Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Books · Black Hole
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Black Hole

Robert Downes - February 18th, 2008
If you’ve never read a graphic novel before, then “Black Hole” by Charles Burns is a wake-up call as to how disturbing and provocative these steroid-packed comic books can be.
Hailed as the masterwork of a comics superstar, “Black Hole” is a frightening trip into a nightmare of teenage anxieties, rendered with drawings that recall the darkness of both Rembrandt and Dracula.
The story involves a bizarre plague that infects a group of teenagers in the Seattle area during the 1970s -- a time when “it wasn’t exactly cool to be a hippie any more, but David Bowie was still just a little too weird.”
The plague manifests itself as a disgusting mouth that opens on the victim’s neck, back or on the sole of the foot, saying bizarre things or revealing nightmarish visions. At times you don’t know if the teen characters are simply having nightmares about the agonizing experience of getting through high school, or if they’ve literally fallen into a black hole and are wandering in another dimension.
The untreatable illness is spread by sexual contact, and many of its victims are transformed into grotesque ghouls who live in a shabby camp in the forest where the kids party. The ghouls are apparently the alter-egos of the teens and how they feel about themselves. Characters sprout horns, shed their skins, and receive bizarre messages through cuts in the soles of their feet. Some of the geeks are recognizable as unpopular high school misfits -- fat kids, nerds and shy teens who don’t fit into any particular cliche. But there are also popular, good-looking teens -- such as the protagonist Chris -- who are drawn into the black hole.
Is the hole a gateway of depression and anxiety into adulthood through which every teenager must pass? Draw your own conclusions.
At any rate, once you’ve got the illness, there’s no going back.
“Burns ingeniously inhabits the minds of a group of brilliantly realized characters -- some who have it, some who don’t, some who are about to get it,” states press info accompanying the book. “What unfolds isn’t the expected battle to fight the plague... What we become witness to is a fascinating and eerie portrait of the nature of high school alienation itself -- the savagery, the cruelty, the relentless anxiety and ennui, the longing for escape.”
The novel is based on a comic book series that Burns began in 1994. He claims that the book is semi-autobiographical, based on growing up in Seattle in the 1970s.
Burns got his start as an artist working on Art Spiegelman’s “Raw” magazine in the 1980s and has since been involved in projects ranging from album covers for Iggy Pop to working on an ad campaign for Altoids.
There are a number of subplots in the novel, including Chris’s romance with Keith, the “nice, nice, super nice guy from biology class,” and her one-night stand with Rob, who infects her with the disease in a graveyard tryst. Then there’s a mysterious naked girl named Eliza who has a tail, a cat-faced killer who lives in the woods and parties with the teens, and the dark, surrealistic world of the ghouls.
Published by Pantheon Books, “Black Hole” has been hailed as a masterpiece of the graphic novel form by “The New York Times Book Review,” the “Boston Globe” and “Sci-Fi Magazine,” among others. For those readers who are still on the fence as to the cultural worth of graphic novels, consider that many are being made into noteworthy films, including “The 300,” “A History of Violence,” and the Batman saga, a cinematic character who was revived by “The Dark Knight” graphic novel series of the early ‘90s.
Often, “Black Hole” strays into the logic of a dream, where nothing seems to make sense, but then, that’s the power of this media, which marries pictures with prose in a way that has no limits to the imagination. This novel could never work as traditional prose because much of its power is dependent upon its horrifying images. Although the plot is difficult to follow at times, there’s no denying that “Black Hole” is a hard book to put down, and you may feel compelled to return to its pages again and again, if only for the incredible artistry of its drawings and the dread they inspire.
 
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