Letters

Letters 08-03-2015

Real Brownfields Deserve Dollars I read with interest the story on Brownfield development dollars in the July 20 issue. I applaud Dan Lathrop and other county commissioners who voted “No” on the Randolph Street project...

Hopping Mad Carlin Smith is hopping mad (“Will You Get Mad With Me?” 7-20-15). Somebody filed a fraudulent return using his identity, and he’s not alone. The AP estimates the government “pays more than $5 billion annually in fraudulent tax refunds.” Well, many of us have been hopping mad for years. This is because the number one tool Congress has used to fix this problem has been to cut the IRS budget –by $1.2 billion in the last 5 years...

Just Grumbling, No Solutions Mark Pontoni’s grumblings [recent Northern Express column] tell us much about him and virtually nothing about those he chooses to denigrate. We do learn that Pontoni may be the perfect political candidate. He’s arrogant, opinionated and obviously dimwitted...

A Racist Symbol I have to respond to Gordon Lee Dean’s letter claiming that the confederate battle flag is just a symbol of southern heritage and should not be banned from state displays. The heritage it represents was the treasonous effort to continue slavery by seceding from a democratic nation unwilling to maintain such a consummate evil...

Not So Thanks I would like to thank the individual who ran into and knocked over my Triumph motorcycle while it was parked at Lowe’s in TC on Friday the 24th. The $3,000 worth of damage was greatly appreciated. The big dent in the gas tank under the completely destroyed chrome badge was an especially nice touch...

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4Play: Friendly Fires, Noah & The Whale, Maximo Park, Portico Quartet

Kristi Kates - August 31st, 2009
4Play
Kristi Kates 8/31/09
Friendly Fires - Friendly Fires - XL
With such diverse influences as The Thompson Twins, M83, and Prince, electro-popsters Friendly Fires snagged the production skills of Bloc Party/Maximo Park producer Paul Epworth for their first single, “Jump in the Pool,” a catchy and near-calypso tune, producing the rest of the album themselves. This isn’t a bad thing, although Epworth did give the band a narrower focus - a few of the other songs seem a bit wayward in their arrangements - but ‘80s-inflected tunes like the synth-y “Lovesick” and the multi-grooved “On Board” will still get plenty of attention.




Noah and the Whale - Peaceful the World Lays Me Down - Universal
As the album’s title might indicate, this set from indie-folksters Noah and the Whale, while sometimes quite peppy, is overall a gentle, almost placid effort, blending heartworn lyric phrasings with layers of eclectic instruments to craft an album that, strangely, can actually be called “cute.” Singer Charlie Fink takes on the bewildered-nerd role, with his appealing and earnest vocals guiding the way through songs like “5 Atoms in a Molecule,” the pretty and simple “Give a Little Love,” “Rocks and Daggers,” and the summery (and super-singalongable) first single, “5 Years Time.”



Maximo Park - Quicken the Heart - Warp
Post-punk band Maximo Park turned to Yeah Yeah Yeahs/Talking Heads producer Nick Launay to guide their latest effort - their first in four years - and as a result, the new songs are slightly less poppy and a little more funky than their previous sets. Concise in their arrangements and also more forboding than one might expect from this band, songs like “Wraithlike” with its machine gun-like guitar precision; “Overland, West of Suez” with its grumbling bass and keytar sounds; and “In Another World” with its ‘80s feel definitely make an audio impression.




Portico Quartet - Knee Deep in the North Sea - Vortex
It was up for the Mercury Music Prize alongside a plethora of hipster indie and pop bands, and still managed to garner plenty of attention even though it’s definitely jazz, albeit more unusual jazz than what you’re probably used to hearing. Most of the songs are based around the Hang (similar to a marimba, with a more steel-drum-like sound), over which the quartet paste bass guitar, saxophone, and other well-played elements; a classical feel can be heard on tracks like “Pompidou” and “Cittagazze,” while “Kon Tiki...” and “Steps...” add a nifty modern jazz-pop sound.

 
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