Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · CD Roundup
. . . .

CD Roundup

Robert Downes - March 31st, 2008
Musicians throughout Northern Michigan put a measure of heart & soul into their CDs, which tend to be locally recorded and sold from the bandstand at their shows. Here’s the latest from songwriters and singers around the region.

A Little Slice • Jenny Thomas

Perhaps the greatest challenge for any musician is to craft a song that will live on in the listener’s memory. How many times have you gone to a concert and come away unable to recall any memorable songs or what the singer had to say?
That’s not the case for singer/songwriter Jenny Thomas, who has a gift for writing acoustic songs that take root and blossom in the listener’s heart. She wins you over with vivid images, optimistic melodies and a percolating, upbeat tempo. As a singer, there’s a shot of honey in the timbre of her voice -- a gift which draws the listener in, making you feel like a close friend. Her live performances are also noteworthy for their inviting, even delivery and assured stage presence. As one fan says, “Everybody likes Jenny Thomas.”
Examples of her best work are on this six-song EP, particularly “Oh My Soul,” a bouncy melody that captures the spirit of Northern Michigan with a driving rhythm and zinger lines such as “Take me for a ride on the back of a whitetail deer.” Another standout is “Betsy Brown,” about a pillar of the community who seems to have it made, but is in fact fatally unhappy. Its shocker ending puts one in mind of classic ballads such as Simon and Garfunkel’s “Richard Corey” or Dylan’s “John Brown.”
A graphic designer from Traverse City, Thomas’s themes embrace a love of family and friends. On this CD, which is available at Horizon Books and Border’s, she gets an assist from Will Thomas on drums, Crispin Campbell on cello, and the recording talents of Patrick Niemisto. “A Little Slice” is a great representation of her live show -- increasingly, she is in demand as the opening act for folk stars passing through venues such as the InsideOut Gallery.

Blues, Ballads and All That Jazz • Kerry Secrist and Jan Fisher

It’s obvious that Kerry Secrist and Jan Fisher are having the time of their lives belting out jazz and blues classics, some of which have slipped over the horizon of the popular consciousness, yet still hold up as timeless standards.
The duo are fronted by the Back Room Gang, including Hal Fisher on tuba, Don Frost on drums, Jim Acker on trombone, Jim Niessink on banjo and Steve Stargardt on piano. The album was recorded and produced by David Chown, who also performs on piano.
The 19 songs on the CD offer a stroll down memory lane to places like the “Beale Street Blues,” the “St. Louis Blues,” “Georgia On My Mind” and “Always” a touch of “All That Jazz,” with Jan and Kerry nailing the oldies but goodies with spirit and style.

Land of the Free • Victor McManemy

Perhaps Northern Michigan’s greatest ‘undiscovered’ folk player, Victor McManemy had a voice in the same neighborhood as that of Gordon Lightfoot, with songwriting talents to match when he released “Land of the Free” in 1983.
McManemy, a resident of Old Mission Peninsula, also had an attitude firmly on the side of the underdog, writing in the lost tradition of the angry, aggrieved balladeer on behalf of the dispossessed, with the injustice to Native Americans being a favorite theme. The album also took a bare-knuckles stand on issues of the day, such as the Big Rock nuclear power plant near Charlevoix (“Big Rock Point’s On the Line”) and atomic weapons (“Let’s Stop the Tridents!”).
If you haven’t heard the cassette tape of “Land of the Free” in a few years, the re-released CD offers a revelation on the superb musicianship found on the album’s nine songs, with McManemy performing on six-and-12 string guitars, Tom Dufelmeier on six-string acoustic lead guitar, Jerry Sprague on bass, and exquisite harmonies from Linda Dufelmeier.
Back in the early days of Northern Express, we used to play “Land of the Free” at rocket-liftoff volume while laying out the paper, finding inspiration in its powerful songs. It’s simply a knockout of an album and a master’s class in the power of folk.

The Fifth Street Sessions • Jim Bransky & Andy Rockwood

A truly unusual album in that “The Fifth Street Sessions” is an all-instrumental take on 12 traditional and jazz standard tunes, expertly played by a top-notch roster of local acoustic musicians.
Jim Bransky, who performs on diatonic harmonicas and penny whistle, says the disc had its genesis with the Road Kill Stew days of the late 1980s when the band got together to jam. Andy Rockwood on fiddle and acoustic bass was onboard with Bransky from those days, and the two have rounded out their sound with Mike Sullivan on guitar, Mike Parish on congas, Pat Ivory on guitar, Laura Miller on acoustic bass and Rick Jones on percussion.
Initially, the listener might wonder why the group didn’t think to add vocals to their CD -- one can easily imagine a skillful chanteuse rounding out the music. But subsequent playings reveal that the music holds up quite well on its own. This is meditative, thoughtful music, underscoring the power of acoustic instrumentals.
 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close