Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

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4Play

Ross Boissoneau - November 29th, 2007
John Fogerty – Revival – Fantasy
Since John Fogerty disbanded Creedence Clearwater Revival, he’s abdicated his role as spinner of Americana to the likes of John Mellencamp and Bruce Springsteen (see below). But while it took multiple lawsuits and acrimony between him and his former bandmates, Fogerty has seemingly recaptured the magic of those long–ago days. True, he’s had high points since then, principally “Centerfield” from 1985. But he’s never sounded so much like a new and improved version of CCR. He sharpens his pencil and zaps the administration for the war in Iraq, the abandonment of New Orleans, and his view of its corruption and ineffectiveness on “Long Dark Night,” while on “Summer of Love” he lets the guitars do the talking. And his singing really is better than ever, with clearer enunciation and less quaver and twang. Who would have thought you really could go home again?
 

Bruce Springsteen – Magic – Columbia
Critics are calling this Springsteen’s best album in years. The only question is, the best album since when? One could compare this to Born in the USA in terms of its quality and not be embarrassed, or to Darkness on the Edge of Town for its cinematic feel, and not be far off there either. “Radio Nowhere” opens the disc with an anthemic singalong that brings to mind the America Springsteen misses. There’s a maturity here, both lyrically and musically, that the Boss couldn’t claim back then. While his spooky harmonica brings back memories of dustbowl days, the string section argues for an orchestral oeuvre previously unheard, though perhaps hinted at on “Meeting Across the River” on “Born to Run.” It all adds up to an instant classic, one whose moods and majesty measure up to the soaring guitars and wordplay. Magic indeed.
 

Maynard Ferguson – The One and Only Maynard Ferguson – Maynard Ferguson Trust
While critics sometimes panned the late trumpeter’s bravura style, fans – and fellow trumpeters – stood in awe of Ferguson’s audacious chops. The One and Only... is as good a going–away present as he could have left us, with both the power and the too–often–overlooked taste, musical generosity and command of a master musician in full view. Ferguson often capitalized on jazz versions of popular tunes, from “Hey Jude” to his hit version of “Gonna Fly Now” from the Rocky movies. Here, he tips his hat to Bill Withers with “Ain’t No Sunshine.” Ferguson also was a master of the ballad, and his flugelhorn playing, especially in his later years, was a thing of beauty. On “Vita Bella,” he amply demonstrates his vitality and the sheer beauty of his tone. The other standards and originals on this disc convey a feeling of beauty, of bravado, warmth and joy. If he had to go, Maynard certainly went out on one of his highest notes.

 
Will Downing – After Tonight – Peak
Downing is one of those middle–of–the–road R&B singers whose music is appealing enough but lacks the personality or the hits to make him stand out from the crowd. The album has its share of highlights, such as the opening “Will’s Groove” and the delightful “Lover’s Melody,” a much more sprightly track than the name might suggest. The wah–wah guitars and swaying vocals are accompanied by Roy Ayers on vibes, giving the tune a slightly exotic twist. But the energy continues to flag on the overlong title track which follows, finding Downing endlessly repeating the title phrase with no change in the backing, presumably to create emphasis or tension. But instead the repetition tends to have a stultifying effect. There are enough of the high points to make you wish Downing had edited the overlong tracks and deleted the less interesting ones altogether in favor of more exciting tunes.
 
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