Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Music · Breathe Owl Breathe
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Breathe Owl Breathe

Jack Pine - January 19th, 2009
For an acoustic trio, Breathe Owl Breathe plays some pretty danceable music. A song starts with Micah Middaugh, the band’s lead singer and songwriter, playing a syncopated rhythm on the bass strings of an acoustic guitar. It’s enough to get the crowd swaying to the beat. Andrea Moreno-Beals on cello and Trevor Hobbs on drums join in and fill out the groove. Middaugh starts singing and the journey of the song begins - off to the land of polly wogs, jungle gyms and saber tooth tigers.
Middaugh describes their music as “Leonard Cohen on an ice skating rink.” Moreno-Beals adds “But with a funny hat and holding an ice cream cone.” The Leonard Cohen part refers to the gravity of Middaugh’s voice and the poetic imagery of his lyrics. The funny hat and ice cream cone describes the kid-like playful nature and subject matter of their songs.
Middaugh, who also is an accomplished artist and printmaker, lives in East Jordan. Moreno-Beals is a grade school teacher in Ann Arbor and Hobbs is studying geology at Michigan State. They get together on weekends and have been busy the last few years playing festivals and small venue gigs all across Michigan.

FAR HORIZONS
Now, after being featured as artists of the month on the online E-Music, where their music is described as “gentle, lovely, nursery rhymes for grown-ups,” Breathe Owl Breathe has fans in faraway places across the country and even in Europe. This summer they will be playing at music festivals in Alaska and Ireland.
“That was amazing,” Middaugh says. “Just having our music going out to so many people all of a sudden, different places where people are looking for music that’s original. We put our address on our most recent album and it is really fun to get snail-mail. Someone from Ohio sent an envelope with leaves in it.”
The album Middaugh is referring to is Ghost Glacier and has a lot more going for it than just gentle nursery rhymes. It has textures of horns, steel guitars, keyboards and glockenspiels. It has a quality, depth and production values that transcends what one might expect to come out of the backwaters of the Jordan River.
Part of what makes Ghost Glacier work so well is the level of musicianship. Hobb’s drumming is tasteful and always in service of the song. In addition to being a fine singer, Moreno-Beals is a classically-trained cellist. She improvises confidently within Middaugh’s unpredictable songs and propels the tunes forward. She skillfully alternates between bowing, plucking and slapping her cello. She often plays the role of the band’s bass player on the cello.

THE UNEXPECTED
Middaugh’s songs do not follow the typical verse-chorus-verse structure that most songwriters use, but Moreno-Beals appreciates the challenge.
“I’ve never played with a songwriter, where song-to-song, I don’t know what to expect and I really enjoy that,” Moreno-Beals says, “He doesn’t fall into patterns of song forms, which is really exciting to me.”
Middaugh’s inspiration comes from a mix of childhood memories and natural history. It is his way of holding on to child-like awe and bringing it to the adult world. He remembers his mother reading Shel Silverstein’s “Where the Sidewalk Ends,” when he was growing up. It inspired him to start writing his own poems and picking up his dad’s guitar and as he says “just going for it.”
“I thought it was really important - the story of the song,” Middaugh says. “That’s why I love Inuit art. It is a story being passed down, but it is not higher than the people.”
It’s enough to inspire Middaugh to come up with another analogy of the Breathe Owl Breathe sound.
“Our music is like going up to the tundra and bringing it back to Michigan on the back of a muskox. His nostrils are flarin’ and you can see his breath in the cold.”

Breathe Owl Breathe music is downloadable through E-Music and I-Tunes. For song samples, info and where to purchase CD’s, go to www.breatheowlbreathe.com or foxonahill.com The “Ghost Glacier” CD has a DVD side with LOL Breathe Owl Breathe home movie shorts, including one featuring the B.O.B. Sled Team.









 
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