Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

Home · Articles · News · Music · Breathe Owl Breathe
. . . .

Breathe Owl Breathe

Jack Pine - January 19th, 2009
For an acoustic trio, Breathe Owl Breathe plays some pretty danceable music. A song starts with Micah Middaugh, the band’s lead singer and songwriter, playing a syncopated rhythm on the bass strings of an acoustic guitar. It’s enough to get the crowd swaying to the beat. Andrea Moreno-Beals on cello and Trevor Hobbs on drums join in and fill out the groove. Middaugh starts singing and the journey of the song begins - off to the land of polly wogs, jungle gyms and saber tooth tigers.
Middaugh describes their music as “Leonard Cohen on an ice skating rink.” Moreno-Beals adds “But with a funny hat and holding an ice cream cone.” The Leonard Cohen part refers to the gravity of Middaugh’s voice and the poetic imagery of his lyrics. The funny hat and ice cream cone describes the kid-like playful nature and subject matter of their songs.
Middaugh, who also is an accomplished artist and printmaker, lives in East Jordan. Moreno-Beals is a grade school teacher in Ann Arbor and Hobbs is studying geology at Michigan State. They get together on weekends and have been busy the last few years playing festivals and small venue gigs all across Michigan.

FAR HORIZONS
Now, after being featured as artists of the month on the online E-Music, where their music is described as “gentle, lovely, nursery rhymes for grown-ups,” Breathe Owl Breathe has fans in faraway places across the country and even in Europe. This summer they will be playing at music festivals in Alaska and Ireland.
“That was amazing,” Middaugh says. “Just having our music going out to so many people all of a sudden, different places where people are looking for music that’s original. We put our address on our most recent album and it is really fun to get snail-mail. Someone from Ohio sent an envelope with leaves in it.”
The album Middaugh is referring to is Ghost Glacier and has a lot more going for it than just gentle nursery rhymes. It has textures of horns, steel guitars, keyboards and glockenspiels. It has a quality, depth and production values that transcends what one might expect to come out of the backwaters of the Jordan River.
Part of what makes Ghost Glacier work so well is the level of musicianship. Hobb’s drumming is tasteful and always in service of the song. In addition to being a fine singer, Moreno-Beals is a classically-trained cellist. She improvises confidently within Middaugh’s unpredictable songs and propels the tunes forward. She skillfully alternates between bowing, plucking and slapping her cello. She often plays the role of the band’s bass player on the cello.

THE UNEXPECTED
Middaugh’s songs do not follow the typical verse-chorus-verse structure that most songwriters use, but Moreno-Beals appreciates the challenge.
“I’ve never played with a songwriter, where song-to-song, I don’t know what to expect and I really enjoy that,” Moreno-Beals says, “He doesn’t fall into patterns of song forms, which is really exciting to me.”
Middaugh’s inspiration comes from a mix of childhood memories and natural history. It is his way of holding on to child-like awe and bringing it to the adult world. He remembers his mother reading Shel Silverstein’s “Where the Sidewalk Ends,” when he was growing up. It inspired him to start writing his own poems and picking up his dad’s guitar and as he says “just going for it.”
“I thought it was really important - the story of the song,” Middaugh says. “That’s why I love Inuit art. It is a story being passed down, but it is not higher than the people.”
It’s enough to inspire Middaugh to come up with another analogy of the Breathe Owl Breathe sound.
“Our music is like going up to the tundra and bringing it back to Michigan on the back of a muskox. His nostrils are flarin’ and you can see his breath in the cold.”

Breathe Owl Breathe music is downloadable through E-Music and I-Tunes. For song samples, info and where to purchase CD’s, go to www.breatheowlbreathe.com or foxonahill.com The “Ghost Glacier” CD has a DVD side with LOL Breathe Owl Breathe home movie shorts, including one featuring the B.O.B. Sled Team.









 
  • Currently 3.5/5 Stars.
  • 1
  • 2
  • 3
  • 4
  • 5
 
 

 

 
 
 
Close
Close
Close