Letters

Letters 08-25-14

Save America

I read your paper because it’s free and I enjoy the ads. But I struggle through the left wing tripe that fills every page, from political cartoons to the vitriolic pen of Mr. Tuttle. What a shame this beautiful area of the state has such an abundance of Socialist/democrats. Or perhaps the silent majority chooses to stay silent...

Doom, Yet a Cup Half Full

In the news we are told of the civil unrest at Ferguson, Mo; ISIS war radicals in Iraq and Syria; the great corporate tax heist at home. You name it. Trouble, trouble, everywhere. It seems to me the U.S. Congress is partially to blame...

Uncomfortable Questions

defending the positions of the Israelis vs Hamas are far too narrow. Even Mr. Tuttle seems to have failed in looking deeply into the divide. American media is not biased against Israel, nor or are they pro Palestine or Hamas...

The Evolution of Man Revisited

As the expectations of manhood evolve, so too do the rules of love. In Mr. Holmes’s statement [from “Our Therapist Will See Us Now” in last week’s issue] he narrows the key to a successful relationship to the basic need to have your wants and needs understood, and it is on this point I expand...

Home · Articles · News · Music · 4Play: The Dead Weather, Paul...
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4Play: The Dead Weather, Paul Weller, Smashing Pumpkins, The Futureheads

Kristi Kates - June 7th, 2010
The Dead Weather - Sea of Cowards - Warner Bros.
The second set from the Jack White-helmed side project band that also includes Kills singer Alison Mosshart and QOTSA guitarist Dean Fertita, Sea... continues the trio’s grungy, blues-anchored indie-rock sound and infuses it with a few interesting new seasonings, namely the spooky Wurlitzer organ lines on “Gasoline” and the darkened piano on “Old Mary.” Elsewhere, The Dead Weather’s already-signature sound continues on such solid tracks as “Blue Blood Blues,” which also showcases their ability to blend vocal lines into deft harmonies.






Paul Weller - Wake Up the Nation - Yep Roc
The follow up to his third UK number one solo set, 22 Dreams, Weller’s latest expands on his sound again, from the ebb of his last set’s more mellow sounds to the more percussive flow of this album’s Brit rock focus. Complete with contributions from ELO’s Bev Bevan and My Bloody Valentine’s Kevin Shields, the album crashes open with “Moonshine,” on which the feisty, anti-tech Modfather growls, “Get your face out of your Facebook!” and continues on with the big-pop of “Find the Torch” and waltz-break of “Amsterdam.”




Smashing Pumpkins - Teargarden By Kaleidyscope 1: Songs for a Sailor - Rocket Science
Although the songs from SP’s latest are being made available online, one at a time, for free download, dedicated Pumpkinheads will still probably want to acquire the physical album sets as they become available, as well. The first collection of Teargarden’s... progression offers up the acoustic-based, propellant “Stitch in Time,” the towering, psychedelic “Astral Planes,” and the epic, expansive “Song for a Son,” all compositions that bode well for the near future of this Billy Corgan-helmed, anti-record-industry project.



The Futureheads - The Chaos - Dovecote
Futurehead’s fourth set finds them bearers of an energetic album, most likely the carryover from the studio work they embarked upon immediately following their tours with The Foo Fighters and Pixies. A charging-ahead series of short pop songs, the album was tracked with Youth and Field Music’s David Brewis, and features such highlights as the Weezer-ish “Heartbeat Song,” the stacked segments of “Jupiter,” and the Daft Punk-inspired “The Connector”; rare near-ballad “Sun Goes Down” provides a quick break from the busy-ness.

 
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