Letters

Letters 10-20-2014

Doctor Dan? After several email conversations with Rep. Benishek, he has confirmed that he doesn’t have a clue of what he does. Here’s why...

In Favor Of Our Parks [Traverse] City Proposal 1 is a creative way to improve our city parks without using our tax dollars. By using a small portion of our oil and gas royalties from the Brown Bridge Trust Fund, our parks can be improved for our children and grandchildren.

From January 1970 Popular Mechanics: “Drastic climate changes will occur within the next 50 years if the use of fossil fuels keeps rising at current rates.” That warning comes from Eugene K. Peterson of the Department of the Interior’s Bureau of Land Management.

Newcomers Might Leave: Recently we had guests from India who came over as students with the plan to stay in America. He has a master’s degree in engineering and she is doing her residency in Chicago and plans to specialize in oncology. They talked very candidly about American politics and said that after observing...

Someone Is You: On Sept 21, I joined the 400,000 who took to the streets of New York in the People’s Climate March, followed by a UN Climate Summit and many speeches. On October 13, the Pentagon issued a report calling climate change a significant threat to national security requiring immediate action. How do we move from marches, speeches and reports to meaningful work on this problem? In NYC I read a sign with a simple answer...

Necessary To Pay: Last fall, Grand Traverse voters authorized a new tax to fix roads. It is good, it is necessary.

The Real Reasons for Wolf Hunt: I have really been surprised that no one has been commenting on the true reason for the wolf hunt. All this effort has not been expended so 23 wolves can be killed each year. Instead this manufactured controversy about the wolf hunt has been very carefully crafted to get Proposal 14-2 passed.

Home · Articles · News · Music · Local CDs
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Local CDs

Kristi Kates - May 24th, 2010
Local CDs
By Kristi Kates
Dean Wiers-Windemuller - Dean Wiers-Windemuller
Complete with rubber-stamped, recycled-paper CD envelope, Dean Wiers-Windemuller’s set includes contributions from James Forrest Hughes on bass, Brian Morrill on drums, and Michael Crittenden on percussion, although the songs are all written by the Grand Rapids singer-songwriter himself.
The whole thing, especially the packaging and notes, is a little too grassroots-earnest at times (“my new CD includes a song I sang at my own wedding!”) - and one might wonder how the folky Wiers-Windemuller ended up as an opening act for American Idol pop-snippet David Archuleta (?) - but the songs are decently structured, and do showcase Wiers-Windemuller’s claims of being influenced by the likes of fellow folksters Ray LaMontagne and Martin Sexton.
Opener “Though I Wish You Were Here” has a catchy, skipping refrain, while the declarative “Girl Our Love Will Last” features more of Wiers-Windemuller’s nicely mellow guitar work and slightly overzealous mid-range vocals, and “Evidence (for Rush)” serves as a direct “message” to radio crank Rush Limbaugh.

Blue Dirt Band - Blue Dirt
Hailing from Traverse City, musicians Tractor Mike (guitar/mandolin/vocals), Jay Slash (bass/vocals), and Stonewall P.J. (percussion and “pots and pans”) make up the Blue Dirt trio, whose full-length CD was recorded by Pat Neimesto and features artwork by Robert Schewe.
Their follow-up to a series of Northern Michigan shows at Black Star Farms, Short’s Brewing Company, and Union Street Station, the album starts off slow with John Hartford’s “Good Ole Days,” which awkwardly drags through the first four and a half minutes. Fortunately, the album revives with track two, a spirited take on The Waybacks’ “Sierra Madre” that sounds like a countrified version of Squirrel Nut Zippers without the big band instruments. Their version of Tom Petty’s “Don’t Fade On Me” is a nifty one, too, with old-timey harmonies and hurried saloon strumming as if a bar stool’s a-gonna fly through that window at any moment. And three Blue Dirt originals round out the disc, among them a somewhat haphazard, half-hearted instrumental that appears, by title alone, to be their signature piece (“Blue Dirt”).

Michael Lee - My Own Man
Singer-songwriter Michael Lee Seiler (who goes by the last name Lee on this release) blends “songs of Boyne” with a hint of Delta blues on his album, a solo escapade away from his work with Synergy and the Claude Fraug Band.
Recorded at Bellaire, Michigan’s Runyan Media, Lee collaborates with Dave Runyan himself on bass and electric guitar, as well as Ben Silva on drums. Spawned in part from his worship service music, and in part from his experiences at songwriters’ retreats, Lee’s tunes and lyrics are quite genuine and heartfelt, if a little overly sentimental. “My Own Man” is pensive and highlighted with a tinkling piano riff, while “Mississippi Blues” is an outsider’s view of the blues scene; and a pair of Boyne-focused songs (“Sweet Boyne” and “In the Boyne”) pay homage to Boyne City and fishing Up North, respectively.
Most of the tracks are anchored by guitar and Lee’s passive vocals - which quite often waver around the note before landing on it - but he manages to infuse most of the songs with personality. He’s kind of like a slightly less-compelling version of Bob Dylan in how he overcomes his vocal limitations with his sincerity; a minstrel for Michigan, if you will.

 
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