Letters

Letters 10-20-2014

Doctor Dan? After several email conversations with Rep. Benishek, he has confirmed that he doesn’t have a clue of what he does. Here’s why...

In Favor Of Our Parks [Traverse] City Proposal 1 is a creative way to improve our city parks without using our tax dollars. By using a small portion of our oil and gas royalties from the Brown Bridge Trust Fund, our parks can be improved for our children and grandchildren.

From January 1970 Popular Mechanics: “Drastic climate changes will occur within the next 50 years if the use of fossil fuels keeps rising at current rates.” That warning comes from Eugene K. Peterson of the Department of the Interior’s Bureau of Land Management.

Newcomers Might Leave: Recently we had guests from India who came over as students with the plan to stay in America. He has a master’s degree in engineering and she is doing her residency in Chicago and plans to specialize in oncology. They talked very candidly about American politics and said that after observing...

Someone Is You: On Sept 21, I joined the 400,000 who took to the streets of New York in the People’s Climate March, followed by a UN Climate Summit and many speeches. On October 13, the Pentagon issued a report calling climate change a significant threat to national security requiring immediate action. How do we move from marches, speeches and reports to meaningful work on this problem? In NYC I read a sign with a simple answer...

Necessary To Pay: Last fall, Grand Traverse voters authorized a new tax to fix roads. It is good, it is necessary.

The Real Reasons for Wolf Hunt: I have really been surprised that no one has been commenting on the true reason for the wolf hunt. All this effort has not been expended so 23 wolves can be killed each year. Instead this manufactured controversy about the wolf hunt has been very carefully crafted to get Proposal 14-2 passed.

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4Play: The Bihlman Brothers, Barbara Faith Jordan, Ron Harrison

Kristi Kates - September 28th, 2009
4Play: The Bihlman Brothers, Barbara Faith Jordan, Ron Harrison
Kristi Kates 9/28/09

The Bihlman Bros. - What U Want
Scot “Little” Bihlman and Jeff “Jabo” Bihlman, along with Charlie “Cornbread” Short and Gary Worden, make up the Bihlman Bros., a grunge-country-rock quartet in the vein of a more rustic Stone Temple Pilots or a Pearl Jam light, although the echoes of many different bands can be heard within their range of songs. Opening with the aggressive “I Wanna Fly,” the album quickly takes a turn for the mellow by track three, “Jubilee,” a Southern-rock influenced number with well-arranged harmonies. “Angel’s Wings” is another slow tune, showcasing a slightly Hendrix feel, and is followed by “Needle and Thread,” which recollects the best of Hootie and the Blowfish. The brothers’ vocals do blend well together, especially on the aforementioned “Angel’s Wings” and later track “Better Place,” and the guitar work is adroit and well-mixed; the one real misstep on the set seems to be “Shotgun,” which is a little too gimmicky and unfinished sounding amidst the rest of the album’s polished production values.


Barbara Faith Jordan - Passages
With her clean vocal lines and self-assured acoustic guitar work, Barbara Faith Jordan’s set shows off her thoughtful songwriting and narrative sensitivity, especially on songs like “There’s a Friend,” and “See What You Made Me Do.” A few of the songs here are slightly darker in tone, which makes for a nice change - especially “Loose Ends,” which features detailed characters, some interesting minor chords, and a shift into falsetto towards the end of the song that’s reminiscent of Tori Amos. Speaking of Amos, the piano work of Dave Proulx on “I Remembered to Forget You” also falls into that similar sound, and the keyboard tones line up well with Jordan’s vocals - her voice almost seems to stand out better at times against the piano than the guitar. Elsewhere on the set, she channels the likes of a Mary Chapin Carpenter or a Shawn Colvin on “You’re Too Much,” and closes the collection fittingly with the thankful “Blessed By It All.”


Ron Harrison - River Rd.
Recorded and mixed in Copemish, Michigan, singer-guitarist Ron Harrison presents a half-dozen jazz-pop tracks on his new album, which opens appropriately with a drumroll. First track “Can’t Have It All” features syncopated rhythms and plucked guitar, setting the stage for track two’s continued guitar work and soulful organ. The title track, “River Road,” is nicely anchored by several stringed instruments and a traipsing rhythm that’s well-suited to the road-trek feeling of the song, while the loungey “When I Met You” adds in piano and woodwinds for some added variety and texture. Harrison could use a little more soul in his vocals, though - while his tone is lucid and on-pitch, it seems he needs to summon up a little more emotion than what’s displayed vocally here, as oftentimes he seems to be singing on top of the rest of the instruments, instead of interacting with them and with the song itself. But overall, these tracks are concisely written, and would be a perfect addition to any easy listening radio station’s playlist.

 
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