Letters

Letters 08-03-2015

Real Brownfields Deserve Dollars I read with interest the story on Brownfield development dollars in the July 20 issue. I applaud Dan Lathrop and other county commissioners who voted “No” on the Randolph Street project...

Hopping Mad Carlin Smith is hopping mad (“Will You Get Mad With Me?” 7-20-15). Somebody filed a fraudulent return using his identity, and he’s not alone. The AP estimates the government “pays more than $5 billion annually in fraudulent tax refunds.” Well, many of us have been hopping mad for years. This is because the number one tool Congress has used to fix this problem has been to cut the IRS budget –by $1.2 billion in the last 5 years...

Just Grumbling, No Solutions Mark Pontoni’s grumblings [recent Northern Express column] tell us much about him and virtually nothing about those he chooses to denigrate. We do learn that Pontoni may be the perfect political candidate. He’s arrogant, opinionated and obviously dimwitted...

A Racist Symbol I have to respond to Gordon Lee Dean’s letter claiming that the confederate battle flag is just a symbol of southern heritage and should not be banned from state displays. The heritage it represents was the treasonous effort to continue slavery by seceding from a democratic nation unwilling to maintain such a consummate evil...

Not So Thanks I would like to thank the individual who ran into and knocked over my Triumph motorcycle while it was parked at Lowe’s in TC on Friday the 24th. The $3,000 worth of damage was greatly appreciated. The big dent in the gas tank under the completely destroyed chrome badge was an especially nice touch...

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The World is Plastic: Ultra-Realistic Sculpture at Dennos Museum

Andy Taylor - July 15th, 2004
Within the annals of the National Basketball Association’s history there is an amusing story about one of its most revered players. The legendary Michael Jordan was in Milwaukee one day for a game and went to check in at the arena when he was snubbed by one of its employees: a security guard who goes by the name of ‘Art.’
“Michael Jordan came in one day and began signing in and even started talking to ‘Art’... there was no response. So Michael went over to the management and he said, ‘I don’t know what this guy’s problem is. I tried to be nice to him, I tried to talk to him and he’s just sitting there. The guy’s a jerk. I just wanted you to know,’” artist Marc Sijan said in a 2002 interview for the Milwaukee Catholic Herald.
What Jordan didn’t know was that ‘Art’ was literally his namesake: he’s a sculpture. ‘Art’ is one of Sijan’s Ultra-Realistic sculptures modeled after a living human being.

CAUGHT OFF GUARD
This summer the Dennos Museum Center, on campus at Northwestern Michigan College, is hosting the second edition of an exhibit by Sijan that features 11 of his extremely life-like sculptures. It’s been really popular so far.
Everyone of all ages [likes it]. It does catch people off-guard. Even some of the staff here can’t get used to them. It’s been a lot of fun, especially to watch the kids go up and touch them and understand that they are sculptures,” says Kathleen Buday, curator of education and interpretation for Dennos Museum.
Buday also says that the sculptures are having the same effect on area visitors as they did on Mr. Jordan. “One visitor did come in when we were setting it up so not everything was [displayed] and they see the people in their bathing suits out in the sculpture court and they’re like, ‘Who is that?’” she says. “It really intrigues people and just fascinates them that [artists] can actually do this with just paint and polyester resin.”
The sculptures are so detailed, in fact, that it takes Sijan about six months to complete each one. He looks for all the imperfections in the skin - anything from goose-bumps, color, sunburn, birth marks and age spots - and works a plaster mold with special tools and a magnifying glass to make them match. The plaster mold is taken from an actual person who Sijan chooses to be the model for his sculpture.

25 COATS OF PAINT
After the plaster is completed Sijan casts the sculpture in polyester resin. Then he applies around 25 coats of paint, with a touch of varnish, in order to make the realistic flesh tones. After this, he uses oil paint for the final stages. “The goal is to achieve depth, yet translucency. It can’t be flat. The chest and throat texture is different from that of the arms, legs and stomach. Facial skin differs from that of the torso,” Sijan says.
He takes his inspiration for the sculptures from Michelangelo’s David. Sijan was taken with the renaissance artist’s attention to detail and to anatomy. “The human figure is one of the most challenging subjects to work with. I am working to develop a niche of my own where I can develop a believable figurative sculpture that works not only on a visual level, but on a deeper more emotional level,” he says. “It’s interesting, this fascination. The human form is the oldest artistic subject - it was the first subject known to man. We just keep interpreting it, over and over.”
Sijan began his study of the arts at the University of Wisconsin and graduated in 1968 and then completed his Master of Science in Arts degree three years later. After this period, he spent seven years teaching in Milwaukee’s public schools. During this time he would teach at the school and then work in his studio at night. He is now a full-time artist and spends upwards of 80 hours a week working in his studio. He has participated in over 40 one-person museum exhibits that have traveled all over North America.
His exhibits have been extremely popular in the past. According to Buday, Dennos Museum Curator Gene Jenneman came up with the idea of having the exhibit when he heard about how popular it was at a museum in St. Joseph, Michigan. “I believe that he originally heard about it from St. Joseph’s museum. They had his exhibition a year or so ago and it was hugely popular,” Buday says. She also says that the exhibit has been a nice change of pace for the museum. “Every so often we like to have more fun type of exhibits like this. It’s a lot of fun. It’s a nice change for the summer because of the tourists that come through. It’s not as heavy,” she comments.
The sculpture exhibit runs through September 5 and museum hours are from 10 a.m. - 5 p.m. daily and from 1 - 5 p.m. on Sundays. Admission is $4 for adults and $2 for children. For more information
visit www.dennosmuseum.org or call
231-995-1055.





 
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