Letters 10-24-2016

It’s Obama’s 1984 Several editions ago I concluded a short letter to the editor with an ominous rhetorical flourish: “Welcome to George Orwell’s 1984 and the grand opening of the Federal Department of Truth!” At the time I am sure most of the readers laughed off my comments as right-wing hyperbole. Shame on you for doubting me...

Gun Bans Don’t Work It is said that mass violence only happens in the USA. A lone gunman in a rubber boat, drifted ashore at a popular resort in Tunisia and randomly shot and killed 38 mostly British and Irish tourists. Tunisian gun laws, which are among the most restrictive in the world, didn’t stop this mass slaughter. And in January 2015, two armed men killed 11 and wounded 11 others in an attack on the French satirical magazine Charlie Hebdo. French gun laws didn’t stop these assassins...

Scripps’ Good Deed No good deed shall go unpunished! When Dan Scripps was the 101st District State Representative, he introduced legislation to prevent corporations from contaminating (e.g. fracking) or depleting (e.g. Nestle) Michigan’s water table for corporate profit. There are no property lines in the water table, and many of us depend on private wells for abundant, safe, clean water. In the subsequent election, Dan’s opponents ran a negative campaign almost solely on the misrepresentation that Dan’s good deed was a government takeover of your private water well...

Political Definitions As the time to vote draws near it’s a good time to check into what you stand for. According to Dictionary.com the meanings for liberal and conservative are as follows:

Liberal: Favorable to progress or reform as in political or religious affairs.

Conservative: Disposed to preserve existing conditions, institutions, etc., or to restore traditions and limit change...

Voting Takes A Month? Hurricane Matthew hit the Florida coast Oct. 6, over three weeks before Election Day. Bob Ross (Oct. 17th issue) posits that perhaps evacuation orders from Governor Scott may have had political motivations to diminish turnout and seems to praise Hillary Clinton’s call for Gov. Scott to extend Florida’s voter registration deadline due to evacuations...

Clinton Foundation Facts Does the Clinton Foundation really spend a mere 10 percent (per Mike Pence) or 20 percent (per Reince Priebus) of its money on charity? Not true. Charity Watch gives it an A rating (the same as it gives the NRA Foundation) and says it spends 88 percent on charitable causes, and 12 percent on overhead. Here is the source of the misunderstanding: The Foundation does give only a small percentage of its money to charitable organizations, but it spends far more money directly running a number of programs...

America Needs Change Trump supports our constitution, will appoint judges that will keep our freedoms safe. He supports the partial-birth ban; Hillary voted against it. Regardless of how you feel about Trump, critical issues are at stake. Trump will increase national security, monitor refugee admissions, endorse our vital military forces while fighting ISIS. Vice-presidential candidate Mike Pence will be an intelligent asset for the country. Hillary wants open borders, increased government regulation, and more demilitarization at a time when we need strong military defenses...

My Process For No I will be voting “no” on Prop 3 because I am supportive of the process that is in place to review and approve developments. I was on the Traverse City Planning Commission in the 1990s and gained an appreciation for all of the work that goes into a review. The staff reviews the project and makes a recommendation. The developer then makes a presentation, and fellow commissioners and the public can ask questions and make comments. By the end of the process, I knew how to vote for a project, up or down. This process then repeats itself at the City Commission...

Regarding Your Postcard If you received a “Vote No” postcard from StandUp TC, don’t believe their lies. Prop 3 is not illegal. It won’t cost city taxpayers thousands of dollars in legal bills or special elections. Prop 3 is about protecting our downtown -- not Munson, NMC or the Commons -- from a future of ugly skyscrapers that will diminish the very character of our downtown...

Vote Yes It has been suggested that a recall or re-election of current city staff and Traverse City Commission would work better than Prop 3. I disagree. A recall campaign is the most divisive, costly type of election possible. Prop 3, when passed, will allow all city residents an opportunity to vote on any proposed development over 60 feet tall at no cost to the taxpayer...

Yes Vote Explained A “yes” vote on Prop 3 will give Traverse City the right to vote on developments over 60 feet high. It doesn’t require votes on every future building, as incorrectly stated by a previous letter writer. If referendums are held during general elections, taxpayers pay nothing...

Beware Trump When the country you love have have served for 33 years is threatened, you have an obligation and a duty to speak out. Now is the time for all Americans to speak out against a possible Donald Trump presidency. During the past year Trump has been exposed as a pathological liar, a demagogue and a person who is totally unfit to assume the presidency of our already great country...

Picture Worth 1,000 Words Nobody disagrees with the need for affordable housing or that a certain level of density is dollar smart for TC. The issue is the proposed solution. If you haven’t already seen the architect’s rendition for the site, please Google “Pine Street Development Traverse City”...

Living Wage, Not Tall Buildings Our community deserves better than the StandUp TC “vote no” arguments. They are not truthful. Their yard signs say: “More Housing. Less Red Tape. Vote like you want your kids to live here.” The truth: More housing, but for whom? At what price..

Home · Articles · News · Art · Sculpting a life: Jim...
. . . .

Sculpting a life: Jim Miller-Melberg

Carina Hume - September 22nd, 2008
Walk into Petoskey’s Crooked Tree Arts Center and you’ll think you’ve walked into a sculpture garden. Taking over the art center entrance and Edith Gilbert Gallery is an in-your-face art installation by sculptor Jim Miller-Melberg. With vivid colors, stark whites and eye-catching forms, this exhibit is striking enough to captivate even the youngest child.
Follow Miller-Melberg’s life through early sketches – including figures, nature and sculptural concepts – maquettes, small-scale sculpture from which larger pieces evolve, and the finished product, through November 15, in the exhibit, titled “Jim Miller-Melberg: An autobiography in drawings & sculpture, 1946-2008.”
Nearly 100 working sketches and photos of finished outdoor sculptures are framed in collages on the walls, combined with 40 pieces of sculpture, including sculpture in the round and relief sculptures (three-dimensional wall pieces).

The concept for the sculpture display was born four years ago.
“I showed [Gail DeMeyere, CTAC visual arts director] some of my work to familiarize her with what I was doing, and she thought it would make a very good educational exhibit,” says Miller-Melberg. “So, we decided …that we would make a kind of autobiography of the exhibit, showing drawings and the development of a sculptor’s life, in a sense.”
A Birmingham resident, Miller-Melberg’s outdoor sculpture, “Two Figures,” is also a part of CTAC’s Art in Public Places, sponsored by Moran Iron Works and the Frey Foundation. The project displays seven pieces of massive outdoor art in Northern Michigan communities on a rotating basis.
For close to 20 years, Miller-Melberg designed and manufactured playground sculptures, such as basketball hoop supports, precast turtles and camels, creating a company called Form, Inc. Sold in 1981 to the Wausau Tile Company in Wisconsin, the business still makes playground sculptures, to this day.
“My turtle, one of my products I designed when I was still teaching at the University of Michigan, in probably 1959,” says Miller-Melberg, “was donated by the company who is now making my products, and it’s over in the (Petoskey) library park. It’s part of the exhibit, in a sense.”
One hundred turtles have been shipped to China recently, and 40 more camels, originally a commission – a picture of them is part of the exhibit – have just been shipped to Saudi Arabia.

At age 79, Miller-Melberg has been creating art most of his life. “My Finnish grandfather was a painter,” he says, “and somehow or other it was always encouraged, and I started drawing when I was probably old enough to hold a pencil.”
He credits his father with giving him his early sculpting skills.
“My father was a pattern-maker in Detroit,” explains Miller-Melberg, “and he had his own small shop. He had four sons and we were all trained in the pattern-making business [which] involved woodworking, working with foundry (casting metals), working with wax, working with various materials…I think that’s how I got my start, just working in the woodshop since I was about seven years old.”
Although he’s received art instruction at the University of Michigan, Wayne State University, Cranbrook Academy of Art, Ecole de la Grand Chaumiere in Paris and pursued independent study in England and France, Miller-Melberg’s sculpting education is unconventional.
“I love the idea of universities, because you meet so many different kinds of people,” he says, “but I think that my basic education was my own interest in the work, visiting museums, traveling in Europe – in England, France, Italy – and just seeing all the wonderful things that had been done through the ages. So that’s an education, just looking, and observing, reading.”

Fortunate to have sustained a sculpting career, Miller-Melberg understands that making a living as an artist is challenging.
“It’s very, very difficult to make a living being a sculptor, but that was always my intention. I had never intended to teach, so though I taught for three-and-a-half years at the University of Michigan, it was sort of an aberration. I had always thought artists and sculptors and painters should make a living doing their work.”
“I started out doing mostly woodcarvings…but because of my background as a pattern-maker, I’ve done cast iron, cast aluminum, cast bronze…modern materials, such as plastic, fiberglass materials, plaster. The only thing I’ve not done is stone carving, which I had hoped to do at one time,” admits Miller-Melberg.
“I think I’m best at carving, but I do a lot of modeling, too. Obviously, you have to model in clay and I model in wax, too, for bronze casting, but I’m pretty adept at most materials.”
Ideas for new pieces come to Miller-Melberg from nature and observation, and he credits his former wife – a concert pianist while she was alive – with inspiring him.
“What gives me the greatest pleasure is kind of inventing new things, new shapes, new ideas,” he says, “but, still, I love looking at other people’s work, because you learn from looking.”
“I do a lot of drawing from nature,” he says. “I do small sculpture, little studies in wax; if they’re good I have them cast in bronze. I’ve been working on some of those, too.”
His advice for those just starting out? “The whole art world is in turmoil,” he says. “There’s all kinds of things in the world to look at. I’m concerned that maybe there’s not enough emphasis on skills – basic skills – like carving, putting things together with your hands, working with your hands. There’s a lot of computer work done now, which is very nice and very interesting, but I think it’s very essential that people start doing things again with their hands.”

“I think it’s interesting to see the life of a sculptor,” says Miller-Melberg. “How one develops from a very early age – one drawing dates back to when I was 16 or 17 years old – and some of the relief sculpture, I was about the same age. And also, I think it’s interesting because I’ve done such a variety of things; I attempted to bring sculpture to public life through sculptures for playgrounds and street furniture.”
“[People] should see it,” Miller-Melberg finishes, with a laugh, “because I’m the only person in Michigan who shipped camels to Saudi Arabia.”
Visit the Crooked Tree Arts Center in downtown Petoskey, now through November 15 to check out Jim Miller-Melberg’s autobiographical sculpture exhibit. Hours are Monday-Friday, 9 a.m.-5 p.m., Saturday, 10 a.m.-4 p.m. Admission is free. For more information visit www.crookedtree.org or call

  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5