Letters

Letters 10-20-2014

Doctor Dan? After several email conversations with Rep. Benishek, he has confirmed that he doesn’t have a clue of what he does. Here’s why...

In Favor Of Our Parks [Traverse] City Proposal 1 is a creative way to improve our city parks without using our tax dollars. By using a small portion of our oil and gas royalties from the Brown Bridge Trust Fund, our parks can be improved for our children and grandchildren.

From January 1970 Popular Mechanics: “Drastic climate changes will occur within the next 50 years if the use of fossil fuels keeps rising at current rates.” That warning comes from Eugene K. Peterson of the Department of the Interior’s Bureau of Land Management.

Newcomers Might Leave: Recently we had guests from India who came over as students with the plan to stay in America. He has a master’s degree in engineering and she is doing her residency in Chicago and plans to specialize in oncology. They talked very candidly about American politics and said that after observing...

Someone Is You: On Sept 21, I joined the 400,000 who took to the streets of New York in the People’s Climate March, followed by a UN Climate Summit and many speeches. On October 13, the Pentagon issued a report calling climate change a significant threat to national security requiring immediate action. How do we move from marches, speeches and reports to meaningful work on this problem? In NYC I read a sign with a simple answer...

Necessary To Pay: Last fall, Grand Traverse voters authorized a new tax to fix roads. It is good, it is necessary.

The Real Reasons for Wolf Hunt: I have really been surprised that no one has been commenting on the true reason for the wolf hunt. All this effort has not been expended so 23 wolves can be killed each year. Instead this manufactured controversy about the wolf hunt has been very carefully crafted to get Proposal 14-2 passed.

Home · Articles · News · Music · 4Play: Sharon Jones and the Dap...
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4Play: Sharon Jones and the Dap Kings/ Christian Scott/ Nas & Damien Marley/ Mulatu Astake

Kristi Kates - May 31st, 2010
Sharon Jones and the Dap-Kings - I Learned the Hard Way - Daptone
Responsible, in large part, for resuscitating ‘50s-’60s-era soul music and bringing it into the modern day and age (even staging a well-cheered performance at the Lollapalooza Fest), the feisty Jones and her swaggering backing band are back with their sophomore set, as produced by Bosco Mann. Recorded on an Ampex 8-track for a warmer, more authentic sound, the album - and the band - perfectly support Jones’ confident Franklin/Staples/Turner-esque vocals on tunes like the groovin’ “Money” and the bluesy ballad “If You Call.”





Christian Scott - Yesterday You Said Tomorrow - Concord
New Orleans trumpeter Scott recorded his fourth Concord jazz/hip-hop album at the legendary Van Gelder Studio in New Jersey, complete with engineering by Rudy Van Gelder himself. Spare production and a quartet band (instead of his previous sextet) allows the tracks to focus on Scott’s stylish trumpet playing, best showcased on the ballad “Isadora” and the funky and harmonically-detailed “After All.” Echoes of Miles Davis can be heard throughout as Scott continues to meld diverse genres into his own new brand of jazz.



Nas and Damian Marley - Distant Relatives - Republic
This is far more than either Nas or Marley guesting on the other’s album. Distant Relatives brings both artists together in an equally-collaborative production, deftly blending Nas’ heavier hip-hop with Marley’s dancehall and reggae, seasoning the set with everything from trumpets to congas, and finding common roots in both musicians’ work. “Tribes at War” sings of shared ancestry, “Africa Must Wake Up” puts forth a more political message, and “Count Your Blessings” adds a little optimism to the proceedings.




Mulatu Astatke - Mulatu Steps Ahead - Strut
The latest solo studio album from “the father of Ethio jazz,” Astatke’s work has long been known by serious world music and jazz fans, and for novices, it’s a great introduction to how world music fusions work best. On this set, he blends Ethiopian sounds together with Western jazz arrangements and instruments, for a detailed series of tracks on which several listens are needed to decipher all of the layers. Guesting alongside Astatke are members of The Heliocentrics as well as traditional Ethiopian musicians, to make the mix even richer.


 
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