Letters

Letters 09-15-2014

Stop The Games On Campus

Four head coaches – two at U of M and two at MSU – get a total of $13 million of your taxpayer dollars each year. Their staffs get another $11 million...

The Truth About Fatbikes

While we appreciate the fatbike trail coverage, the quote from the article below is exactly what we demonstrated not to be true in most cases last season...

Man Has Environmental Responsibility

I tend to agree with Thomas Kachadurian (“Playing God,” Sept. 8) that we should not interfere with the power of nature by deciding what is “native” and what is not. Man usually does what is better for man (or so we believe), hence the survival and population growth of our species...

The Bush & Obama Facts

Don Turner’s letter to the editor on 8/25/14 stated that there has never been a more corrupt, dishonest, etc. set of politicians in the White House. He states no facts, but here are a few...

Ban Pesticides

I grew up downstate in a neighborhood without pesticides. I was always very healthy. Living here, I have become ill. So I did my research and found out a lot about these poison agents called pesticides (herbicides, fungicides, insecticides, chemical fertilizers, etc) that are being spread throughout this community, accumulating in our air, water and soil...

Respect for Presidents?

Recently we read the Letter to the Editor that encouraged us to stop characterizing President Obama as anything other than an upstanding, moral, inspiring “first Black President”. The author would have us think that the rancor in the press, media and public is misguided. And, believe it or not, this rancor is a “glaring exception to … unwritten patriotic rule” of historically supporting all previous presidents...


Home · Articles · News · Art · The Lost World
. . . .

The Lost World

Robert Downes - January 15th, 2004
Photographers were my heroes during my college days in the mid-‘70s, minoring in photojournalism. By then, many of photojournalists believed that photography had eclipsed the arid, minimalism of the painting arts, bringing a power to fathom the depths of the human soul and perhaps even change the world.
Photographers weren‘t just heroes, they were legends, still quivering with energy from the spent days of Life magazine, which made photography an essential weekly glimpse of the world in many American households before its death at the hands of television. Henri Cartier-Bresson introduced the idea of the “decisive moment“ in capturing some split-second insight into the human soul. W. Eugene Smith taught that “depth of feeling is more important than depth of field“ in his Rembrantesque photo essays from battlefields or the backhills of Appalachia. Irving Penn captured the mystery of the self, isolating subjects such as the New Guinea mudmen or Paris fashion models before a portable backdrop he took all over the world. Jerry Uelsmann twisted nature into Dali-like hallucinations of space and time with multiple exposure darkroom techniques. Ansel Adams and Minor White explored the mysteries of the Zone system, turning black & white photos into a palette of tones glorifying the spirit of nature.
You can capture a glimpse of that glory at an exhibit appearing at the Dennos Museum Center through March 7: “The Thing Itself: Daguerreotype to Digital.“
“The Thing Itself“ includes all of the above-mentioned photographers and many more masters of the art, including Diane Arbus, Edward Weston, Minor White, Walker Evans, Alfred Stieglitz, Ansel Adams and many others.
Any one of the photographers at the Dennos might merit a full exhibition of their own, so what the Dennos provides is a gourmet‘s plate of appetizers, with a choice bite from each master of the art. The exhibit also reminds us of what has been irrevocably lost in the digital age: today‘s photographers can download the “decisive moment“ from the rolling stock of digital cameras, or recreate fantasy worlds at the helm of a computer equipped with Photoshop. There‘s no element of genius, insight or initiative involved compared to what the masters of the art created with sweat behind the viewfinder and under a darkroom‘s red glare using silver nitrates, Dektol and fixer.
Standing alone, “The Thing Itself: Daguerreotype to Digital,“ would be well worth any photographer‘s visit, but combined with an exhibit of the Hubbell Space Telescope photos and the rock music photography of Tom Wright, the current Dennos line-up is an absolute must for anyone who‘s ever been transfixed by the photographic arts.

-- by Robert Downes
 
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