Letters

Letters 07-27-2015

Next For Brownfields In regard to your recent piece on brownfield redevelopment in TC, the Randolph Street project appears to be proceeding without receiving its requested $600k in brownfield funding from the county. In response to this, the mayor is quoted as saying that the developer bought the property prior to performing an environmental assessment and had little choice but to now build it...

Defending Our Freedom This is in response to Sally MacFarlane Neal’s recent letter, “War Machines for Family Entertainment.” Wake Up! Make no mistake about it, we are at war! Even though the idiot we have for a president won’t accept the fact because he believes we can negotiate with Iran, etc., ISIS and their like make it very clear they intend to destroy the free world as we know it. If you take notice of the way are constantly destroying their own people, is that living...

What Is Far Left? Columnist Steve Tuttle, who so many lambaste as a liberal, considers Sen. Sanders a far out liberal “nearly invisible from the middle.” Has the middle really shifted that far right? Sanders has opposed endless war and the Patriot Act. Does Mr. Tuttle believe most of our citizens praise our wars and the positive results we have achieved from them? Is supporting endless war or giving up our civil liberties middle of the road...

Parking Corrected Stephen Tuttle commented on parking in the July 13 Northern Express. As Director of the Traverse City Downtown Development Authority, I feel compelled to address a couple key issues. But first, I acknowledge that  there is some consternation about parking downtown. As more people come downtown served by less parking, the pressure on what parking we have increases. Downtown serves a county with a population of 90,000 and plays host to over three million visitors annually...

Home · Articles · News · Art · Russell Chatham
. . . .

Russell Chatham

Glen D. Young - January 28th, 2008
Artist Russell Chatham may not have been able to attend the opening gala for his retrospective exhibition in Traverse City, but 23 of his most notable paintings certainly showed up. The paintings represent the collection of Ann Arbor area health care executive Randall Pittman and his wife Mary.
Gene Jenneman, director of the
Dennos Museum Center, where the paintings are featured, credits Harry and Piper Goldson with securing the display. The Goldsons, owners of Suttons Bay
Galleries, have worked with both
Chatham and Pittman for the past dozen years to build the collection.
For a long time, “Russell was the only living painter we carried,” Goldson says. She is clear about the reason: “Chatham is the best American landscape painter living today,” she says.

WHO’S WHO OF COLLECTORS
Titled “Poetry of Landscape: The Seasons-Paintings by Russell Chatham,” the retrospective represents nearly 35 years of Chatham’s career. The exhibition is most impressive, Goldson says, because it represents the largest single collection of Chatham paintings.
The 68-year-old Chatham, from Livingston, Montana, is widely known for his original lithographs. Lithography involves applying paint to multiple plates, and then printing the plates for the finished image. Goldson says
Chatham uses primarily aluminum plates in his work, and where typical lithographs might be printed from four plates, Chatham uses as many as 20,
allowing for a far more subtle effect.
Chatham’s paintings and lithographs have been displayed in more than 400 one-man shows. His works can be found in more than 4,000 public and private collections, and his collectors are a who’s who of film, publishing, and more, including Jimmy Buffet, Tom Brokaw, Sean Connery, Jack Nicholson, and others.
Of the paintings set for display at the Dennos, Goldson says, “We had collected them one by one over the last 12 years.” She is enthused to have the works assembled in one location. “It’s great to see paintings I haven’t seen in years,” she says.
Jenneman says he is delighted to bring the collection to the area, as it is a chance to “present another side of Chatham.”
Goldson says the collection was possible “not only because of time, but patience and luck” as well. She says it would be impossible to put together a similar collection today, in part because Chatham is “not painting today as he was 10 or 20 years ago.”

MANY INFLUENCES
Chatham, a native of California, picked up painting early, finding himself influenced by his grandfather Gottardo Piazzoni, who is considered one of the most important landscape painters of the early 20th century.
In addition to his painting and
lithography, Chatham is also a
notable author and publisher. His books,
including “Dark Waters” and “Seasons of the Angler,” deal largely with bird hunting and fly fishing, two of his other
passions. He also operates Clark City Press in Livingston.
Chatham’s connection to Northern Michigan is the result of his longtime friendship with writer Jim Harrison, a former Leelanau County resident and current Livingston area neighbor. Chatham’s paintings have regularly
appeared on the cover of Harrison’s more than three dozen books. In addition, Chatham’s work has graced the covers of books by another former Michigan resident, Dan Gerber, who has also long collected Chatham’s work.
Harry Goldson’s mutual friendship with Harrison ultimately forged the relationship between Chatham and Goldson. “Harrison told Harry, ‘I’ve got this friend I’d like you to meet,’” Piper says. Soon after, the Goldsons, who deal almost exclusively in rare works, began carrying Chatham’s work.

A STRIKING COLLECTION
The paintings in the exhibition, which range in sizes up to 24 x 30 and consist primarily of oil on canvas,
represent the collections of many of Chatham’s literary friends. Goldson says two of the works were formerly part of the Gerber collection. One was once owned by author Richard
Brautigan, and another formerly
belonged to writer William Hjortsberg.
The paintings are displayed alongside storyboards that offer quotes about Chatham’s work from his
collectors and friends. Gerber declares that
Chatham “shows us how to look… with new eyes.” Harrison believes Chatham’s work “is so inconsolably austere and authoritative that we have the choice of turning away or temporarily losing our personalities.”
Chatham works with his own blended colors from a palette, primarily
depicting scenes of northern California and rural Montana, the two places he has called home. What results is a combination of light and shadow which
emotionally evokes the complexity of an
otherwise sober landscape.
Chatham has recently been out of the country, painting, and was
unavailable for comment at press time.
Goldson is hopeful he will be able to visit the
exhibition later this winter.
Though his work is well known in Northern Michigan, Chatham has only rarely used the area as subject matter. “Michigan Fields-II” renders a scene from Leelanau County and is a notable exception. It is a former part of Gerber’s collection.
Poetry of Landscape: The Seasons-Paintings by Russell Chatham runs through March 30. For info call the Dennos Museum Center at
231-995-1055.
 
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