Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · Play that funky music, jazz band
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Play that funky music, jazz band

Ross Boissoneau - April 7th, 2008
Where can you go to get your fill of big band jazz? This Friday, April 11, you can head to Milliken Auditorium at the Dennos Museum to see not one, but two groups performing music by the likes of Glenn Miller, Woody Herman, Benny Goodman and, um, Wild Cherry.
Yes, that’s right, the NMC Jazz Lab Band and the NMC Jazz Big Band will each perform a set of pieces recalling the heyday of the big bands. But Wild Cherry? Mike Hunter, who directs both groups as well as the NMC Vocal Jazz Ensemble, promises that the rendition of “Play That Funky Music” will be a treat for listeners of a jazz bent as well as those who remember its original incarnation in the disco-fied ‘70s. “It’s a really fun, funky big band treat, originally redone by Gordon Goodwin’s Big Phat Band,” said Hunter.
Something for everyone? That’s the goal, according to Hunter. That includes fans of vocal jazz, as the NMC Vocal Jazz Ensemble will be featured in between the big bands.
The performers are an eclectic mix of young and old, students and retirees, those who make a living in music and those who do so in other fields. What they have in common is a love of music and the desire to bring jazz to a larger audience. “These are all music lovers, and it shows in the playing,” said Hunter. “They have a good time, and so does the audience.”
In addition to the glorious sounds of Wild Cherry, the concert will featurearrangements from the dance bands of such stalwarts as Benny Goodman, Glenn Miller, and Count Basie, as well as the more modern sounds of Thad Jones (“To You” and “Cherry Juice”).
The show opens with the 17-piece Jazz Lab Band, a.k.a. the 5:30 band, which will perform five songs, including Count Basie’s “Fly Me To The Moon,” Goodman’s “Let’s Dance,” Miller’s “Moonlight Serenade,” and the uptempo “Samba de Carrera” by Dean Sorenson. “We’ve been working on some of these tunes all semester, and I’m really pleased with the way we’re sounding,” Hunter said. “We’ll also be bringing the clarinet back into the big band on the Miller and Goodman tunes.”
Following the Jazz Lab Band, the NMC Vocal Jazz Ensemble will be featured on two a cappella pieces - Joe Cocker’s “You Are So Beautiful” and Kirby Shaw’s “Joy Sounds II.” It will then be joined by a jazz combo on “Taking A Chance On Love,” arranged by New York Voices singer Darmon Meader.
Concluding the show will be the Jazz Big Band, which will perform “Four Brothers,” a sax section feature from Woody Herman’s Thundering Herd, the original arrangement from the Benny Goodman Orchestra of “Flying Home,” and other selections by Thad Jones and Sammy Nestico (Count Basie Orchestra). Then there’s “Play That Funky Music,” an off-the-wall hit in the ‘70s for Wild Cherry, later reprised by everyone from Vanilla Ice to George Michael.
The dance band selections that will be performed by the bands are part of a project in conjunction with NMC’s new audio recording technologies class to produce and present a recording of 1940s era music to World War II veterans at a WWII reunion scheduled for May, 2008. “Typically we only perform two shows a year, one at the end of each semester,” Hunter said. “This is a great opportunity to showcase the program in a different setting, and just as importantly, for us to give something back to those who sacrificed so much for us.”
While big bands have never regained the popularity they had in the middle part of the last century, the groups continue to attract both audiences and new players. In fact, the programs at NMC have generated so much interest, Hunter was forced to expand the program to accommodate all the players. “There was so much interest, we had to expand to a second big band three years ago,” Hunter noted. “It provides for a nice mix, with younger or less experienced individuals having the opportunity to advance their skills by playing alongside more seasoned players,” he added.
Hunter also noted the bands change slowly over time, with a couple of new players in the group each semester. “We get a little bit different personnel each semester, but the bulk of the group stays together. It helps us have a cohesive sound while always introducing something new to the mix.”
Tickets are $8 and $6 for seniors 62 and over and children under 12 and are available in advance through the Milliken box office, 995-1553, as well as at the door. For information about participation in the NMC Jazz Ensembles, contact Mike Hunter at mhunter@nmc.edu.
Writer Ross Boissoneau plays fifth chair trumpet in the 5:30 p.m. concert.
 
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