Letters

Letters 8-18-2014

The Climate Clarified

Climate change isn’t an easy subject. A class I’m taking compared it to medicine in a way that was helpful for me: Climate scientists are like planetary physicians. Our understanding of medicine is incomplete, but what we know is useful...

Beware Non-Locally Grown

The article “Farm Fresh?” couldn’t be any more true than exactly stated. As an avid shopper at the local farm markets I want to know “exactly” what I am buying, from GMO free to organic or not organic, sprayed or not sprayed and with what...

Media Bias Must End

I wish to thank Joel Weberman for his letter “Seeking Balanced Israel Coverage.” The pro-Palestinian bias includes TV news coverage...

Proud of My President

The world is a mess. According to many conservative voices, it would not be in such a mess if Obama was not the president. I am finally understanding that the problem with our president is that he is too thoughtful, too rational, too realistic, too inclined to see things differently and change his mind, too compassionate to be the leader of a free world...

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4Play: The Bihlman Brothers, Barbara Faith Jordan, Ron Harrison

Kristi Kates - September 28th, 2009
4Play: The Bihlman Brothers, Barbara Faith Jordan, Ron Harrison
Kristi Kates 9/28/09

The Bihlman Bros. - What U Want
Scot “Little” Bihlman and Jeff “Jabo” Bihlman, along with Charlie “Cornbread” Short and Gary Worden, make up the Bihlman Bros., a grunge-country-rock quartet in the vein of a more rustic Stone Temple Pilots or a Pearl Jam light, although the echoes of many different bands can be heard within their range of songs. Opening with the aggressive “I Wanna Fly,” the album quickly takes a turn for the mellow by track three, “Jubilee,” a Southern-rock influenced number with well-arranged harmonies. “Angel’s Wings” is another slow tune, showcasing a slightly Hendrix feel, and is followed by “Needle and Thread,” which recollects the best of Hootie and the Blowfish. The brothers’ vocals do blend well together, especially on the aforementioned “Angel’s Wings” and later track “Better Place,” and the guitar work is adroit and well-mixed; the one real misstep on the set seems to be “Shotgun,” which is a little too gimmicky and unfinished sounding amidst the rest of the album’s polished production values.


Barbara Faith Jordan - Passages
With her clean vocal lines and self-assured acoustic guitar work, Barbara Faith Jordan’s set shows off her thoughtful songwriting and narrative sensitivity, especially on songs like “There’s a Friend,” and “See What You Made Me Do.” A few of the songs here are slightly darker in tone, which makes for a nice change - especially “Loose Ends,” which features detailed characters, some interesting minor chords, and a shift into falsetto towards the end of the song that’s reminiscent of Tori Amos. Speaking of Amos, the piano work of Dave Proulx on “I Remembered to Forget You” also falls into that similar sound, and the keyboard tones line up well with Jordan’s vocals - her voice almost seems to stand out better at times against the piano than the guitar. Elsewhere on the set, she channels the likes of a Mary Chapin Carpenter or a Shawn Colvin on “You’re Too Much,” and closes the collection fittingly with the thankful “Blessed By It All.”


Ron Harrison - River Rd.
Recorded and mixed in Copemish, Michigan, singer-guitarist Ron Harrison presents a half-dozen jazz-pop tracks on his new album, which opens appropriately with a drumroll. First track “Can’t Have It All” features syncopated rhythms and plucked guitar, setting the stage for track two’s continued guitar work and soulful organ. The title track, “River Road,” is nicely anchored by several stringed instruments and a traipsing rhythm that’s well-suited to the road-trek feeling of the song, while the loungey “When I Met You” adds in piano and woodwinds for some added variety and texture. Harrison could use a little more soul in his vocals, though - while his tone is lucid and on-pitch, it seems he needs to summon up a little more emotion than what’s displayed vocally here, as oftentimes he seems to be singing on top of the rest of the instruments, instead of interacting with them and with the song itself. But overall, these tracks are concisely written, and would be a perfect addition to any easy listening radio station’s playlist.

 
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