lot about these poison agents called pesticides (herbicides, fungicides, insecticides, chemical fertilizers, etc) that are being spread throughout this community, accumulating in our air, water and soil...

Respect for Presidents?

Recently we read the Letter to the Editor that encouraged us to stop characterizing President Obama as anything other than an upstanding, moral, inspiring “first Black President”. The author would have us think that the rancor in the press, media and public is misguided. And, believe it or not, this rancor is a “glaring exception to … unwritten patriotic rule” of historically supporting all previous presidents...


Home · Articles · News · Music · Attack of the guitar gods
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Attack of the guitar gods

Ross Boissoneau - August 23rd, 2007
This year’s Guitar Masters Series at Interlochen includes axe-slingers that other guitarists stand in awe of, guitarists from the area who have made it big elsewhere, and at least one guitarist nearly everyone has heard, though they may not heard of him.
Got that? Well, that’s what you get when you include fingerstyle master Leo Kottke, and Traverse City’s own Jeff Bihlman from the Bihlman Brothers/Son Seals Band and Kenny Olson of The Flask. Then there’s Howard Alden, who’s played on albums by a who’s who of jazz musicians but is perhaps most notable for being the musician behind Sean Penn’s leading role in Woody Allen’s “Sweet and Lowdown.”
As was the case last year, the series is split into three nights, with days given over to classes for guitar students. The shows will be held each night at Corson Auditorium at 8 p.m.
The first night’s show on Thursday, Aug. 23, features Kottke, who has been enthralling audiences and dumfounding other guitarists since the late ‘60s. His breathtaking technique and unusual tunings on the guitar have earned him a cult following since his 1971 disc “6 and 12-String Guitar” on fellow guitarist John Fahey’s Tacoma label.
Kotke entered a folk phase shortly thereafter, even including vocals. After signing with the Private Music label, his work was labeled New Age, though mostly it was and continues to be Leo Kottke music.
Kottke’s rich imagination and fluid fingerstylings have enabled him to play with a host of other musicians, including his mentor John Fahey, Chet Atkins, Lyle Lovett and Rickie Lee Jones. He has recorded tunes by the likes of country legends Tom T. Hall and Johnny Cash, rockers Fleetwood Mac, The Byrds and Jefferson Airplane’s Jorma Kuakonen, and jazz band leader Carla Bley. He’s done two albums with Phish bassist Mike Gordon, and is a frequent guest on the radio show, “A Prairie Home Companion.”

ALL THAT JAZZ (& CLASSICAL)
The second night of the show on Friday, Aug. 24 emphasizes classical and jazz, and features classical guitarists Jason Vieaux and Martha Masters, followed by jazz masters Gene Bertoncini, Howard Alden and Lee Dyament with Emre Yilmaz.
Alden may well be the best of the lot, though the humble musician probably would never suggest that. But consider; he’s worked with Ruby Braff, Joe Williams, Woody Herman, and Dizzy Gillespie among many others. He’s made soundtracks, played in large bands, quartets, guitar trios and duos, and perhaps most demandingly, as a solo artist. Through it all his dazzling style remains understated and enjoyable.
Sometime too much so. While his music always sounds fully realized, his egoless solo style could be amped up considerably without losing its musicality, but Alden prefers to say things simply. His undeniable technique often translates better into live performance.
For Woody Allen’s “Sweet and Lowdown,” Alden even gave the notoriously prickly Sean Penn guitar lessons, spending six months working with him. Alden gave Penn, the student, high marks, but it was Alden’s playing on the soundtrack that received accolades.

ROCKIN’ OUT
Saturday, Aug. 25, the last night of the series, focuses on Hot Rock and Blues, with Kenny Olson, Jeff Bihlman, and John Defaria (guitarist for Gloria Estefan and Kenny Loggins) joining with rising stars Stoll Vaughan and Pablo Signori, as well as Interlochen’s own John Wunsch, who put the series together.
Wunsch noted that producing, coordinating and performing at the event is a challenge, but one that he finds very satisfying. “It’s exhausting, but it’s really great,” he said. “Jeff Bihlman, Kenny Olson and I have been rehearsing, and I think we’re going to have some pretty cool stuff.”

Much the same could be said for any of the nights. For ticket information, contact the Interlochen Box Office at 276-7800.

 
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