Letters 10-12-2015

Replacing Pipeline Is Safe Bet On Sept. 25, Al Monaco, president and CEO of Enbridge, addressed members of the Northern Michigan Chamber Alliance. His message was, “I want to be clear. We wouldn’t be operating this line if we didn’t think it was safe.”

We pretty much have to take him for his word...

Know The Root Of Activism Author and rabbi Harold Kushner has said, “People become activists to overcome their childhood fear of insignificance.” The need to feel important drives them. They endeavor good works not to help the poor or sick or unfortunate but to fill the void in their own empty souls. Their various “causes” are simply a means to an end as they work to assuage their own broken hearts...

Climate’s Cost One of the arguments used to delay action on climate change is that it would be too expensive. Such proponents think leaving environmental problems alone would save us money. This viewpoint ignores the cost of extreme weather events that are related to global warming...

A Special Edition Cuckoo Clock The Republican National Committee should issue a special edition cuckoo clock commemorating the great (and lesser) debates and campaign 2016...

Problems On The Left Contrary to letters in the Oct 5th edition, Julie Racine’s letter is nothing but drivel, a mindless regurgitation of left-wing stuff, nonsense, and talking points. They are a litany of all that is wrong with the left: Never address an issue honestly, avoid all facts, blame instead of solving; and when all else fails, do it all over again...

Thanks, Jack It is so very difficult for the average American to understand the complex issues our country faces in far off places around the globe. (Columnist) Jack Segal’s career and his special ability to explain these issues in plain English in many forums make him a precious asset to all of us in northern Michigan...

Home · Articles · News · Music · Matthew Hazelwood
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Matthew Hazelwood

Jack Pine - November 24th, 2008
For the last 15 years Matthew Hazelwood has been conducting youth orchestras at Interlochen Arts Academy. Now, he is taking on a new challenge and will be conducting orchestras in Colombia in South America. Over the next six months he will be a part of a program sponsored by the government of Colombia called Batuta -- the Spanish word for baton.
Batuta’s mission is to give children throughout Colombia the opportunity to play classical music, improve their opportunities in life and strengthen communities with a network of 193 regional orchestras. The program began in 1991 and now includes over 40,000 young musicians.
“Professionally, what’s fascinating is being able to work with music for a cause,” Hazelwood says from his home studio on the Old Mission Peninsula. “Usually the cause is making a living, if you are lucky. This is an opportunity to actually make a difference.”
Hazelwood is already familiar with Colombia. After graduating from the Mannes School of Music in New York, he auditioned and won a position with the National Symphony of Colombia as a percussionist. In Colombia he also directed symphonies, operas, and met his wife Constanza. “I got there and I loved it,” Hazelwood says. “I thought I was going to stay two months and I stayed there nine years.”

When Constanza had a chance to pursue a graduate degree in education at Michigan State, the Hazelwoods moved to Michigan. Hazelwood became director of the Michigan State Opera Theatre and the Battle Creek Symphony before beginning his tenure at Interlochen. He also became director of the Great Lakes Chamber Orchestra in Petoskey and will continue in that capacity, splitting his time between Colombia and Michigan.
For many in the United States, Colombia is thought of as a dangerous country, rife with drugs. In reality, violence has subsided - homicides are down by almost 50 percent since 2002 - and with 45 million people (second in South America to Brazil) and 32 states, Colombia is more diverse and complex than most North Americans realize.
“It’s not like going to a poor country where they don’t know what they
are doing,” Hazelwood says. “It’s quite the opposite actually, especially in the larger cities. They know exactly what they are doing.”
Many of Colombia’s young orchestras are technically proficient. Hazelwood sees his role as teaching the finer points and nuances of the music or as he describes it, “taking it up another notch.”

One of Hazelwood’s responsibilities is organizing and conducting faculty concerts throughout Colombia to give the regional orchestras an idea of how the music should be played. Carefully prepared packets with CDs and scores of music are sent ahead; then it is up to Hazelwood to show up and pull it all together.
“It’s pretty amazing,” Hazelwood continues. “We were in this small city in the southern part of Colombia, down near Ecuador, a couple of weeks ago. The concert was at a lovely old opera house about 100 years old. The kids that came were from a very poor part of the country and they had never been in a theatre like that. I was walking in with them and they just stopped. They had no idea this kind of thing could exist anywhere, let alone in their country, not too far away. There’s a thousand people cheering and when you see that, all of a sudden it’s like ‘Oh! This is a reason to get up in the morning!’”
The trip to Colombia involves getting to Miami and taking another three hour flight to Bogata. It is all in the same time zone, so it is not as wearing as his trips to conduct orchestras in Asia or Europe. He stays with his wife’s family and seldom even packs a suitcase. But he will still be keeping his home base in Traverse City.
“I’ll still be here half the year,” Hazelwood says. “Part of my role is getting the word out about Batuta and to be a bit of a voice for them in the states.”
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