Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

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Live from Africa?Photographer captures life in the Holler

- June 22nd, 2009
Live from Africa
Sierra Leone’s Refugee All Stars 6/22/09
Scarred by the wounds of war, but not broken, Sierra Leone’s Refugee All Stars are on a triumphant tour of America in support of a documentary film on the band, whose roots are set in the civil war of the west African country.
The film, Sierra Leone’s Refugee All Stars will have a free showing at the State Theatre in Traverse City on Monday, June 22 at 10 a.m., with the band performing at the City Opera House on Wednesday, June 24 at 6:30 p.m. (Tickets $22 advance, $25 door.)
The band came together while fleeing one of Africa’s most horrifying conflicts, in which victims routinely had limbs amputated or were subject to gang rape, torture, or the massacre of entire villages.
Near the turn of the 21st century, rebel forces attacked Freetown, the capital city of Sierra Leone, forcing a panicked mass exodus to neighboring countries. Among the thousands who fled were musicians Reuben Koroma and Francis Lamgba (Franco) who connected in a refugee camp in Guinea, West Africa. Along with Reuben’s wife Grace, they began making music for their fellow refugees, providing a welcome distraction to life in the camps.
Safety in the Kalia camp quickly disintegrated, however, when it came under attack from the Guinean army and citizenry. The refugees in this camp were evacuated and relocated to a camp set deep in the Guinean countryside. It was here that, thanks to a Canadian refugee aid organization, the developing band was able to acquire the rusted-out sound system and beat-up electric guitars that helped launch the group.
It was also in this camp that American documentary filmmakers Banker White and Zach Niles, along with Canadian singer-songwriter Chris Velan, encountered the group, which by that point also included Black Nature, a teenaged orphan with a gift for rap, as well as Abdulrahim Kamara (Arahim) and Mohamed Bangura (Medo), both of whom had had limbs amputated by the rebels.
The first-time filmmakers followed the band for three years as they moved from camp to camp. While filming, the United Nations sponsored a trip for the group to return to Freetown so they could see for themselves that the war was indeed over and safe for thousands of refugees to return home.
Ultimately, a recording emerged along with international acclaim, the documentary and a world tour.



Photographer Captures Life in the Holler
Shelby Lee Adams wasn’t always proud of the fact he was born in Hazard, Kentucky, where the Appalachian Mountains isolated the community, or that he spent his teen years in Hot Spot, which was named after a coal company.
He felt trapped there as a child and immersed himself in reading, especially photography and art books.
As he evolved as an artist, Adams devoted his work to telling the story of the mountain folk. Now a world famous photographer, he will talk about his experiences and share his images during a presentation and slide show June 27 at Crooked Tree Arts Center. His appearance culminates Photostock 2009, the fourth-annual gathering of photographers from around the world.
Photostock organizer Bill Schwab said Adams’ intimate portraits of mountain backwoods people resonate everywhere in these tough economic times.
“He shows us generations of families facing a challenging existence with dignity,” Schwab said. “We can all use a few lessons about the merits of being less materialistic.”
As a photographer, Adams began searching for a deeper understanding of his heritage. He ended up documenting the lives of friends from the hollers. They stand on rickety porches held up by cinder blocks, in front of satellite dishes with chickens afoot, and sit at a table in a room with newspaper-covered walls. Sensitive to respecting cultural and humanistic diversity, Adams also captures their strong wills, creativity and motivation.
Tickets are $20 Doors open at 6 p.m. Folk singer Dave Boutette will perform before Adams’ presentation at 7 p.m.
 
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