Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Art · Let your spirits fly
. . . .

Let your spirits fly

Ross Boissoneau - November 10th, 2008
It was Walt Disney who brought the concept of the circle of life to worldwide audiences with the hit animated movie “The Lion King,” and Elton John who wrote and performed the hit song.
But the movie, the Broadway musical based on it and their accompanying soundtracks were hardly the first to showcase the concept of the unending circle of life. Native Americans have long used the hoop dance as an illustration of the same concept. And Traverse City will have the opportunity to see a live illustration of it when Brian Hammill and his group, the Native Spirit Dancers, perform at Dennos Museum’s Milliken Auditorium onTuesday, November 18. The hoops symbolize a sacred part of the Native American life, representing the circle of life with no beginning and no end.. The dancer begins with one hoop and keeps adding and weaving the hoops into formations that represent the journey through life, each additional hoop exemplifying another thread in the web of life.

ONE OF MANY
Though it has become the most requested dance the group performs, the hoop dance is just one of the dances the group will perform at the 7 p.m. show. Hammill and his troupe have an extensive repertoire of dances, including the Eagle Dance, Northern and Southern Traditional Dances, Grass Dance, Fancy Dance, Jingle Dress Dance and Fancy Shawl.
Throughout their history, the indigenous peoples of the Americas have used dance as a means of illuminating and communicating their culture and values, telling stories through the costumes, movements and music. Dances were used for many purposes, such as ceremonial, story telling and entertainment.
The dances represent many things. For example, the Fancy Shawl’s nickname is the butterfly dance, and the performer whirls about the stage, giving the illusion of never touching the ground, epitomizing the grace and beauty of the butterfly.

TOP RATING
The Grass Dance gets its name from the motion of the ribbons and yarn of the dancer’s costume, which brings to mind the movement of the long prairie grasses. It originates from the Omaha Nation of the Northern Plains.
Since founding the Native Spirit Dancers in 1997, Hammill has sought to incorporate dances and styles from various Native American nations from across the United States and Canada. A member of Ho-chunk nation from southern Wisconsin, Hammill is a veteran of the United States Army and currently the number two-ranked hoop dancer in the world. He is also a recording artist, with four recordings currently available.
The event is free to the public. For more information, call the Office of Student Life at NMC at 995-1043.




 
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