Letters

Letters 07-06-2015

Safety on the “Bridge to Nowhere” Grant Parsons wrote an articulate column in opposition to the proposed Traverse City pier at the mouth of the Boardman River. He cites issues such as limited access, lack of parking, increased congestion, environmental degradation, and pork barrel spending of tax dollars. I would add another to this list: public safety...

Vote Carefully A recent poll showed 84% of Michiganders support increasing Michigan’s renewable energy standard to at least 20% from the current 10%. Yet Representative Ray Franz has sponsored legislation to eliminate the standard. This out of touch position is reminiscent of Franz’s opposition to the Pure Michigan campaign and support for increased taxes on retirees....

Credit Where Credit Is Due I think you should do another article about the Michigan Natural Resources Trust Fund giving proper credit to all involved, not just Tom Washington. Many others were just as involved...

I’ve Changed My Mind The Supreme Court has determined that states cannot keep same-sex couples from marrying and must recognize their unions. This has happened with breathtaking suddenness. It took 246 years for Americans to decide that slavery was wrong and abolish it, but it’s been only a couple of decades since any successful attempt was made to legalize same-sex marriage, and four years since a majority of the American public supported legalization...


Home · Articles · News · Music · 4Play: Black Keys, Hawthorne...
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4Play: Black Keys, Hawthorne Heights, Stone Temple Pilots, Broken Social Scene

Kristi Kates - June 14th, 2010
Black Keys - Brothers - Nonesuch
The ‘70s-influenced pair of Dan Auerbach and Patrick Carney worked with pal/producer Danger Mouse on their latest album, on which they kept things close to their tried and true formula while bringing in a few guest collaborators to trick up the mix. A cover of Jerry Butler’s “Never Gonna Give You Up” sets the tone for Auerbach’s fervent vocal delivery and Carney’s decisive drumbeats; other notable tunes include “The Go Getter,” and “Unknown Brother,” with Tchad Blake’s expert mixing bringing out the dynamics.





Hawthorne Heights - Skeletons - Wind-Up
Hawthorne Heights debut set was produced by Howard Benson (Daughtry/My Chemical Romance) and introduces listeners to this alt-rock band by placing a well-honed and cohesive production sheen over their sometimes disparate range of songs. “Bring You Back” is perhaps the most typical of the rock tracks, while “Gravestones” shuffles into alt-country-rock territory, and both first single “Nervous Breakdown” and “Picket Fences” allow the band to experiment with a darker, more ‘80s rock influence.




Stone Temple Pilots - Stone Temple Pilots - Atlantic
Produced by the band themselves and mixed by longtime alt-rock cohort Chris Lord-Alge (Green Day, MCR), STP’s album return has been long awaited (and several times derailed) but now appears to be solidified at last. The new set is mostly the classic STP glam-rock/psychedelic mix that first drew fans to the band, and both those sounds and the hooks continue here with songs like the sly, middle-of-the-road ramble of “Huckleberry Crumble,” the Ziggy-Stardust feel of “First Kiss on Mars,” and edgy first pop-rock single “Between the Lines.”



Broken Social Scene - Forgiveness Rock Record - Arts and Crafts
BSS sifted through over three dozen songs that they’d written to comprise this new album, which also features guest appearances from members of Metric and Stars as well as Ohad Benchetrit and Leslie Feist. “World Sick,” the first track released as a teaser, is typical BSS, and feeds nicely into the synth-y “Chase Scene” and the harmony-laden “All to All,” with its detached vocal ending. The sounds of the Las Vegas stage make a stop via the horns on “Art House Director,” and the band heads to the Old West as the album reaches its close.

 
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