Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Art · The Mackinac Seven
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The Mackinac Seven

Glen Young - June 9th, 2008
Mackinac Island has long been a haven for artists. Photographers and painters have regularly found the Island’s rocky outlines inspiration for intense study. The surrounding waters and green spaces have lured artists since the 17th century.
So the development of the Mackinac Seven, a loose association of painters who depict the changing views of the historic island, is not hard to understand. Marta Olson, who has lived part of her year on Mackinac Island since the 1960s, describes the Mackinac Seven as a “group of friends who just started painting together and hanging out together.”
Olson stresses the group is not a by-law abiding, rule enforcing collective. In fact, Olson appreciates that the group does not require formality at all.
Maeve Croghan, whose family roots on Mackinac Island extend back to the 19th century, says the group came to exist because “a few of us all realized that even though we had all known each other previously in other capacities… that we all shared this interest in outdoor painting, drawing the model, and basically making art together.”

SHARING SPIRIT
Croghan, who operates Maeve’s Arts on Mackinac Island’s Market Street and calls San Francisco home during the winter season, also says the group regularly encourages one another. “We talk about our art and what’s happening with it, where it seems to be going.”
And while artists can be competitive by nature, Olson, who also operates a web design business, says the group “shares a lot of ideas.” They “critique each other’s work and get together to talk about art.” The collaboration has created “a little family.” Like a family, they “trust each other absolutely.”
The origin of the group is easy to see in retrospect. Olson started painting 15 years ago when her youngest daughter was two years old. She found herself in need of an outlet and happened on Murray Hotel owner Pat Pulte in Ann Arbor. Olson says Pulte was excited to encourage her and the two soon found themselves painting together at Mackinac.
Kitty Hannabas, another member of the group, says she had not yet started to paint when she ran into Nikki Griffith in 1993 or ’94. They talked about the idea of painting during a conversation in front of the (Mackinac Island) post office and the two were soon working together.
Soon after, Griffith told Hannabas, who splits time between Mackinac Island’s East Bluff and Mount Pleasant, South Carolina, the two were going to start painting with Pulte. From this the group evolved to include the present roster of seven painters, most working in either oils or watercolors. Hannabas says that while some members of the group were at first shy about their abilities, “we all persevered.”
CANADA TIES
Several members of the collective credit some of their inspiration to the Canadian Group of Seven who paint just north of Mackinac Island in Ontario. Olson says the Mackinac Seven admired their Canadian counterparts, and at some point someone suggested the idea of the Mackinac Seven almost “as a joke, and it kind of stuck.”
The Mackinac group has even traveled together to Ontario to paint.
The members of the Mackinac Seven, who first started exhibiting together in 1994, believe their association does raise awareness about art on Mackinac Island. “It changes everyone’s perspective,” Croghan says. “It reinterprets (Mackinac scenes) for the viewer, maybe giving them a different or deeper understanding of a commonly known place or image.”
Each summer the Mackinac Seven, which in addition to Olson, Crogahn, Hannabas, Griffith and Pulte, also includes Pam Finkle and Catherine Brockman, holds two exhibitions. The first showing takes place in the gallery space at Pulte’s Murray Hotel in June, and another at the Mackinac Island Public Library in August. Most of the Mackinac Seven make their work available for purchase at the exhibitions. Visit www.mackinac.com/art for further information on the artists and their work.


 
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