Letters

Letters 09-15-2014

Stop The Games On Campus

Four head coaches – two at U of M and two at MSU – get a total of $13 million of your taxpayer dollars each year. Their staffs get another $11 million...

The Truth About Fatbikes

While we appreciate the fatbike trail coverage, the quote from the article below is exactly what we demonstrated not to be true in most cases last season...

Man Has Environmental Responsibility

I tend to agree with Thomas Kachadurian (“Playing God,” Sept. 8) that we should not interfere with the power of nature by deciding what is “native” and what is not. Man usually does what is better for man (or so we believe), hence the survival and population growth of our species...

The Bush & Obama Facts

Don Turner’s letter to the editor on 8/25/14 stated that there has never been a more corrupt, dishonest, etc. set of politicians in the White House. He states no facts, but here are a few...

Ban Pesticides

I grew up downstate in a neighborhood without pesticides. I was always very healthy. Living here, I have become ill. So I did my research and found out a lot about these poison agents called pesticides (herbicides, fungicides, insecticides, chemical fertilizers, etc) that are being spread throughout this community, accumulating in our air, water and soil...

Respect for Presidents?

Recently we read the Letter to the Editor that encouraged us to stop characterizing President Obama as anything other than an upstanding, moral, inspiring “first Black President”. The author would have us think that the rancor in the press, media and public is misguided. And, believe it or not, this rancor is a “glaring exception to … unwritten patriotic rule” of historically supporting all previous presidents...


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4Play

Kristi Kates - April 20th, 2009
Doves - Kingdom of Rust - Astralwerks
Returning with their first album in four years (has it been that long?) Doves spent a year and a half tracking this set in a farmhouse in the English countryside, with Dan Austin on board again for co-production duties. This album harkens back to the days of Doves’ Lost Souls album, as it’s more moody and ambient than their last set, Some Cities, which did less well on the charts stateside than such an accomplished band might expect. It’s a well-balanced set on which they still rock a bit, too - “Jetstream” is one of those rockers, with a Euro-club heavy beat, while the title track wraps the whole thing up nicely with its atmospheric SFX and prettily shuffled melody lines.



Great Lake Swimmers - Lost Channels - Nettwerk
Singer-songwriter Tony Dekker helms the cargo ship that is Great Lake Swimmers, with their load of well-referenced indie-folk-pop. For this album, they really went into the depths of history, relying on a local Canadian historian to guide them to interesting venues (an old arts center, a castle) in which to record their dense, layered songs amidst genuine reverb. Whether it’s a surprise banjo on “The Chorus in the Underground,” the buoyant guitar on “River’s Edge,” or the mention of several Toronto landmarks in “Concrete Heart,” they’ve tried to build this particular album in order to capture the feel of their recording locale, and from the sounds of this, they’ve succeeded.



Tinted Windows - Tinted Windows - S-Curve
The singer is Taylor Hanson (yes, of the brothers Hanson pop group); the bass player is Fountains of Wayne’s Adam Schlesinger; the guitarist is Smashing Pumpkins’ James Iha; and the drummer is Cheap Trick’s Bun E. Carlos. And no, I’m not making this up. Hanson and Schlesinger first met in the mid-’90s and discussed collaborating, as Schlesinger did with Iha; once that trio was established, they brought in Carlos. The result? An uber-peppy and way New Wave/rock set that somehow manages to both sound like... and completely different from... all of the referenced bands, especially on the feisty “Kind of a Girl” and the ‘80s-heavy “Messing With My Head.”


Vetiver - Tight Knit - Sub Pop
It takes a few listens to squeeze all of the subtleties out of a Vetiver record - especially this one, which is even more detailed than the previous three efforts - but that listening proves well worth it once you realize the rich depth of the songs as written by Andy Cabic. Reminiscent of a slightly more exotic take on Brian Wilson’s quieter, more folky side of songwriting (complete with ‘60s organ), other influences, such as The Shins, surface on songs like the synth-inflected “More of This,” while that Wilson-esque beachy groove continues through such tracks as the comfortable trot of “On the Other Side” and the slightly (but just slightly) peppier feel of “Everyday.”
 
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