Letters

Letters 09-19-2026

81 Concerns The “81 on East Bay” proposed development on Peninsula Township is primitive and outdated in not having central water and sewage systems that a modern and updated zoning code would call for. The streets in the development, being in a snowbelt area, will probably be dedicated to the county. The school system will feel an impact as will police and fire services...

Common Core Truths I just read an article from the Associated Press regarding both presidential candidates and their stances on education. The author was under the impression that Common Core was developed by the states and adopted; not so. Governors did not get together to create national standards and nor should they. The folks who wrote these national “standards” were test company employees, none of whom ever taught K-12...

Disruption Ahead I would like to respond to the comments from W.D. Bushey in the September 12 issue regarding his hypothetical bee sting scenario. While I do not disagree with the premise, I would like to let you know there is hope for an alternative Epinephrine very soon. Pending approval by the FDA there may very soon be an inhalable form at a much lower cost...

Solutions For Old Mission In a recent article, Peninsula Township Supervisor Manigold responded to complaints that proposed developments are priced out of reach for working families with the retort that the township can’t do much about that. But the township’s zoning has a big role in shaping the type of new housing on OMP, while current zoning, which favors single-family homes on large lots, is partly to blame for consistently highpriced new homes...

Real World Voting This letter is in response to A.J. Fasel from Traverse City, who wrote that since there are many things that require identification, such as fishing, opening a bank account, etc., being able to vote should require identification as well. The problem with this viewpoint is that being able to vote is a right. It’s a right guaranteed by our Constitution. It’s more important that buying alcohol or cigarettes, more important than over-the-counter-medications or any of the other things he mentioned...

Home · Articles · News · Music · Attack of the guitar gods
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Attack of the guitar gods

Ross Boissoneau - August 23rd, 2007
This year’s Guitar Masters Series at Interlochen includes axe-slingers that other guitarists stand in awe of, guitarists from the area who have made it big elsewhere, and at least one guitarist nearly everyone has heard, though they may not heard of him.
Got that? Well, that’s what you get when you include fingerstyle master Leo Kottke, and Traverse City’s own Jeff Bihlman from the Bihlman Brothers/Son Seals Band and Kenny Olson of The Flask. Then there’s Howard Alden, who’s played on albums by a who’s who of jazz musicians but is perhaps most notable for being the musician behind Sean Penn’s leading role in Woody Allen’s “Sweet and Lowdown.”
As was the case last year, the series is split into three nights, with days given over to classes for guitar students. The shows will be held each night at Corson Auditorium at 8 p.m.
The first night’s show on Thursday, Aug. 23, features Kottke, who has been enthralling audiences and dumfounding other guitarists since the late ‘60s. His breathtaking technique and unusual tunings on the guitar have earned him a cult following since his 1971 disc “6 and 12-String Guitar” on fellow guitarist John Fahey’s Tacoma label.
Kotke entered a folk phase shortly thereafter, even including vocals. After signing with the Private Music label, his work was labeled New Age, though mostly it was and continues to be Leo Kottke music.
Kottke’s rich imagination and fluid fingerstylings have enabled him to play with a host of other musicians, including his mentor John Fahey, Chet Atkins, Lyle Lovett and Rickie Lee Jones. He has recorded tunes by the likes of country legends Tom T. Hall and Johnny Cash, rockers Fleetwood Mac, The Byrds and Jefferson Airplane’s Jorma Kuakonen, and jazz band leader Carla Bley. He’s done two albums with Phish bassist Mike Gordon, and is a frequent guest on the radio show, “A Prairie Home Companion.”

ALL THAT JAZZ (& CLASSICAL)
The second night of the show on Friday, Aug. 24 emphasizes classical and jazz, and features classical guitarists Jason Vieaux and Martha Masters, followed by jazz masters Gene Bertoncini, Howard Alden and Lee Dyament with Emre Yilmaz.
Alden may well be the best of the lot, though the humble musician probably would never suggest that. But consider; he’s worked with Ruby Braff, Joe Williams, Woody Herman, and Dizzy Gillespie among many others. He’s made soundtracks, played in large bands, quartets, guitar trios and duos, and perhaps most demandingly, as a solo artist. Through it all his dazzling style remains understated and enjoyable.
Sometime too much so. While his music always sounds fully realized, his egoless solo style could be amped up considerably without losing its musicality, but Alden prefers to say things simply. His undeniable technique often translates better into live performance.
For Woody Allen’s “Sweet and Lowdown,” Alden even gave the notoriously prickly Sean Penn guitar lessons, spending six months working with him. Alden gave Penn, the student, high marks, but it was Alden’s playing on the soundtrack that received accolades.

ROCKIN’ OUT
Saturday, Aug. 25, the last night of the series, focuses on Hot Rock and Blues, with Kenny Olson, Jeff Bihlman, and John Defaria (guitarist for Gloria Estefan and Kenny Loggins) joining with rising stars Stoll Vaughan and Pablo Signori, as well as Interlochen’s own John Wunsch, who put the series together.
Wunsch noted that producing, coordinating and performing at the event is a challenge, but one that he finds very satisfying. “It’s exhausting, but it’s really great,” he said. “Jeff Bihlman, Kenny Olson and I have been rehearsing, and I think we’re going to have some pretty cool stuff.”

Much the same could be said for any of the nights. For ticket information, contact the Interlochen Box Office at 276-7800.

 
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