Letters

Letters 08-31-2015

Inalienable Rights This is a response to the “No More State Theatre” in your August 24th edition. I think I will not be the only response to this pathetic and narrow-minded letter that seems rather out of place in the northern Michigan that I know. To think we will not be getting your 25 cents for the movie you refused to see, but more importantly we will be without your “two cents” on your thoughts of a marriage at the State Theatre...

Enthusiastically Democratic Since I was one of the approximately 160 people present at when Senator Debbie Stabenow spoke on August 14 in Charlevoix, I was surprised to read in a letter to Northern Express that there was a “rather muted” response to Debbie’s announcement that she has endorsed Hillary Clinton for president...

Not Hurting I surely think the State Theatre will survive not having the homophobic presence of Colleen Smith and her family attend any matinees. I think “Ms.” Smith might also want to make sure that any medical personnel, bank staff, grocery store staff, waiters and/or waitress, etc. are not homosexual before accepting any service or product from them...

Stay Home I did not know whether to laugh or cry when I read the letter of the extremely homophobic, “disgusted” writer. She now refuses to patronize the State Theatre because she evidently feels that its confines have been poisoned by the gay wedding ceremony held there...

Keep Away In response to Colleen Smith of Cadillac who refused to bring her family to the State Theatre because there was a gay wedding there: Keep your 25 cents and your family out of Traverse City...

Celebrating Moore And A Theatre I was 10 years old when I had the privilege to see my first film at the State Theatre. I will never forget that experience. The screen was almost the size of my bedroom I shared with my older sister. The bursting sounds made me believe I was part of the film...

Outdated Thinking This letter is in response to Colleen Smith. She made public her choice to no longer go to the State Theater due to the fact that “some homosexuals” got married there. I’m not outraged by her choice; we don’t need any more hateful, self-righteous bigots in our town. She can keep her 25 cents...

Mackinac Pipeline Must Be Shut Down Crude oil flowing through Enbridge’s 60-yearold pipeline beneath the Mackinac Straits and the largest collection of fresh water on the planet should be a serious concern for every resident of the USA and Canada. Enbridge has a very “accident” prone track record...

Your Rights To Colleen, who wrote about the State Theatre: Let me thank you for sharing your views; I think most of us are well in support of the first amendment, because as you know- it gives everyone the opportunity to express their opinions. I also wanted to thank Northern Express for not shutting down these types of letters right at the source but rather giving the community a platform for education...

No Role Model [Fascinating Person from last week’s issue] Jada quoted: “I want to be a role model for girls who are interested in being in the outdoors.” I enjoy being in the outdoors, but I don’t want to kill animals for trophy...

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A Changin‘ in the Wind: Splendid Havoc Switches Direction on New Album

Andy Taylor - July 22nd, 2004
Seeing a band grow, change and evolve their sound is always an exciting thing to witness when you are a fan. Even though you may still be attached to their old songs, and maybe are a little scared at the thought of impending change, a metamorphosis in music is usually a captivating thing to watch happen.
Splendid Havoc’s new album “Pasticcio” is the next step in the Traverse City band’s creative journey and offers a more diverse and pop-inflected group of songs than their past folk leanings. With a title like this (the word pasticcio means potpourri or a piece that is drawn from many sources), the listener can expect to be taken on a ride that will guide them through all sorts of musical areas. But for the most part the band stays within the boundaries of soft, adult rock, with few tendencies outside those lines.
This is a very mature sound that many adults would probably latch on to, and I can easily picture turning the dial on my radio and hearing this band played on WLDR. Any song from this CD would be at home on a station being played inbetween Wilson Phillips and Celine Dion.
Although the music is somewhat diverse on this album, the vocals tend to hold it all together with Michelle Socha’s very talented voice leading the way on seven of the nine songs. The harmonies are really strong on all of the tracks, but especially on the second song, “The Smile.” This song has a catchy melody and it is quite easy to see why radio stations like WTCM have started playing it. It has a nice Fleetwood Mac vibe going that Splendid Havoc should capitalize on more.
The production and arrangement on this album are quite strong. The band sounds tight and this is evidence of production skill since there are seven members in the band. With a number that high, it can become very easy for the record to have far too many layers on it and be cluttered. But it does not sound like that–therefore the band deserves kudos for restraint and not falling into a trap that many bands fall in.
The band is also very strong mechanically: they sound like well-trained vocalists and musicians. The problem may be that they play their instruments a little too well. There are no envelopes being pushed on this album. In other words the instruments stay in their role within the band and do not venture outside where they are supposed to be, sometimes to a fault.
These songs are all very safe. There is nothing that sets them apart, and this might actually say more about the entire adult-contemporary genre of music than it does about Splendid Havoc specifically. These songs sink too far into the background and do not demand the attention of the listener.
A great song in this genre is like a well-behaved little child; they are calm and quiet around you, but still desperately want your attention. None of these songs, except maybe “The Smile” and (because it is so different dynamically from the rest of the album) “It’s About . . .” ask to be taken to the park and be pushed on the swing.
Lyrically, many of these songs are a little cliché and kind of cheesy.
Case-in-point would be the song “A Little Ditty.” In one of the verses to the song, it states, “I went for a walk one afternoon/ I started to sing this little tune/ My feet caught a beat in 3/8 time/ and all my words just sort of rhymed.” Musically, “A Little Ditty” is pretty chill and has a cool lounge feel to it with some nice sounding piano in the background. There is some interplay between the vocals and the guitar that has potential to be really nice as well. But the laid back, mellow feel of the music is not enhanced by the really in-your-face bubbly-pop vocal lines. It is just too much for the mellow vibe in the music. This is what would happen if you put Hillary Duff with Ella Fitzgerald’s backing band. The two just don’t belong together.
On a side note, no one can fault a band for being socially conscious.
God knows that we need more musicians who are concerned with what is going on in the world and want to use their art to make a difference. Splendid Havoc should be encouraged for being concerned about the victims of terrorism, but do we really need yet another 9/11 tribute song? There was a flood of them in music a couple of years ago, even to the point where it seemed like record labels were using the tragedy as a moneymaker. So it seems unnecessary to have another tribute song, called “Standing” on this album, three years after the horrible event actually happened. How about a tribute to the people of the Democratic Republic of Congo where over three million of them have died in a war that is still going since its beginning, over six years ago? A lot of people seem to ignore tragedies that don’t happen on American soil.
There are only two songs on here that are not upbeat, feel-good tunes, so even though there is a lot of diversity in the style of music offered on this disc, they don’t sound as different as you might think because they are almost all very similar in the mood of the music. Splendid Havoc is a band that is comprised of very gifted musicians. Unfortunately though, it is the creative nature of their sound that is lacking. Many bands are not out to influence music and be different, and there is nothing wrong with that. But it is possible to write pop songs and still be different, and therefore that is something to strive for, but you just don’t hear that in this music.
 
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