Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

Home · Articles · News · Music · 4Play: Black Keys, Hawthorne...
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4Play: Black Keys, Hawthorne Heights, Stone Temple Pilots, Broken Social Scene

Kristi Kates - June 14th, 2010
Black Keys - Brothers - Nonesuch
The ‘70s-influenced pair of Dan Auerbach and Patrick Carney worked with pal/producer Danger Mouse on their latest album, on which they kept things close to their tried and true formula while bringing in a few guest collaborators to trick up the mix. A cover of Jerry Butler’s “Never Gonna Give You Up” sets the tone for Auerbach’s fervent vocal delivery and Carney’s decisive drumbeats; other notable tunes include “The Go Getter,” and “Unknown Brother,” with Tchad Blake’s expert mixing bringing out the dynamics.





Hawthorne Heights - Skeletons - Wind-Up
Hawthorne Heights debut set was produced by Howard Benson (Daughtry/My Chemical Romance) and introduces listeners to this alt-rock band by placing a well-honed and cohesive production sheen over their sometimes disparate range of songs. “Bring You Back” is perhaps the most typical of the rock tracks, while “Gravestones” shuffles into alt-country-rock territory, and both first single “Nervous Breakdown” and “Picket Fences” allow the band to experiment with a darker, more ‘80s rock influence.




Stone Temple Pilots - Stone Temple Pilots - Atlantic
Produced by the band themselves and mixed by longtime alt-rock cohort Chris Lord-Alge (Green Day, MCR), STP’s album return has been long awaited (and several times derailed) but now appears to be solidified at last. The new set is mostly the classic STP glam-rock/psychedelic mix that first drew fans to the band, and both those sounds and the hooks continue here with songs like the sly, middle-of-the-road ramble of “Huckleberry Crumble,” the Ziggy-Stardust feel of “First Kiss on Mars,” and edgy first pop-rock single “Between the Lines.”



Broken Social Scene - Forgiveness Rock Record - Arts and Crafts
BSS sifted through over three dozen songs that they’d written to comprise this new album, which also features guest appearances from members of Metric and Stars as well as Ohad Benchetrit and Leslie Feist. “World Sick,” the first track released as a teaser, is typical BSS, and feeds nicely into the synth-y “Chase Scene” and the harmony-laden “All to All,” with its detached vocal ending. The sounds of the Las Vegas stage make a stop via the horns on “Art House Director,” and the band heads to the Old West as the album reaches its close.

 
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