Letters

Letters 09-15-2014

Stop The Games On Campus

Four head coaches – two at U of M and two at MSU – get a total of $13 million of your taxpayer dollars each year. Their staffs get another $11 million...

The Truth About Fatbikes

While we appreciate the fatbike trail coverage, the quote from the article below is exactly what we demonstrated not to be true in most cases last season...

Man Has Environmental Responsibility

I tend to agree with Thomas Kachadurian (“Playing God,” Sept. 8) that we should not interfere with the power of nature by deciding what is “native” and what is not. Man usually does what is better for man (or so we believe), hence the survival and population growth of our species...

The Bush & Obama Facts

Don Turner’s letter to the editor on 8/25/14 stated that there has never been a more corrupt, dishonest, etc. set of politicians in the White House. He states no facts, but here are a few...

Ban Pesticides

I grew up downstate in a neighborhood without pesticides. I was always very healthy. Living here, I have become ill. So I did my research and found out a lot about these poison agents called pesticides (herbicides, fungicides, insecticides, chemical fertilizers, etc) that are being spread throughout this community, accumulating in our air, water and soil...

Respect for Presidents?

Recently we read the Letter to the Editor that encouraged us to stop characterizing President Obama as anything other than an upstanding, moral, inspiring “first Black President”. The author would have us think that the rancor in the press, media and public is misguided. And, believe it or not, this rancor is a “glaring exception to … unwritten patriotic rule” of historically supporting all previous presidents...


Home · Articles · News · Music · 4Play: Black Keys, Hawthorne...
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4Play: Black Keys, Hawthorne Heights, Stone Temple Pilots, Broken Social Scene

Kristi Kates - June 14th, 2010
Black Keys - Brothers - Nonesuch
The ‘70s-influenced pair of Dan Auerbach and Patrick Carney worked with pal/producer Danger Mouse on their latest album, on which they kept things close to their tried and true formula while bringing in a few guest collaborators to trick up the mix. A cover of Jerry Butler’s “Never Gonna Give You Up” sets the tone for Auerbach’s fervent vocal delivery and Carney’s decisive drumbeats; other notable tunes include “The Go Getter,” and “Unknown Brother,” with Tchad Blake’s expert mixing bringing out the dynamics.





Hawthorne Heights - Skeletons - Wind-Up
Hawthorne Heights debut set was produced by Howard Benson (Daughtry/My Chemical Romance) and introduces listeners to this alt-rock band by placing a well-honed and cohesive production sheen over their sometimes disparate range of songs. “Bring You Back” is perhaps the most typical of the rock tracks, while “Gravestones” shuffles into alt-country-rock territory, and both first single “Nervous Breakdown” and “Picket Fences” allow the band to experiment with a darker, more ‘80s rock influence.




Stone Temple Pilots - Stone Temple Pilots - Atlantic
Produced by the band themselves and mixed by longtime alt-rock cohort Chris Lord-Alge (Green Day, MCR), STP’s album return has been long awaited (and several times derailed) but now appears to be solidified at last. The new set is mostly the classic STP glam-rock/psychedelic mix that first drew fans to the band, and both those sounds and the hooks continue here with songs like the sly, middle-of-the-road ramble of “Huckleberry Crumble,” the Ziggy-Stardust feel of “First Kiss on Mars,” and edgy first pop-rock single “Between the Lines.”



Broken Social Scene - Forgiveness Rock Record - Arts and Crafts
BSS sifted through over three dozen songs that they’d written to comprise this new album, which also features guest appearances from members of Metric and Stars as well as Ohad Benchetrit and Leslie Feist. “World Sick,” the first track released as a teaser, is typical BSS, and feeds nicely into the synth-y “Chase Scene” and the harmony-laden “All to All,” with its detached vocal ending. The sounds of the Las Vegas stage make a stop via the horns on “Art House Director,” and the band heads to the Old West as the album reaches its close.

 
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