Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Art · A certain irony for jeweler Alice...
. . . .

A certain irony for jeweler Alice Landis

Priscilla Miller - August 18th, 2008
How does one choose a direction in art? For Alice Armstrong Landis, it came down to filling a need.
Alice was living in Biggerville, Pennsylvania, and had been teaching art for 10 years, when a friend invited her to “come along” to a meeting of artists in the area. During the meeting each person in attendance was asked to introduce themselves and tell what their media was. “When it was my turn I told them I wasn’t sure -- that it might be pottery, weaving, or jewelry,” Landis says. “When I learned there were 12 potters, 13 weavers and no jewelers in the group, the choice was easy.”
She began making jewelry with the intention of doing a few shows. Initially, she worked in both pewter and silver, but after discovering that pewter wasn’t as popular, she began working exclusively in silver.
Landis left the classroom to pursue her craft and did her first show in 1974. Several years later she moved to Traverse City and went to work on Front Street, at a shop called the Silver Exchange. When Traders Alley antique center opened at Chums Corners south of town, she worked there for a brief time and recalls using roller skates to get around the large building.

MOVING ON
In 1980 she joined NMAC (Northern Michigan Artists and Craftsmen) and opened a gallery in her Traverse City home. Landis admits to “not being a morning person” and says, “I stayed up well past midnight many times and sold my jewelry late at night, while wearing my pajamas.”
When her niece Jill Jeffers and Melody Litwiller, a family friend, expressed an interest in working with silver, the ‘teacher’ in Landis took over and she began teaching them the craft.
With the passing of her mother, Landis inherited the family homestead in Alden. In 2003 she moved her gallery from Traverse City and opened Grandma’s Parlor in the house, which is located adjacent to the parking lot of Alden’s United Methodist Church.
The home once belonged to her great-grandfather, John Armstrong, and the fact that she now creates her silver jewelry in the same house, holds “a certain irony” for Landis because, in 1880 her great grandfather was blinded by an explo-sion while working in an Idaho silver mine. Several years later, her great uncle, Benjamin Armstrong, subsequently lost his life in a silver mine accident.
Landis always enjoys trying new things and for the last couple of years, has been doing her own lapidary work. She polishes a variety of semi-precious stones which she incorporates into her jewelry and often collects Petoskey stones in and around the Alden area. After polishing the stones, she cuts them in half for use in her reversible, Petoskey stone pendants. The pendants feature a silver backing with a cutout in the shape of Michigan, thus allowing the stone on the other side to show through.
Over the past 20 years, Landis has become known for her signature line of jewelry. The delicate, hand-crafted floral design still proves to be as popular today, as it was back when she started.
Both of Landis’s students mastered the art and became silversmiths as well. This enables Landis to keep Grandma’s Parlor open during the summer months, and to also do about 20 juried shows
a year.
On Saturday, August 23, Landis will be one of 86 artists participating in Alden’s Annual Art Festival. The juried show will take place from 10 a.m. to 5 p.m. at Depot Park in Alden.
 
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