Letters

Letters 10-20-2014

Doctor Dan? After several email conversations with Rep. Benishek, he has confirmed that he doesn’t have a clue of what he does. Here’s why...

In Favor Of Our Parks [Traverse] City Proposal 1 is a creative way to improve our city parks without using our tax dollars. By using a small portion of our oil and gas royalties from the Brown Bridge Trust Fund, our parks can be improved for our children and grandchildren.

From January 1970 Popular Mechanics: “Drastic climate changes will occur within the next 50 years if the use of fossil fuels keeps rising at current rates.” That warning comes from Eugene K. Peterson of the Department of the Interior’s Bureau of Land Management.

Newcomers Might Leave: Recently we had guests from India who came over as students with the plan to stay in America. He has a master’s degree in engineering and she is doing her residency in Chicago and plans to specialize in oncology. They talked very candidly about American politics and said that after observing...

Someone Is You: On Sept 21, I joined the 400,000 who took to the streets of New York in the People’s Climate March, followed by a UN Climate Summit and many speeches. On October 13, the Pentagon issued a report calling climate change a significant threat to national security requiring immediate action. How do we move from marches, speeches and reports to meaningful work on this problem? In NYC I read a sign with a simple answer...

Necessary To Pay: Last fall, Grand Traverse voters authorized a new tax to fix roads. It is good, it is necessary.

The Real Reasons for Wolf Hunt: I have really been surprised that no one has been commenting on the true reason for the wolf hunt. All this effort has not been expended so 23 wolves can be killed each year. Instead this manufactured controversy about the wolf hunt has been very carefully crafted to get Proposal 14-2 passed.

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4Play: Big Phony, Field Music, FM Belfast, Juliana Hatfield

Kristi Kates - May 3rd, 2010
Big Phony - Kicking Punching Bags - BPM
Big Phony, aka NYC-Los Angeles coast-hopper Bobby Choy, has quietly stayed under the radar, crafting folk-pop tracks overloaded with catchy melody after catchy melody, all equally understated via Choy’s carefully wistful, mellow performance skills. Songs like the concise “Short Intermission,” “Talk of the Town,” and live, self-deprecating favorite “Girls Like You Don’t Go For Guys Like Me” recollect the folk-pop stylings of Elliott Smith, while his voice echoes that of Sean Lennon or Smith himself; he probably won’t remain under the radar for long.





Field Music - (Measure) - Memphis Recordings
Technically an eponymous set with the “Measure” subtitle (to separate it from the band’s eponymous debut), Field Music’s latest offers up 20 tracks of the quartet’s guitar-focused English art-rock, complete with snippets of influence from Fleetwood Mac, Roxy Music, and The Smiths, among others. Blues-inflused “Each Time is a New Time” is one of the disc’s more notable tracks, as are the more poppy “The Rest is Noise,” “See You Later,” and the slacker anthem “Them That Do Nothing,” all flourished with plenty of FM’s subtle guitar work.




FM Belfast - How to Make Friends - Kimi Records
The second “FM” of this week’s column, this particular one hails from Iceland (despite the Irish-referential band name) and crafts a sound best described as earthy electronica. From quirky songs about getting new eyeglasses (“Optical”) to the more serious, cold synths of tracks like “President” and “VHS,” the band - whose members constantly change number based on “who happens to be around” - have a little more than the usual sense of humor, too - as evidenced by their mellow interpretation of Technotronic’s “Pump Up the Jam.”




Juliana Hatfield - Peace and Love - Ye Olde Records
Former Blake Babies bandmate and ongoing Evan (Lemonheads) Dando muse Hatfield set forth to track her latest album all by herself - literally - writing, performing, producing, engineering, and mixing the album alone. The evolution of her latest crop of songs might seem to be relationship-focused at first, but is actually as much about randomly pensive moments, from the crunchy-guitar’d “What Is Wrong” to the reflective “Why Can’t We Love Each Other” and Hatfield’s ode to Dando himself (“Evan”.) It’s both accomplished and personal.

 
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