Letters

Letters 07-27-2015

Next For Brownfields In regard to your recent piece on brownfield redevelopment in TC, the Randolph Street project appears to be proceeding without receiving its requested $600k in brownfield funding from the county. In response to this, the mayor is quoted as saying that the developer bought the property prior to performing an environmental assessment and had little choice but to now build it...

Defending Our Freedom This is in response to Sally MacFarlane Neal’s recent letter, “War Machines for Family Entertainment.” Wake Up! Make no mistake about it, we are at war! Even though the idiot we have for a president won’t accept the fact because he believes we can negotiate with Iran, etc., ISIS and their like make it very clear they intend to destroy the free world as we know it. If you take notice of the way are constantly destroying their own people, is that living...

What Is Far Left? Columnist Steve Tuttle, who so many lambaste as a liberal, considers Sen. Sanders a far out liberal “nearly invisible from the middle.” Has the middle really shifted that far right? Sanders has opposed endless war and the Patriot Act. Does Mr. Tuttle believe most of our citizens praise our wars and the positive results we have achieved from them? Is supporting endless war or giving up our civil liberties middle of the road...

Parking Corrected Stephen Tuttle commented on parking in the July 13 Northern Express. As Director of the Traverse City Downtown Development Authority, I feel compelled to address a couple key issues. But first, I acknowledge that  there is some consternation about parking downtown. As more people come downtown served by less parking, the pressure on what parking we have increases. Downtown serves a county with a population of 90,000 and plays host to over three million visitors annually...

Home · Articles · News · Art · Tale of the Totem
. . . .

Tale of the Totem

Priscilla Miller - September 1st, 2008
For as long as Al McShane can remember, he has had a fascination with totem poles.
Al retired as a plumbing inspector from the city of Detroit several years ago and moved to Rapid City. He then took a part-time job as a plumbing inspector for Antrim County. During the summer months he enjoyed working in his perennial gardens, but when winter arrived, he was left looking for something to do in his spare time.
Although he had never carved anything in his life, McShane thought that someday he would like to make a totem pole. He began to research the subject. He learned that since the Indians of the Pacific Northwest and lower Alaska had no written language, they carved their family history and tribal legends into tall poles made of native red cedar.
These totem poles had religious, ceremonial and historical significance. They were outgrowths of the region’s aboriginal art forms and played an important part in their potlatch ceremonies, a tribal feast which held deep meaning to the coastal Indians.
The totems were carved to represent a variety of topics: the family-clan, its kinship system, its dignity, its accomplishments, its prestige, its adventures, its stories, or its rights and prerogative. In essence, a totem pole served as the emblem of a family, or clan, and a reminder of its ancestry.
Totems were raised to honor an influential deceased elder and to show the great number of names and rights a person had acquired over the course of a lifetime, or to record an encounter with a supernatural being. They could also symbolize the generosity of the person who had sponsored a potlatch ceremony.

THE RAVEN
The Indians believed that ravens, which were native to the area, were sacred; they thought of themselves as being sons and daughters of the raven. That is why the raven, with its strong beak and eyes, is often seen carved near the top of the pole. This is seen as a position of protection.
Other symbols which were used are the thunderbird, man, bear, turtle, whale, eagle, hawk, fish, beaver, wolf, frog, and even the mosquito. Specific symbols and colors were used by individual tribes.
During the winter of 2006, McShane decided to make a totem pole. He acquired a log from a place that builds log homes. It had been turned on a lathe and was kiln dried, which made it much easier for him to work on. Initial cuts in the log were made with a chain saw.
“Carving totem poles is the perfect way to whittle away the dreary, winter months,” he says.
Once he finished a symbol on the totem, he painted it using an outdoor sash and trim paint. He used primary colors, mixing some of his own. A finish coat of polyurethane was added for protection against the elements. The bottom portion of the pole was tarred, and then McShane and a friend installed it in his back yard.

WORK IN PROGRESS
Just as totem poles of old told a story, so does McShane’s. He refuses to divulge the story but admits that it is “work related!”
McShane completed his second totem pole this past winter. It was made from eastern white cedar and measured close to 20 feet tall. The log came from a saw mill and has irregularities in it which proved to be much more challenging than his previous totem.
“This has proven to be a learning experience,” McShane says. “I’ve really gone through the school of hard knocks, learning through trial and errors, like tearing up the wood.”
“When I start carving a totem pole, all of a sudden I’m not a plumber anymore, working by the hour – I’m an artist,” he adds. “My totems are like toothpicks compared to the size of the original ones and I’d still like to carve a really big one someday.”

 
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