Letters

Letters 11-28-2016

Trump should avoid self-dealing President-elect Donald Trump plans to turn over running of The Trump Organization to his children, who are also involved in the transition and will probably be informal advisers during his administration. This is not a “blind trust.” In this scenario Trump and family could make decisions based on what’s best for them rather than what’s best for the country...

Trump the change we need?  I have had a couple of weeks to digest the results of this election and reflect. There is no way the selection of Trump as POTUS could ever come close to being normal. It is not normal to have a president-elect settle a fraud case for millions a couple of months before the inauguration. It is not normal to have racists considered for cabinet posts. It is not normal for a president-elect tweet outrageous comments on his Twitter feed to respond to supposed insults at all hours of the early morning...

Health care system should benefit all It is no secret that the health insurance situation in our country is controversial. Some say the Affordable Care Act is “the most terrible thing that has happened to our country in years”; others are thrilled that, “for the first time in years I can get and afford health insurance.” Those who have not been closely involved in the medical field cannot be expected to understand how precarious the previous medical insurance structure was...

Christmas tradition needs change The Christmas light we need most is the divine, and to receive it we do not need electricity, probably only prayers and good deeds. But not everyone has this understanding, as we see in the energy waste that follows with the Christmas decorations...

CORRECTIONS & CLARIFICATIONS 

A story in last week’s edition about parasailing businesses on East Grand Traverse Bay mistakenly described Grand Traverse Parasail as a business that is affiliated with the ParkShore Resort. It operates from a beach club two doors down from the resort. The story also should have noted that prior to the filing of a civil lawsuit in federal court by Saburi Boyer and Traverse Bay Parasail against Bryan Punturo and the ParkShore Resort, a similar lawsuit was dismissed from 13th Circuit Court in Traverse City upon a motion from the defendant’s attorney. Express regrets the error and omission.

A story in last week’s edition about The Fillmore restaurant in Manistee misstated Jacob Slonecki’s job at Arcadia Bluffs Golf Course. He was a cook. Express regrets the error.

Home · Articles · News · Music · Tribal Sounds/Matt Koontz
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Tribal Sounds/Matt Koontz

Glen Young - May 18th, 2009
Tribal Sounds
Woodworker finds his calling in the Native American flute

By Glen Young 5/18/09

“Music from the heart,” says Matt Koontz is what lightly resonates from his Native American style flutes.
Koontz, originally from East Jordan, lives in Petoskey, where he teaches Spanish at Petoskey High School. And though not himself Native American, he nonetheless has been drawn to the richly mellifluous sound of the modest wood instruments.
“Like everyone else, I played in school,” he says of his adolescent experience in music. But he put down his instrument until about six years ago when he rediscovered an old recorder he wanted to play to his infant son.
Wanting to replace the worn out recorder with a new one, he was instead put off by the inflated price. So he decided to make his own. After reading up on making flutes, and meeting a Native American flute maker while attending a native language conference, he set about making his first flute. With a background in woodworking, he still found that first effort took him nearly 20 hours to complete. He has since cut that production time in half.
“You learn ways to be efficient,” he says of his refined approach. Koontz often cuts multiple pieces at once in order to make several flutes at once.
“I use white cedar which is local and I put it together with red cedar because I like the contrast,” Koontz says of his instruments’ soft bi-colored finish.

FIPPLE FACTS
The artistry of his flutes is utilitarian as well as timeless. The instruments feature an oak fipple, or block, tied in place with a leather thong fitted over the brass rimmed opening on the instrument’s air hole. The fipple he says is something others often carve to personalize, but Koontz says he makes his flutes “for instruments, not for decoration.”
Koontz crafts his flutes by cutting two matching pieces of cedar, hollowing out the center, then gluing the halves together. When the glue has set, he decides on a key, and then uses a template atop the piece to mark the location of the finger holes before using his drill press to drill out the openings. Varying lengths and narrowing or widening the opening’s diameter provides the flutes’ key and tone. Regardless of the diameter, he rounds the end to 3/16 of an inch for precision and consistency.
His flutes are crafted on a five note pentatonic scale, with six finger hole openings. Their sound is soft though direct, providing a rich and recognizable timbre.
Koontz, who traveled in Europe and South America after college, learning languages and customs, says his flutes are not particular to any specific region, “but they work well for me.” He has made more than 200 in the six years since he began, and is currently at work on an order of 40 flutes for a single local client. He appreciates that his clients have warmly received his work.

‘MAKE ME ONE’
He sometimes attends arts fairs with his instruments, often setting up shop at the events such as the Greensky Hill Church Arts and Crafts Fair in Bay Shore each spring. Koontz says, however, that word of mouth is still the best promotional method.
“I would make one and my friends would say ‘make me one,’ he says of his early efforts. Koontz expects to make about 30 flutes this summer, mostly he says, “because it makes me feel good. It’s cool when somebody plays your instrument.”
He has also dabbled in deer hide drums, but Koontz says he isn’t sure he’ll pursue that instrument. He likes the more manageable scale of the flutes. Koontz’s largest flute measures 27 inches long with a 1 1/8 inch diameter bore. This large version plays in a key of D minor. Smaller versions run 13 inches, with a bore diameter of ¾ inch and play in a key of C minor.
Koontz says his Native American style flutes are “cool for people who want to be musicians but never have been.” The instruments offer, “people a whole new approach to music. You don’t have to get hung up on reading other people’s music,” he says. They, “Make music accessible to anybody.”

Those interested in learning more about his Native American style flutes can contact Matt Koontz directly at 231-439-5181.


 
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