Letters

Letters 09-26-2016

Welcome To 1984 The Democrat Party, the government education complex, private corporations and foundations, the news media and the allpervasive sports and entertainment industry have incrementally repressed the foundational right of We the People to publicly debate open borders, forced immigration, sanctuary cities and the calamitous destruction of innate gender norms...

Grow Up, Kachadurian Apparently Tom Kachadurian has great words; too bad they make little sense. His Sept. 19 editorial highlights his prevalent beliefs that only Hillary and the Dems are engaged in namecalling and polarizing actions. Huh? What rock does he live under up on Old Mission...

Facts MatterThomas Kachadurian’s “In the Basket” opinion deliberately chooses to twist what Clinton said. He chooses to argue that her basket lumped all into the clearly despicable categories of the racist, sexist, homophobic , etc. segments of the alt right...

Turn Off Fox, Kachadurian I read Thomas Kachadurian’s opinion letter in last week’s issue. It seemed this opinion was the product of someone who offered nothing but what anyone could hear 24/7/365 on Fox News; a one-sided slime job that has been done better by Fox than this writer every day of the year...

Let’s Fix This Political Process Enough! We have been embroiled in the current election cycle for…well, over a year, or is it almost two? What is the benefit of this insanity? Exorbitant amounts of money are spent, candidates are under the microscope day and night, the media – now in action 24/7 – focuses on anything and everything anyone does, and then analyzes until the next event, and on it goes...

Can’t Cut Taxes 

We are in a different place today. The slogan, “Making America Great Again” begs the questions, “great for whom?” and “when was it great?” I have claimed my generation has lived in a bubble since WWII, which has offered a prosperity for a majority of the people. The bubble has burst over the last few decades. The jobs which provided a good living for people without a college degree are vanishing. Unions, which looked out for the welfare of employees, have been shrinking. Businesses have sought to produce goods where labor is not expensive...

Wrong About Clinton In response to Thomas Kachadurian’s column, I have to take issue with many of his points. First, his remarks about Ms. Clinton’s statement regarding Trump supporters was misleading. She was referring to a large segment of his supporters, not all. And the sad fact is that her statement was not a “smug notion.” Rather, it was the sad truth, as witnessed by the large turnout of new voters in the primaries and the ugly incidents at so many of his rallies...

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4Play: Big Phony, Field Music, FM Belfast, Juliana Hatfield

Kristi Kates - May 3rd, 2010
Big Phony - Kicking Punching Bags - BPM
Big Phony, aka NYC-Los Angeles coast-hopper Bobby Choy, has quietly stayed under the radar, crafting folk-pop tracks overloaded with catchy melody after catchy melody, all equally understated via Choy’s carefully wistful, mellow performance skills. Songs like the concise “Short Intermission,” “Talk of the Town,” and live, self-deprecating favorite “Girls Like You Don’t Go For Guys Like Me” recollect the folk-pop stylings of Elliott Smith, while his voice echoes that of Sean Lennon or Smith himself; he probably won’t remain under the radar for long.





Field Music - (Measure) - Memphis Recordings
Technically an eponymous set with the “Measure” subtitle (to separate it from the band’s eponymous debut), Field Music’s latest offers up 20 tracks of the quartet’s guitar-focused English art-rock, complete with snippets of influence from Fleetwood Mac, Roxy Music, and The Smiths, among others. Blues-inflused “Each Time is a New Time” is one of the disc’s more notable tracks, as are the more poppy “The Rest is Noise,” “See You Later,” and the slacker anthem “Them That Do Nothing,” all flourished with plenty of FM’s subtle guitar work.




FM Belfast - How to Make Friends - Kimi Records
The second “FM” of this week’s column, this particular one hails from Iceland (despite the Irish-referential band name) and crafts a sound best described as earthy electronica. From quirky songs about getting new eyeglasses (“Optical”) to the more serious, cold synths of tracks like “President” and “VHS,” the band - whose members constantly change number based on “who happens to be around” - have a little more than the usual sense of humor, too - as evidenced by their mellow interpretation of Technotronic’s “Pump Up the Jam.”




Juliana Hatfield - Peace and Love - Ye Olde Records
Former Blake Babies bandmate and ongoing Evan (Lemonheads) Dando muse Hatfield set forth to track her latest album all by herself - literally - writing, performing, producing, engineering, and mixing the album alone. The evolution of her latest crop of songs might seem to be relationship-focused at first, but is actually as much about randomly pensive moments, from the crunchy-guitar’d “What Is Wrong” to the reflective “Why Can’t We Love Each Other” and Hatfield’s ode to Dando himself (“Evan”.) It’s both accomplished and personal.

 
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