Letters

Letters 08-03-2015

Real Brownfields Deserve Dollars I read with interest the story on Brownfield development dollars in the July 20 issue. I applaud Dan Lathrop and other county commissioners who voted “No” on the Randolph Street project...

Hopping Mad Carlin Smith is hopping mad (“Will You Get Mad With Me?” 7-20-15). Somebody filed a fraudulent return using his identity, and he’s not alone. The AP estimates the government “pays more than $5 billion annually in fraudulent tax refunds.” Well, many of us have been hopping mad for years. This is because the number one tool Congress has used to fix this problem has been to cut the IRS budget –by $1.2 billion in the last 5 years...

Just Grumbling, No Solutions Mark Pontoni’s grumblings [recent Northern Express column] tell us much about him and virtually nothing about those he chooses to denigrate. We do learn that Pontoni may be the perfect political candidate. He’s arrogant, opinionated and obviously dimwitted...

A Racist Symbol I have to respond to Gordon Lee Dean’s letter claiming that the confederate battle flag is just a symbol of southern heritage and should not be banned from state displays. The heritage it represents was the treasonous effort to continue slavery by seceding from a democratic nation unwilling to maintain such a consummate evil...

Not So Thanks I would like to thank the individual who ran into and knocked over my Triumph motorcycle while it was parked at Lowe’s in TC on Friday the 24th. The $3,000 worth of damage was greatly appreciated. The big dent in the gas tank under the completely destroyed chrome badge was an especially nice touch...

Home · Articles · News · Music · 4Play: Sharon Jones and the Dap...
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4Play: Sharon Jones and the Dap Kings/ Christian Scott/ Nas & Damien Marley/ Mulatu Astake

Kristi Kates - May 31st, 2010
Sharon Jones and the Dap-Kings - I Learned the Hard Way - Daptone
Responsible, in large part, for resuscitating ‘50s-’60s-era soul music and bringing it into the modern day and age (even staging a well-cheered performance at the Lollapalooza Fest), the feisty Jones and her swaggering backing band are back with their sophomore set, as produced by Bosco Mann. Recorded on an Ampex 8-track for a warmer, more authentic sound, the album - and the band - perfectly support Jones’ confident Franklin/Staples/Turner-esque vocals on tunes like the groovin’ “Money” and the bluesy ballad “If You Call.”





Christian Scott - Yesterday You Said Tomorrow - Concord
New Orleans trumpeter Scott recorded his fourth Concord jazz/hip-hop album at the legendary Van Gelder Studio in New Jersey, complete with engineering by Rudy Van Gelder himself. Spare production and a quartet band (instead of his previous sextet) allows the tracks to focus on Scott’s stylish trumpet playing, best showcased on the ballad “Isadora” and the funky and harmonically-detailed “After All.” Echoes of Miles Davis can be heard throughout as Scott continues to meld diverse genres into his own new brand of jazz.



Nas and Damian Marley - Distant Relatives - Republic
This is far more than either Nas or Marley guesting on the other’s album. Distant Relatives brings both artists together in an equally-collaborative production, deftly blending Nas’ heavier hip-hop with Marley’s dancehall and reggae, seasoning the set with everything from trumpets to congas, and finding common roots in both musicians’ work. “Tribes at War” sings of shared ancestry, “Africa Must Wake Up” puts forth a more political message, and “Count Your Blessings” adds a little optimism to the proceedings.




Mulatu Astatke - Mulatu Steps Ahead - Strut
The latest solo studio album from “the father of Ethio jazz,” Astatke’s work has long been known by serious world music and jazz fans, and for novices, it’s a great introduction to how world music fusions work best. On this set, he blends Ethiopian sounds together with Western jazz arrangements and instruments, for a detailed series of tracks on which several listens are needed to decipher all of the layers. Guesting alongside Astatke are members of The Heliocentrics as well as traditional Ethiopian musicians, to make the mix even richer.


 
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