Letters

Letters 10-03-2016

Truths And Minorities While I appreciate Stephen Tuttle’s mention of the Colin Kaepernick situation, I was disappointed he wrote only of his right not to stand for the national anthem but not his reason for doing so. Personally, I commend Mr. Kaepernick for his courageous attempt to bring issues of concern to the forefront. As a white male baby boomer, I sadly realize I am in a minority among my peers...

“Yes” Means Your Rights It has been brought to my attention that some people in Traverse City are being asked to put “no” on Proposal 3 signs in their yards, and are falsely being told this means they do not want tall buildings downtown. Nothing could be further from the truth. If you vote no, you will be giving up your right to vote on future projects involving buildings over 60 feet in height...

Shame On NMC, Nelson The Northwestern Michigan College board and President Tim Nelson should be ashamed of their bad faith negotiations with the faculty. The faculty have received no raise this year, even though all other college staff have received raises. Mr. Nelson is set to receive a $20,000 raise...

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THE HELP offers a vanilla civics lesson

None - August 19th, 2011  


“The Help” is a safe film about a volatile subject. Presenting itself as the story of how African-American maids in the South viewed their employers during Jim Crow days, it is equally the story of how they empowered a young white woman to write a best-seller about them, and how that book transformed the author’s mother. We are happy for the two white women, and a third, but as the film ends it is still Jackson, Miss., and Ross Barnett is still governor.

Still, this is a good film, involving and wonderfully acted. I was drawn into the characters and quite moved, even though all the while I was aware it was a feel-good fable, a story that deals with pain but doesn’t care to be that painful. We don’t always go to the movies for searing truth, but more often for reassurance: Yes, racism is vile and cruel, but hey, not all white people are bad.

The story, based on Kathryn Stockett’s best-seller, focuses on Skeeter Phelan (Emma Stone), a recent college graduate who comes home and finds she doesn’t fit in so easily. Stone has top billing, but her character seems a familiar type, and the movie is stolen, one scene at a time, by two other characters: Aibileen Clark (Viola Davis) and Minny Jackson (Octavia Spencer).

Both are maids. Aibileen has spent her life as a nanny, raising little white girls. She is very good at it, and genuinely gives them her love, although when they grow up they have an inexorable tendency to turn into their mothers. Minny is a maid who is fired by a local social leader, then hired by a white-trash blonde. Davis and Spencer have such luminous qualities that this becomes their stories, perhaps not entirely by design.

The society lady, Hilly Holbrook (Bryce Dallas Howard), is a relentless social climber who fires Minny after long years of service. The blonde is Celia Foote (Jessica Chastain, from “The Tree of Life”), who is married to a well-off businessman, is desperate to please him, and never learned anything about being a housewife.

Minny needs a job and is happy to work for her. Celia wants her only during the days, when her husband is away, so that he’ll think he’s eating her cooking and enjoying her housekeeping. Minny helps her with these tasks and many more, some heartbreaking, and fills her with realistic advice.

Chastain is unaffected and infectious in her performance.

Celia doesn’t listen to Minny’s counsel, however, when she attends a big local charity event (for, yes, Hungry African Children), and the event provides the movie’s comic centerpiece. Celia’s comeuppance doesn’t have much to do with the main story, but it gets a lot of big laughs. Some details about a pie seem to belong in a different kind of movie.

Skeeter convinces Aibileen and then Minny to speak frankly with her, sharing their stories, and as the book develops so does her insight and anger. A somber subplot involves the mystery of why Skeeter’s beloved nanny, who worked for the family for 29 years, disappeared while Skeeter was away at school. Her mother (Allison Janney) harbors the secret of the nanny’s disappearance, and after revealing it she undergoes a change of heart in a big late scene of redemption.

Two observations, for what they’re worth. All the white people in the movie smoke. None of the black people do. There are white men with speaking roles, but no black men speaking in the movie except a preacher.

There was a 1991 movie named “The Long Walk Home” that starred Whoopi Goldberg and Sissy Spacek as a maid and her employer at the time of the Montgomery bus boycott. It had sharper edges than “The Help.” But I suppose the Stockett novel has many loyal readers, and that this is the movie they imagined while reading it. It’s very entertaining.

Viola Davis is a force of nature, and Octavia Spencer has a wonderfully expressive face and flawless comic timing. Praise, too for Emma Stone, Bryce Dallas Howard and Allison Janney. They would have benefitted from a more fearless screenplay. Rating: Three stars.

 
  • Currently 3.5/5 Stars.
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