Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

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4Play

Kristi Kates - April 20th, 2009
Doves - Kingdom of Rust - Astralwerks
Returning with their first album in four years (has it been that long?) Doves spent a year and a half tracking this set in a farmhouse in the English countryside, with Dan Austin on board again for co-production duties. This album harkens back to the days of Doves’ Lost Souls album, as it’s more moody and ambient than their last set, Some Cities, which did less well on the charts stateside than such an accomplished band might expect. It’s a well-balanced set on which they still rock a bit, too - “Jetstream” is one of those rockers, with a Euro-club heavy beat, while the title track wraps the whole thing up nicely with its atmospheric SFX and prettily shuffled melody lines.



Great Lake Swimmers - Lost Channels - Nettwerk
Singer-songwriter Tony Dekker helms the cargo ship that is Great Lake Swimmers, with their load of well-referenced indie-folk-pop. For this album, they really went into the depths of history, relying on a local Canadian historian to guide them to interesting venues (an old arts center, a castle) in which to record their dense, layered songs amidst genuine reverb. Whether it’s a surprise banjo on “The Chorus in the Underground,” the buoyant guitar on “River’s Edge,” or the mention of several Toronto landmarks in “Concrete Heart,” they’ve tried to build this particular album in order to capture the feel of their recording locale, and from the sounds of this, they’ve succeeded.



Tinted Windows - Tinted Windows - S-Curve
The singer is Taylor Hanson (yes, of the brothers Hanson pop group); the bass player is Fountains of Wayne’s Adam Schlesinger; the guitarist is Smashing Pumpkins’ James Iha; and the drummer is Cheap Trick’s Bun E. Carlos. And no, I’m not making this up. Hanson and Schlesinger first met in the mid-’90s and discussed collaborating, as Schlesinger did with Iha; once that trio was established, they brought in Carlos. The result? An uber-peppy and way New Wave/rock set that somehow manages to both sound like... and completely different from... all of the referenced bands, especially on the feisty “Kind of a Girl” and the ‘80s-heavy “Messing With My Head.”


Vetiver - Tight Knit - Sub Pop
It takes a few listens to squeeze all of the subtleties out of a Vetiver record - especially this one, which is even more detailed than the previous three efforts - but that listening proves well worth it once you realize the rich depth of the songs as written by Andy Cabic. Reminiscent of a slightly more exotic take on Brian Wilson’s quieter, more folky side of songwriting (complete with ‘60s organ), other influences, such as The Shins, surface on songs like the synth-inflected “More of This,” while that Wilson-esque beachy groove continues through such tracks as the comfortable trot of “On the Other Side” and the slightly (but just slightly) peppier feel of “Everyday.”
 
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